Agrega una trama en tu idiomaOliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, not... Leer todoOliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, not to mention the accompanying Stan. They find a Justice of the Peace to perform he ceremony... Leer todoOliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, not to mention the accompanying Stan. They find a Justice of the Peace to perform he ceremony, but the official's cross-eyed condition results in unintended consequences.
- Dirección
- Guionistas
- Elenco
- Father of the Bride
- (sin créditos)
- Maid
- (sin créditos)
- Dulcy - the Bride
- (sin créditos)
- Mrs. William Gladding
- (sin créditos)
- Finlayson's Butler
- (sin créditos)
- William Gladding - Justice of the Peace
- (sin créditos)
Opiniones destacadas
The year is 1931 and the boys have hit their stride in the sound era. I am surprised at how well the gags are paced and executed. There is one prolonged sequence that could have been timed better, but it is punctuated adequately with a couple of sight gags and we are soon back on track.
I am wondering now whether this film would work with any other comedians at the helm. Ollie's childish gestures of sentiment towards his beloved fiancé are utterly precious. Stan is the perfect dope, ruining everything in his path as they gear up for the wedding.
Silent era film-goers were probably pleased to see Ben Turpin make an appearance near the end. Before I show this film to others, I may have to explain Turpin's role in that era.
Highly recommended. Allow no interruptions.
A lively short that sticks quite closely to it's plot without too much in the way of side plots acting as filler. The main jokes here come from physical work without too much in the way of banter from the duo. This is fine though, as much of it is good. Two major falls in particular are almost inspired witness Finlayson's falls just after seeing Hardy's photo, culminating in a dive down some stairs, and then Hardy taken down an entire room with one trip.
The plot fizzles out a little towards the end as there is no real physical stuff in the final few minutes and nothing of value really replaces it, however for the majority it is very funny. Laurel and Hardy are good value, although Laurel is in the background a little for this one. Hardy's falls take the focus and he does well indeed. The high point of the film for me was hearing Finlayson `d'oh'ing more than usual truly the original Homer!
Overall this is an enjoyable short especially if you like their pratfalls more than their banter.
But, as we expect, they find a way to do so, and Our Wife becomes infested with circumstantial comedy, arising from everything like Ollie falling into Dulcy's window, the three having difficulty fitting into a small car, and then, finally, arriving for the marriage ceremony only to have it incomparably screwed up thanks to a cross-eyed priest in true Laurel and Hardy fashion.
Our Wife sticks to a premise more built on situational comedy and misunderstandings, as writer H.M. Walker and director James W. Horne team up once again to deliver a spry, fun short. Laurel and Hardy function the best when they struggle to do a simple task to no success, engage in goofy banter, or stumble over activities that should be easy and quick. When they punch, kick, fight, and slap, their shorts descend into the kind of humor The Three Stooges did and did infinitely better. When the duo stick to trying to go along with a story and having issues executing their plan, they predicate themselves off of the building blocks of comedy, where characters do something they don't want to do or are having difficultly doing something. Our Wife works for that specific reason and results in a rousing good time.
Starring: Stan Laurel, Oliver Hardy, and Babe London. Directed by: James W. Horne.
¿Sabías que…?
- TriviaIn a later interview, Babe London said although shooting the scenes with the small car were not as uncomfortable as it appears, the difficulty and frustration of her and Oliver Hardy trying to shoehorn themselves into it was real. This is her only Laurel and Hardy film appearance.
- ErroresWhen Dulcy's father (James Finlayson) is speaking with his daughter about her upcoming wedding plans (and learns, to his horror, that her intended is Ollie), the maid is seen standing in the background in Dulcy's room. However, when Fin exits the room in a rage and locks the door behind him, the maid and a butler are on the other side of the door in the hallway.
- Citas
Mrs. Gladding: What do you want?
Stan: What do we want?
Ollie: We wanna get married.
Stan: Oh yeah, we wanna get married.
Ollie: Not we, us!
Stan: Not we. Us.
Mrs. Gladding: Well, how about it?
Stan: How about it?
Ollie: How about what?
Stan: How about what?
Mrs. Gladding: What are you talking about?
Stan: What are you talking about?
Ollie: Tell her we want to get married!
Stan: We want to get married.
Mrs. Gladding: Hey! There's a couple out here that wants to get married, Pa!
William Gladding, Justice of the Peace: Okay, I'll be right up!
Mrs. Gladding: He'll be right up.
Stan: Who?
Mrs. Gladding: The...
[punches Stan]
Mrs. Gladding: Who!
Ollie: Well how about it?
Stan: How about what?
Ollie: What did she say?
Stan: Who?
- ConexionesFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Amor dulce amor
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución21 minutos
- Color