Agrega una trama en tu idiomaA beauty parlor manager has her sister help her with interesting results.A beauty parlor manager has her sister help her with interesting results.A beauty parlor manager has her sister help her with interesting results.
- Dirección
- Guionistas
- Elenco
William Collier Jr.
- Johnnie Beasley
- (as Buster Collier Jr.)
W. Anderson
- Train Porter
- (sin créditos)
Roscoe Ates
- Stuttering Ticket Agent
- (sin créditos)
Sidney Bracey
- Beasley's Butler
- (sin créditos)
Richard Coleman
- Train Porter
- (sin créditos)
Jules Cowles
- Man on Train with Big Mustache
- (sin créditos)
Edward Dillon
- Train Passenger
- (sin créditos)
Bobby Dunn
- Train Station Extra
- (sin créditos)
George Marion
- Old Man on Ticket Line
- (sin créditos)
Sam McDaniel
- Train Porter
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Suffering hard times in South Bend, hefty Marie Dressler (as Marie Truffle) moves her poverty-stricken family to New York. There, she moves in with her generous, more well-to-do sister Polly Moran (as Polly Rochay). Ms. Dressler joins Ms. Moran at work in her "Beauty Parlor" and "Reducing" salon, with calamitous results. Dressler is frequently funny, and Moran mostly so; but, the comedy suffers whenever the focus becomes their respective daughters' love story. Dressler and Moran squabble over the younger women's interest in the same man, which becomes an issue about class. Still, Dressler is terrific, especially in the first half. And, capable daughters Anita Page (as Vivian Truffle) and Sally Eilers (as Joyce Rochay) strengthen the weaker parts.
***** Reducing (1/3/31) Charles Reisner ~ Marie Dressler, Polly Moran, Anita Page
***** Reducing (1/3/31) Charles Reisner ~ Marie Dressler, Polly Moran, Anita Page
A Midwestern housewife comes to New York City to help her social-climbing sister run a fancy beauty salon & REDUCING parlor.
Marie Dressler shines in this movie vehicle tailored especially for her. With simple dignity & genuineness - and a crazy sense of humor - she captures the viewer's attention from her very first scene. Whether intimidating a ticket seller, attempting to climb into an upper berth, creating havoc in the salon, or prying an egg out of her little boy's mouth, she amply provides illustration why she was Hollywood's greatest & most beloved star in the early 1930's. There's never been another like her; she was completely unique & irreplaceable.
Receiving equal billing with Dressler is her frequent partner in mirth, the ubiquitous Polly Moran. This short, shrill, buxom comedienne could hold her own with the inimitable Dressler in the field of slapstick. Whether wallowing in a mud bath or trapped in a steam room, Moran is great fun as Marie's foil.
Anita Page & Lucien Littlefield have some good moments as Dressler's daughter & husband; but with Dressler & Moran on the loose, they're up against severe screen competition.
Movie mavens will recognize the unbilled Roscoe Ates as the stuttering railway ticket agent who has the misfortune to find Marie in his line.
It is important to note that the large glass swastika in the salon, which Marie inadvertently smashes, has nothing whatsoever to do with the Nazis. Rather it was an ancient symbol, even used by some Native American tribes, and was not infrequently seen as a trendy design or decoration.
Marie Dressler shines in this movie vehicle tailored especially for her. With simple dignity & genuineness - and a crazy sense of humor - she captures the viewer's attention from her very first scene. Whether intimidating a ticket seller, attempting to climb into an upper berth, creating havoc in the salon, or prying an egg out of her little boy's mouth, she amply provides illustration why she was Hollywood's greatest & most beloved star in the early 1930's. There's never been another like her; she was completely unique & irreplaceable.
Receiving equal billing with Dressler is her frequent partner in mirth, the ubiquitous Polly Moran. This short, shrill, buxom comedienne could hold her own with the inimitable Dressler in the field of slapstick. Whether wallowing in a mud bath or trapped in a steam room, Moran is great fun as Marie's foil.
Anita Page & Lucien Littlefield have some good moments as Dressler's daughter & husband; but with Dressler & Moran on the loose, they're up against severe screen competition.
Movie mavens will recognize the unbilled Roscoe Ates as the stuttering railway ticket agent who has the misfortune to find Marie in his line.
It is important to note that the large glass swastika in the salon, which Marie inadvertently smashes, has nothing whatsoever to do with the Nazis. Rather it was an ancient symbol, even used by some Native American tribes, and was not infrequently seen as a trendy design or decoration.
... was no more togetherness and roses than it is today, especially when one part of the family was prosperous (Polly Moran as Polly Rochay) and the other part was struggling (Marie Dressler as Marie Truffle). This great old precode comedy has a warmth to it too, which is most evident in the final few scenes on Thanksgiving.
