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In Laurel's and Hardy's first full length talking picture the boys go behind bars.And Stan's loose tooth gets the boys in trouble many times, when it starts making a funny noise every time he speaks.Pardon Us offers you many funny moments with Laurel and Hardy.

Laurel and Hardy's first feature film is a rather uneven affair with a disjointed story that sees Laurel and Hardy are sent to prison for selling home brew to a policeman during prohibition.

In hail they end up on the wrong side of their cellmate, The Tiger who is mean bad one. Stan's loose tooth which makes a raspberry noise constantly lands the duo in trouble.

They end up in solitary, then escape to a cotton plantation and once recaptured they inadvertently break up a prison riot.

The film is rather overlong and padded, like a couple of shorts cobbled together with some songs.

In & out of prison, Stan & Ollie just can't seem to stay out of trouble.

"PARDON US" was the Boys' first starring feature film. Rather disjointed and poorly edited, it plays more like a few of their short subjects strung together. However, the Boys never falter and they deliver a film whose parts are greater than its whole.

The film was meant to be a spoof of MGM's popular THE BIG HOUSE (1930) and it helps to have seen that earlier movie to fully appreciate this one. Many of the standard conventions of the typical prison film are mocked here: the ‘understanding' warden, the dangerous convict cell mate, the confinement in Solitary, the escape chased by bloodhounds, the prison riot.

A few comedy pieces in particular stand out: Stan's loose tooth; Ollie in the dentist's chair; the Boys trying to settle into the constricted confines of an upper bunk. James Finlayson, Stan & Ollie's old nemesis, makes the most of his one scene as the prison schoolteacher driven to despair by the Boys' good-natured idiocy.

Walter Long is lots of fun as the Tiger, the meanest convict in the prison (Boris Karloff played the part for the French language version). Movie mavens will spot an uncredited Charlie Hall as the dental assistant.

An added delight is Babe Hardy's rendition of ‘Lazy Moon,' one of the decade's finest film songs. Ollie had a warm, evocative voice, full of feeling and emotion. Here, backed by the magnificent Hall Johnson Choir, his song reaches out of the screen and down the decades to touch the hearts of the audience.

PARDON US (Hal Roach/MGM, 1931), directed by James Parrott, introduces the team of Stan Laurel and Oliver Hardy to feature length comedy. Having been paired in comedy shorts since their initial teaming in 1927, and continuing through 1935, Laurel and Hardy's participation in features began with guest spots in musicals "The Hollywood Revue" (1929) and "The Rogue Song" (1930). Working in shorts with a feature per year before promoted directly to features by 1936, for PARDON US, a parody on prison films that were the stir of the time, was in fact a spoof on MGM's own success of THE BIG HOUSE (1930) starring Chester Morris and Wallace Beery. Although a drama, Fox Studios accomplishment in prison films followed with UP THE RIVER (1930) featuring Spencer Tracy, Warren Hymer and a very young Humphrey Bogart. Being a comedy, it lacked the humor PARDON US provided, mainly because the teaming of Tracy and Hymer an attempt of copying the friendly rivals chemistry of Victor McLaglen and Edmund Lowe of WHAT PRICE GLORY? (1926) fame, can't compare to them nor Laurel and Hardy, nor did they ever try to be. Such as it is, Laurel and Hardy's PARDON US is another fine mess they've gotten themselves into, with fine results.

Opening title: "Mr. Hardy is a man of wonderful ideas ... so is Mr. Laurel, as long as he doesn't try to think." Set during the Prohibition era, Oliver has a get-rich-quick scheme about brewing beer. He tells his partner, Stanley, "whatever we can't drink, we can sell." Next scene finds the Laurel and Hardy handcuffed and escorted to prison after Stanley sells their home made beer to a policeman he mistakes for a streetcar conductor. After meeting with their warden (Wilfred Lucas) who gives them a lecture on prison life, they are then placed in a cell with four other convicts, with The Tiger (Walter Long) the leader and toughest of the bunch. Because Stanley's loose molar causes him to make a buzzing sound mistaken for what's commonly known as a "raspberry," which gets him into trouble, The Tiger takes it as a sign of courage, making Stanley his immediate pal. With Ollie wanting to get in good with the Tiger by doing the same thing, he isn't so fortunate. Going through the daily routine of prison life, attending school and placed into solitary confinement for unwittingly disrupting the class, Stan and Ollie later take part in a prison break, and hide themselves from the law by taking refuge in a Negro community disguised as black cotton pickers.

PARDON US may not be the best in the filmography of Laurel and Hardy, but delivers with its full quota of laughs. The classroom sequence with James Finlayson as the schoolmaster is a true highlight. School was never like this, especially with prisoners beginning their school day singing, "Good morning, dear teacher," along with the teacher asking students questions and getting the answers not found in text books. For the ten minute cotton field sequence where fugitives Stan and Ollie appear in black-face, they, along with the other Negro workers, do some singing while working in the fields to such tunes as "Hand Me Down," "Way Down in the Old Camp Ground," "Swing Along," "From Birmingham" and "Down at the Farm." Oliver Hardy, a gifted singer in his own right, solos during the evening's recreation period with "Lazy Moon." While there's no secondary love interest to bog down the plot, June Marlowe, as the warden's daughter, is the only female in the cast, with very little to do, probably a victim of heavy film editing. Other Laurel and Hardy stock players, aside from Walter Long's parody of Wallace Beery from THE BIG HOUSE, and the hilarious Jimmy Finlayson, include Charles Hall as The Dentist; and Stanley "Tiny" Sanford as one of the prison guards. It should be noted that in the French language version of PARDON US, Boris Karloff appears in place of Walter Long. Not that's something to see!

A neglected comedy gem that would have been virtually forgotten had it not been for television where Laurel and Hardy comedies were rediscovered by a new generation with each passing decade since the 1950s. By the 1980s, home video such as Nostalgia Merchant, and cable TV guaranteed further popularity for Stan and Ollie, where this and their short subjects and features were presented, including American Movie Classics (1994-1996), and Turner Classic Movies where PARDON US premiered April 1, 2005 as part of its April Fools festival.

While prints of PARDON US were shown in years past in slightly choppy 55 minute format, the TCM print offers better picture quality at 64 minutes. Regardless of its pros and cons, PARDON US demonstrated further that Laurel and hardy are capable of carrying on successfully in feature length comedies, especially with such masterpieces as SONS OF THE DESERT (1933), BABES IN TOYLAND (1934) and WAY OUT WEST (1937) into their not so distant future. (**1/2)

Being the lads first full length feature it's not surprising that much of it feels like filler, certainly the jokes are not quick fire and the culminating outcome doesn't quite leave the viewer fully satisfied. However it should be noted that Laurel & Hardy's average output is still better than most other duos who would follow in their slipstream, and Pardon Us does have those moments that ooze comedy class. Witness both Stan & Ollie trying to control a machine gun with typical riotous results, enjoy Stanley's tooth problem that becomes a running gag, and of course enjoy Oliver's incredulous looks at the camera. It's solid if unspectacular, but certainly worth a watch now and then, 6/10.

Footnote: Other user comments allude to certain aspects being un PC for the modern age, who cares is what I say, this is after all Laurel & Hardy in the 30s, it worked then and really it still works now, harmless and enjoyable fun.