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Behind the Mask

  • 1932
  • Approved
  • 1h 8min
CALIFICACIÓN DE IMDb
5.9/10
476
TU CALIFICACIÓN
Constance Cummings and Jack Holt in Behind the Mask (1932)
CrimenMisterioRomanceTerror

Agrega una trama en tu idiomaAn undercover Federal officer serving time in prison fakes his escape in order to infiltrate a heroin smuggling ring.An undercover Federal officer serving time in prison fakes his escape in order to infiltrate a heroin smuggling ring.An undercover Federal officer serving time in prison fakes his escape in order to infiltrate a heroin smuggling ring.

  • Dirección
    • John Francis Dillon
  • Guionista
    • Jo Swerling
  • Elenco
    • Jack Holt
    • Constance Cummings
    • Boris Karloff
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    476
    TU CALIFICACIÓN
    • Dirección
      • John Francis Dillon
    • Guionista
      • Jo Swerling
    • Elenco
      • Jack Holt
      • Constance Cummings
      • Boris Karloff
    • 20Opiniones de los usuarios
    • 23Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos49

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    + 42
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    Elenco principal14

    Editar
    Jack Holt
    Jack Holt
    • Jack Hart aka Quinn
    Constance Cummings
    Constance Cummings
    • Julie Arnold
    Boris Karloff
    Boris Karloff
    • Jim Henderson
    Claude King
    Claude King
    • Arnold
    Bertha Mann
    Bertha Mann
    • Nurse Edwards
    Edward Van Sloan
    Edward Van Sloan
    • Dr. August Steiner…
    Willard Robertson
    Willard Robertson
    • Capt. E.J. Hawkes
    Thomas E. Jackson
    Thomas E. Jackson
    • Agent Burke
    • (as Tommy Jackson)
    Jessie Arnold
    Jessie Arnold
    • Eastland Hospital Nurse
    • (sin créditos)
    Clarence Burton
    Clarence Burton
    • Agent Gorman
    • (sin créditos)
    Rodney Hildebrand
    • Cell Block Guard
    • (sin créditos)
    Martha Mattox
    Martha Mattox
    • Hotel Ansonia Maid
    • (sin créditos)
    Louis Natheaux
    Louis Natheaux
    • Arnold's Secretary
    • (sin créditos)
    • …
    Harry Tenbrook
    Harry Tenbrook
    • Man in Black
    • (sin créditos)
    • …
    • Dirección
      • John Francis Dillon
    • Guionista
      • Jo Swerling
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios20

    5.9476
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    Opiniones destacadas

    6mackjay2

    Very watchable minor crime thriller.

    Were it not for the presence of Boris Karloff, here in a supporting role, we may not have such a high quality home video edition of this movie. Enjoyable as it is in many ways, BEHIND THE MASK is also a good example of how much difference a talented director can make. Compare the films of James Whale, for example, from the same period and see how much better several scenes here might have been. On the plus side, there is the cinematography of Ted Tetzlaff, creating moody scenes in heavy rain that grab a viewer's attention from the start. So the film looks mostly great, but in the acting department it's merely adequate. No one in the cast is terrible, and we do have Edward Van Sloane clearly enjoying himself as an evil scientist. But even Karloff is a slight disappointment. It's fun to see him in modern dress, playing a hired killer, but it's not one of his really notable appearances. Still, the plot is engaging and there is more action than one might expect from such a modest production.
    5Ale fish

    Efficient thriller re-teaming Karloff & Van Sloan shortly after the success of 'Frankenstein.'

    What must have started life as a pretty ordinary crime picture is dressed up for the box office with some of the popular flourishes of the day such as electronic gadgets and a mysterious criminal mastermind.

    Karloff gives excellent value as villain's chief henchman and thankfully gets plenty of screen time.

    Although director and cast were all well experienced in pictures, the performances tend to be on the dull side, particularly Jack Holt in the lead. The pace of individual scenes is a little slow too, almost as if everyone concerned were making a conscious effort to hold back from the excesses of the silent days.

    No classic, but you could do worse.
    7wdbasinger

    Creepy Columbia Potboiler

    A macabre mystery with many elements of the supernatural/shudder scientific genres.

    Boris Karloff plays a lead henchman in the service of a mysterious Mr. X. His performance does not suggest a red herring role, but he is sinister enough as a grim-faced gangster to keep one's interest throughout the picture. Early on, it seems possible that the sinister Dr. Steiner played by Edward van Sloan may seem to be a more likely candidate for Mr. X., but his performance raises enough doubts to keep the viewer in a constant state of suspense.