Marie Truffle has three children and an unemployed husband, so she accepts her sister Polly's invitation to take the train to where she lives and stay with her awhile until they get back on their feet. Polly even offers Marie a job in her beauty salon. Through a series of well-intended mistakes, Marie makes a wreck of the parlor. Through a series of snide remarks, Polly makes sure Marie and her family take note of every bite of food they have at her expense. On top of that, the two grown female cousins, Joyce Roche (Sally Eilers) and Vivian Truffle (Anita Page), aren't getting along either. Vivian decides to take Joyce down a peg or two by dating Joyce's boyfriend, just to make her jealous. The two sisters take up for their respective daughters, and pretty soon it's a full blown comical family feud.
MGM was never that proficient at comedy, and where they try to force the laughs here the movie falters, but whenever it's Polly Moran and Marie Dressler together, the comedy is something so pure that not even MGM could mess it up. These two always did a great job of playing women who obviously love each other no matter how fierce the disagreement that's taking place on the surface. Highly recommended.
Marie Truffle has three children and an unemployed husband, so she accepts her sister Polly's invitation to take the train to where she lives and stay with her awhile until they get back on their feet. Polly even offers Marie a job in her beauty salon. Through a series of well-intended mistakes, Marie makes a wreck of the parlor. Through a series of snide remarks, Polly makes sure Marie and her family take note of every bite of food they have at her expense. On top of that, the two grown female cousins, Joyce Roche (Sally Eilers) and Vivian Truffle (Anita Page), aren't getting along either. Vivian decides to take Joyce down a peg or two by dating Joyce's boyfriend, just to make her jealous. The two sisters take up for their respective daughters, and pretty soon it's a full blown comical family feud.
MGM was never that proficient at comedy, and where they try to force the laughs here the movie falters, but whenever it's Polly Moran and Marie Dressler together, the comedy is something so pure that not even MGM could mess it up. These two always did a great job of playing women who obviously love each other no matter how fierce the disagreement that's taking place on the surface. Highly recommended.
Fun flick. Stuttering ticket-seller at the train station. Gotta love Marie Dressler - I think she was in almost EVERY black and white movie made before 1935, and she was great! Marie Truffle (Dressler) goes to visit cousin Polly (Polly Moran) in NYC to "help" her with her store. You can tell talkies had just started, since director Charles Reisner uses title cards here and there. Dressler would work with Reisner on seven different films in just three years. This one also has some slapstick comedy routines that could have been snitched from a three stooges show (in the beauty salon...) but the film has a quick pace and is fun to watch. It's a "country mouse goes to the big city" movie, and lots of bickering between Polly and Marie, but they forgive each other quickly every time. Dressler would make THIRTEEN films with Polly Moran, and three films with Roscoe Ates. Sadly, Marie would only make a couple more films after this one, including her most famous "Dinner at Eight" with all the big names in it. She died in her 60's in 1934.
Marie Dressler stars as a woman from South Bend, IN who comes east to visit her sister (Polly Moran) who runs a fancy beauty salon. Each sister has a beautiful daughter: Dressler has Anita Page; Moran has snooty Sally Eilers. Dressler has has 2 boys and a failed husband (Lucien Littlefield). The cousins begin scrapping over "catch" William Collier, Jr., while another beau (William Bakewell) mopes around. Before long the sisters are quarreling too. Roscoe Ates is the ticket seller. Sitcom comedy/drama but worth a look for the Dressler-Moran pairing as well as the nice deco sets or Moran's home and salon. This film takes an interesting turn at the end.
Funniest bit is probably Dressler trying to buy train tickets from the stuttering Ates while the long line of people behind Dressler look on. Ates asks her where she wants to go. She finally says New York. Ates asks, "Do you want to go by Buffalo?" After a perfect comedic pause and a few facial twitches she responds, "No, I want to go by train."
And oh, the little boy (the one who gets his foot caught in a spittoon), Jay Ward, grew up to create Rocky and Bullwinkle.
Funniest bit is probably Dressler trying to buy train tickets from the stuttering Ates while the long line of people behind Dressler look on. Ates asks her where she wants to go. She finally says New York. Ates asks, "Do you want to go by Buffalo?" After a perfect comedic pause and a few facial twitches she responds, "No, I want to go by train."
And oh, the little boy (the one who gets his foot caught in a spittoon), Jay Ward, grew up to create Rocky and Bullwinkle.
¿Sabías que…?
- TriviaWhen Marie pulls a lever that sends a chair crashing into the glass in the Reducing Parlor, a huge swastika can be seen on the glass. The Nazis had not yet come to power in Germany when this film was released. The swastika is an ancient symbol that has been associated with good fortune in many cultures for thousands of years. The word swastika comes from the Sanskrit word svastika, which means "good fortune" or "well-being".
- Citas
Polly Rochay: [as Elmer Truffle snores loudly] Well, I don't know how you could marry a man that snores that way.
Marie Truffle: [laughing] It was too late when I found it out.
- ConexionesFeatured in The Big Parade of Comedy (1964)
- Bandas sonorasThe Old Folks at Home
(uncredited)
Written by Stephen Foster
[The tune played by Elmer (Lucien Littlefield) on the flute]
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Invazija rodjaka ili salon za lepotu
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 222,000 (estimado)
- Tiempo de ejecución1 hora 17 minutos
- Color
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By what name was Reducing (1931) officially released in India in English?
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