Our Wife

I am reviewing my L&H knowledge in anticipation of showing these films to others. Just saw this gem tonite.

The year is 1931 and the boys have hit their stride in the sound era. I am surprised at how well the gags are paced and executed. There is one prolonged sequence that could have been timed better, but it is punctuated adequately with a couple of sight gags and we are soon back on track.

I am wondering now whether this film would work with any other comedians at the helm. Ollie's childish gestures of sentiment towards his beloved fiancé are utterly precious. Stan is the perfect dope, ruining everything in his path as they gear up for the wedding.

Silent era film-goers were probably pleased to see Ben Turpin make an appearance near the end. Before I show this film to others, I may have to explain Turpin's role in that era.

Highly recommended. Allow no interruptions.

Our Wife (1931)

*** 1/2 (out of 4)

Hardy and his fiancé have to run off to get married so they get Laurel for help, which of course leads to disaster. There are plenty of wonderful jokes and gags here including the small limousine and the best one when Hardy falls into a cake and brings a lot more with him.

Helpmates (1932)

*** 1/2 (out of 4)

Mrs. Hardy is out of town so Hardy throws a big party. When the wife plans on returning home early Hardy must get Laurel to help him clean the house. Another wonderful short has non-stop laughs from start to finish. There really isn't one skit that sticks out but instead the laughs just build up.

Me and My Pal (1933)

*** (out of 4)

Hardy is about to be married but Laurel gives him a jigsaw puzzle for a wedding gift. The two start working on it and forget all about the wedding. This is more amusing than funny, although the final riot does get plenty of laughs.

Our Wife concerns a happy-go-lucky Ollie planning to marry his sweetheart Dulcy (Babe London), with his pal Stan by his side as his best man. However, when Dulcy's father sees a picture of Ollie, he becomes disgusted and appalled and calls off the wedding instantly. Frustrated, the couple plans to elope, with Stan and Ollie sneaking Dulcy out of her home to have a secret marriage ceremony; one can only imagine how Laurel and Hardy manage to turn this immense task into one of troublesome blunders.

But, as we expect, they find a way to do so, and Our Wife becomes infested with circumstantial comedy, arising from everything like Ollie falling into Dulcy's window, the three having difficulty fitting into a small car, and then, finally, arriving for the marriage ceremony only to have it incomparably screwed up thanks to a cross-eyed priest in true Laurel and Hardy fashion.

Our Wife sticks to a premise more built on situational comedy and misunderstandings, as writer H.M. Walker and director James W. Horne team up once again to deliver a spry, fun short. Laurel and Hardy function the best when they struggle to do a simple task to no success, engage in goofy banter, or stumble over activities that should be easy and quick. When they punch, kick, fight, and slap, their shorts descend into the kind of humor The Three Stooges did and did infinitely better. When the duo stick to trying to go along with a story and having issues executing their plan, they predicate themselves off of the building blocks of comedy, where characters do something they don't want to do or are having difficultly doing something. Our Wife works for that specific reason and results in a rousing good time.

Starring: Stan Laurel, Oliver Hardy, and Babe London. Directed by: James W. Horne.

A very funny Laurel and Hardy short film, with both on good form. The visual gags come thick and fast and the topic of love and romance, coupled with a bungled attempt at eloping, was a typical and much loved theme. There unique brand of comedy (and after all the years) never seems dated or tired.

Our Wife is one of those Laurel and Hardy comedies that at first seem so broad and farcical (it is) but upon multiple viewings, reveal a surprising number of beautiful subtleties. I know, because my two-year- old son loves it and constantly requests it…sometimes twice a day. Look at Stan, re-entering the room after having been quickly ushered out by Ollie, who wants some privacy to talk to his beloved. It is a completely guileless gesture, just like(need I say it) a two-year-old's response to a restriction he doesn't recognize as such. And Stan's satisfied smile when Ollie explains "Why, you're the best man!" And no small credit goes to Babe London as Ollie's betrothed. Just look at her expression of guarded optimism as Justice of the Peace Ben Turpin goes through his auctioneering gibberish during the ceremony. Then, notice Ben at the fadeout. After mistakenly marrying Stan to Ollie, all he seems interested in is pushing through the group in his living room and rushing back to bed. Even their struggles to get into that 1930 American Austin Coupe, the depression era's version of the Mini-Cooper, is doubly funny when considering the context, that of a rushed getaway. The time-space continuum "takes five" as they try to maneuver themselves into the car. Ollie's exasperated query: "What did you want to hire a thing like this for?" goes unanswered, hinting at an excised shot or two, but it also signifies the boy's quick acceptance of obstacles thrown in their path and their earnest attempts to overcome them. The whole movie is a series of set pieces in which the boys go through the minimal obligatory motions of an adult rite-of-passage: the one-layer cake, frosting peeling off like a tree shedding bark, the minimal wedding decorations, the quick spray of dried rice and a shoe to the head, the mumbled wedding vows, the pro-forma "Congratulations, my boy, you've married the sweetest girl in all the world!" from the justice of the peace… it's all about two little boys playing grown-up, and overcoming the brief lacuna of adulthood and ending up back together again.