    A very fine "B" feature for the night owl crowd.

    7/10.

    Dan Basinger
    7kevinolzak

    Seen on Pittsburgh's Chiller Theater in 1967

    1932's "Behind the Mask" was the earliest Columbia title included in the hugely successful SON OF SHOCK television package of the late 1950s, reteaming Boris Karloff and Edward Van Sloan following the just-completed "Frankenstein" (shooting wrapped Nov 21 1931). Headlining is the studio's top workhorse, Jack Holt (father of Tim), playing an undercover FBI agent posing as a convict, pumping information from Jim Henderson (Karloff), part of the dope smuggling ring run by a mysterious 'Mr. X.' The somewhat dim Henderson hardly taxes Boris, who virtually disappears at the midway point (we later learn of his offscreen capture); the real revelation is seeing Edward Van Sloan in dual roles- he looks like himself in two scenes as Dr. Alec Munsell, involved in the FBI investigation, but is unrecognizable in heavy beard and glasses as Dr. August Steiner, chewing the scenery with great relish. It's a juicy, scene stealing villain, sounding very much like an evil Van Helsing, able to lawfully dispose of enemies through surgery on the operating table, rather than wielding a knife in the street, which would only attract attention. Lovely Constance Cummings finishes her third film opposite Karloff, following "The Criminal Code" and "The Guilty Generation," while Thomas Jackson, shortly after his successful pursuit of Edward G. Robinson's "Little Caesar," surprisingly comes to a bad end. Jack Holt went on to work with Bela Lugosi in a later Columbia, 1935's "The Best Man Wins" (and with John Carradine in 1942's MGM "Northwest Rangers"). Many viewers, particularly Karloff fans, grouse that it's not really a horror film, but there's certainly enough horrific touches to qualify for SON OF SHOCK, a solid pre-code melding of crime and chills. "Behind the Mask" made one appearance on Pittsburgh's Chiller Theater, July 8 1967 (followed by 1961's Mexican "Bring Me The Vampire").
    7dbborroughs

    Good crime thriller keeps you sitting on the edge of your seat to the end

    Jack Holt escapes from prison and follow the advice of his friend Boris Karloff to go see a certain man if he wants to remain free and make lots of money. Holt does so and soon finds himself working for a mysterious Mr X, who is running a large criminal operation. Holt however is no cook, he is instead a federal agent seeking to break a drug ring.

    Made prior to the release of Frankenstein this is a film with Boris Karloff in one of his henchmen supporting roles. He's good but a bit over active. The real star here is Jack Holt who was a big star in the silent days and who's career slowly faded once sound came in. I've always liked Holt and felt he was under appreciated by most people who know who he was (The problem is that most people have no idea at all who he was). Holt here is a rugged leading man and a nice man of action. He is in short the perfect hero.

    The film itself is quite good. Going from big house, to country house to doctors office, this is a thriller that keeps you guessing and keeps you interested. Its nice to see a movie that isn't so formulaic that you can connect the dots and know who is doing what before you're told. The action when it comes is well done and there is generally a good amount of suspense, especially in the final moments as it is uncertain if or how out hero will escape the villains clutches.

    Worth searching out and perfect for a nice double or triple feature on a dark and stormy night.

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    Argumento

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    • Trivia
      Part of the SON OF SHOCK package of 20 titles released to television in 1958, which followed the original SHOCK THEATER release of 52 features one year earlier. This was also the first of 11 Columbia titles, the other 61 all being Universals.
    • Errores
      A dummy, thrown from the airplane by the pilot, instead of the pilot himself, to fool the people in the boat, would not be able to pull the ripcord on the parachute at the right time, to open it up.
    • Citas

      Mr. X: [as Hart is restrained on the operating table] I am just going to cut away your shirt. You don't mind? The pain when I am going through the layers of skin will not be unendurable. It is only when I am able to cut on the inside that you will realize you are having... an experience.

      [He cackles under his surgical mask]

      Mr. X: Wasn't it Nietzsche, who said that unendurable pain merges into ecstasy?

    • Conexiones
      Edited from The Criminal Code (1931)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de febrero de 1932 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Secret Service
    • Locaciones de filmación
      • Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(operating room)
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 8 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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