Le million

When two starving artists learn their lottery ticket has won, the race is on, but — where's the ticket? Although as of today, this film is 82 years old, it is still one of the most watchable and enjoyable films I've seen. It has a bit of everything, humor, pathos, screwball comedy, drama...you name it. In this madcap race to find a winning lottery ticket, you may be reminded of some of the scavenger hunt films or other films such as Million Dollar Mystery, or It's a Mad Mad World, but this one stands by itself. Half Tom and Jerry cartoon, half musical, a little opera, starving artists, sly criminals, beautiful women and a really beleaguered taxi driver...and all funny. Not to be missed.

I have lately got into the habit of purchasing any interesting DVD that the Criterion company releases. I figure that even if I dislike the movie, Criterion usually supplies enough extra material to compensate for any shortcomings in the actual film. I read up on them, and I buy the ones which are the most interesting to me.

Le Million is my latest purchase, and I must say that I was not disappointed in the film. It is cheery, funny, and romantic. Everything about it is quite excellent. The songs are wonderful. If I understood French, I would probably hum them and sing them all day long. The acting is very good for this kind of movie. American musicals of the classic Hollywood era relied more on song and dance than the actual characters and story, but in Le Million, the characters are rather well developed and the story, while not being anything extremely impressive, is not at all lacking. I loved the developments of the relationships, especially the relationship between the once best friends Michel and Prosper. The romantic moments are also very well developed. The direction is nearly perfect, with several very memorable moments. Probably the single most perfect scene of the film occurs right after the lead couple has an argument. They hide on the stage of an opera performance, and the opera singers sing lines which the couple, Michel and Beatrice, interpret to their own situation. This is definitely one of the high points in cinema history. The scene managed to make me laugh, to win me over with a very sweet romance, and make me smirk at just how clever the director was. I give this film a 9/10.

P.S. - Some information for anyone who has the same faith in Criterion that I do and is planning to buy it. Amongst the Criterion discs I now own, Le Million contains the fewest features. All it has is a photo gallery (not all that useful; one might flip through it once) and a rare television interview with Rene Clair, the director. This piece is of some interest. He was one of the many directors who had started out in silent film, and when talkies were first appearing, he said that they represented the death of film. I think most film-savvy people understand what these directors meant when they said that, but it is interesting to hear him explain it. Also, if you have read the description of this movie on Amazon.com, please note that they were wrong in one important respect: not every line in the film is sung. In fact, it contains no more songs than a regular musical. It is actually a lot more like a Chaplin or Buster Keaton or Marx Brothers film. My criticisms of the disc are not that important. Heck, Criterion has the right to smack me around for making those complaints. The fact is, their people probably spent hundreds of hours fixing up a film which only 20 (now 21!) people have voted for on imdb, and only about a hundred people, if that, will ever see the film. Heck, if you look at the Criterion web site, Le Million is nowhere to be found. I have no clue why not. It's something they should really be proud of (of course, their web site is surprisingly horrible). They did a fine job on this film. Bravo! They deserve all the money I can stand to give them!

One of a rare breed of films which crosses elements of the silent and sound period. Le Million(1931) is excellent in its comic routes and brilliant in its storytelling abilitites. Rene Clair does wonders with the material which is top notch. Le Million(1931) is an inspiration to any comedy done within the seven decades.

Besides being very amusing, this French musical feature is quite creative as well. René Clair's light touch is perfect for the material, and it gives the movie a style all its own. In particular, it stands out as one of the best of the earlier sound movies that adopted a musical format.

The story is the kind of simple but amusing premise that, in the right hands, can be built up into a hilarious situation. And that is what Clair does here - beginning with some entertaining misadventures that introduce the characters, he then sets up the main story about the lottery ticket, and from there on it builds up nicely both in humor and in complexity. The climactic sequence in the opera house is a well-crafted, extended slapstick sequence that also includes some interesting parallels.

The cast works well, with Annabella particularly standing out with her engaging performance as Béatrice.

The style is an interesting contrast from what eventually became the norm in movie musicals. The musical sequences, which vary considerably in length, are for the most part worked naturally into the flow of events, rather than being set off as separate numbers. Clair and the cast make this format work well. The overall result is a very enjoyable movie that you will also remember for its imaginative approach.

"Le Million" is a 1931 musical directed by Rene Clair. It's wonderful that it's available on DVD for audiences to see and enjoy it. The story concerns a starving Parisian artist Michele (Rene Lefevre) who is having a bad day. He is being hounded by every creditor in town, and as his fiancé Beatrice (Annabella) walks into his apartment, he is embracing his model. Then he realizes that he has won the Dutch lottery with his friend Prosper (Jean-Louis Allibert), but the ticket is in his coat pocket, and the coat is gone. The city-wide hunt then begins for the coat, which was taken by Beatrice and given to a needy person, who sold it to the opera singer Sopranelli. There is a hilarious scene in Sopranelli's dressing room as various people try to get the ticket out of the coat pocket. Beatrice and Michele wind up behind some scenery on the opera stage and relate to the duet that's being sung.

This film and Clair obviously influenced such talents as the Marx Brothers, Ernst Lubitsch, and Rouben Mamoulian. All the performances are good, with the beautiful Annabella, a brunette here, a standout as the ballerina Beatrice. Annabella was signed by 20th Century Fox and brought over to America around 1938, made Suez with Tyrone Power, and the two fell in love and decided to get married. In order to dissuade her and his biggest star from marrying, Zanuck offered her several films in Europe, but she refused to leave her fiancée. Zanuck made sure she didn't work much after that, effectively blacklisting her. She had a big Broadway success, worked on behalf of the troops during World War II, and returned to France after her divorce from Power. She retired in 1954. Her radio work with Power, and this film, show what a wonderful actress she was.

Very good film - highly recommended.