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Harry Langdon in The Big Flash (1932)

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The Big Flash

5 opiniones
6/10

Not typical of earlier Langdon shorts

  • planktonrules
  • 9 sep 2008
  • Enlace permanente
4/10

Quite below average

  • Cristi_Ciopron
  • 9 sep 2009
  • Enlace permanente
7/10

Reunion: Mack Sennett University, Class of 1926

  • wmorrow59
  • 26 jun 2009
  • Enlace permanente
7/10

Harry proves he's not a flash in the pan

This Harry Langdon short for Educational Pictures is quite funny. The plot and scenario, though, are only so-so: Harry becomes a photographer's assistant through a mix-up and has to takes pictures of a gangster's girlfriend. What makes it is that Arvid E. Gilstrom's direction lingers long enough to let Harry do his thing and be funny. He's at the top of his game here and plays every gag wonderfully, constantly throwing in the subtle touches that made him a cut above most comedians of the day (for instance, those spams of running in place, trying to get the policeman to come with him). Directing this short with fast "comedy" pacing would have made it lose a lot of what makes its gags work.

There's actually something wonderfully natural and innocent about the way Harry Langdon delivers his lines. I think his piping, hesitant voice works perfectly with his fidgeting, babyish screen character and shorts like this one prove that he was still making successful comedies into the sound era, despite some people's belief that his career effectively ended around 1928. He works very well with his frequent costar at Educational Vernon Dent, and as another reviewer pointed out, they suggest almost a comedy team at this point.

A lot of the gag ideas here are very good too; there's no way of knowing how much Langdon himself contributed. I love his attempts at flirting early in the film. Overall a good, solid, funny, Langdon talkie.
  • hte-trasme
  • 3 sep 2009
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Decent Short Comedy

This silly but mostly entertaining short comedy has Harry Langdon as an amateur photographer who is trying to get some big pictures for a newspaper. Langdon's style comes from the silent era, but it works all right here, and this feature is not bad at all. He and Vernon Dent get into a series of completely improbable but mostly amusing situations, as they try to get photos of a gangster and his associates in action. The dialogue is of negligible usefulness and sometimes gets in the way, so this might have played better as a silent. But enough of the slapstick is funny to make "The Big Flash" a watchable and generally amusing movie.
  • Snow Leopard
  • 1 ene 2002
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