CALIFICACIÓN DE IMDb
7.3/10
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TU CALIFICACIÓN
El ancestral vampiro conde Drácula llega a Inglaterra y comienza a aprovecharse de Mina, una virtuosa joven.El ancestral vampiro conde Drácula llega a Inglaterra y comienza a aprovecharse de Mina, una virtuosa joven.El ancestral vampiro conde Drácula llega a Inglaterra y comienza a aprovecharse de Mina, una virtuosa joven.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 3 nominaciones en total
Charles K. Gerrard
- Martin
- (as Charles Gerrard)
Anna Bakacs
- Innkeeper's Daughter
- (sin créditos)
Bunny Beatty
- Flower Girl
- (sin créditos)
Nicholas Bela
- Coach Passenger
- (sin créditos)
Daisy Belmore
- Coach Passenger
- (sin créditos)
William A. Boardway
- Concertgoer Outside Theatre
- (sin créditos)
Barbara Bozoky
- Innkeeper's Wife
- (sin créditos)
Tod Browning
- Harbormaster
- (voz)
- (sin créditos)
Moon Carroll
- Maid
- (sin créditos)
Geraldine Dvorak
- Dracula's Wife
- (sin créditos)
Opiniones destacadas
The 1931 `Dracula' casts an imposing shadow over the horror genre. It is, after all, the movie that launched the classic Universal horror cycle of the 1930s and 1940s. It is also a tremendous influence on the look and atmosphere of horror movies in general (and vampire movies in particular). It gave Dracula a look and a voice, and created a legend.
Okay, so we know it was influential. But how does it work as a movie? Well the first time I watched it, I was underwhelmed. The pace is slow. While Bela Lugosi's Dracula is menacing, the rest of the cast is colorless to the point of transparency. There are some good gliding camera shots here and there (thank you, Karl Freund!), but the majority of the film is locked into stationary medium and long shots. The film is tightly bound to its theatrical origins director Browning has his characters look at things out of frame and describe them rather than just showing us, which would be much more effective.
Fortunately, `Dracula' improves with repeated viewings. The glacial pace and lack of sound in many places gives the movie a nightmarish sense of menace. In fact, `Dracula' is somewhere between a nightmare and a piece of classical music everything proceeds at its own pace, gliding through the motions, gradually building suspense and momentum until the piece reaches climax. The end result is a flawed but haunting, hypnotic masterpiece, and one of the greatest vampire films ever made.
Okay, so we know it was influential. But how does it work as a movie? Well the first time I watched it, I was underwhelmed. The pace is slow. While Bela Lugosi's Dracula is menacing, the rest of the cast is colorless to the point of transparency. There are some good gliding camera shots here and there (thank you, Karl Freund!), but the majority of the film is locked into stationary medium and long shots. The film is tightly bound to its theatrical origins director Browning has his characters look at things out of frame and describe them rather than just showing us, which would be much more effective.
Fortunately, `Dracula' improves with repeated viewings. The glacial pace and lack of sound in many places gives the movie a nightmarish sense of menace. In fact, `Dracula' is somewhere between a nightmare and a piece of classical music everything proceeds at its own pace, gliding through the motions, gradually building suspense and momentum until the piece reaches climax. The end result is a flawed but haunting, hypnotic masterpiece, and one of the greatest vampire films ever made.
"I bid you welcome," "I never drink wine," "Children of the night...what music they make," and of course "I am Dracula" are memorable lines that resonate throughout horror films, literature, art, etc... throughout the 20th century because of a landmark film made in 1931 starring Bela Lugosi and directed by Tom Browning. This film was the birth of the horror film as we know it. Its importance can not be underestimated. Dracula is a wonderful film for so many reasons, but first let's look at its many faults.
The film is by today standards very antiquated. It has almost no soundtrack, stage acting for the most part, limited special effects, and a slow pacing. It has long parts of little action and lots of chat. It shows little while leaving much to one's imagination(a plus for those like myself that are good at envisioning what is not shown). With all this not going for it, why is Dracula such a classic? Why is it considered to be such a great film and a great horror film?
The answer is that even with all these flaws (and bear in mind some of these flaws are not flaws for all) the film offers a rich story in an eerie, atmospheric way. Bela Lugosi was Dracula. He was the model for oh so many vampires to come. His gesturing, his deliberation in speech, his facial movements all created a vampire never to be forgotten. Despite Lugosi, however, is the real genius of the film....Tod Browning. Browning created a movie and a setting hitherto imagined and conjured on a screen. Browning was the man behind the camera that created the cob-webbed stairs of the Dracula castle and the squalid emptiness of the crypt. He created the ghoulish female vampires thirsting for blood. Dracula is not just a film to see, it is film history and should be viewed with that in mind and not put under a microscope of today's languishing tastes.
The film is by today standards very antiquated. It has almost no soundtrack, stage acting for the most part, limited special effects, and a slow pacing. It has long parts of little action and lots of chat. It shows little while leaving much to one's imagination(a plus for those like myself that are good at envisioning what is not shown). With all this not going for it, why is Dracula such a classic? Why is it considered to be such a great film and a great horror film?
The answer is that even with all these flaws (and bear in mind some of these flaws are not flaws for all) the film offers a rich story in an eerie, atmospheric way. Bela Lugosi was Dracula. He was the model for oh so many vampires to come. His gesturing, his deliberation in speech, his facial movements all created a vampire never to be forgotten. Despite Lugosi, however, is the real genius of the film....Tod Browning. Browning created a movie and a setting hitherto imagined and conjured on a screen. Browning was the man behind the camera that created the cob-webbed stairs of the Dracula castle and the squalid emptiness of the crypt. He created the ghoulish female vampires thirsting for blood. Dracula is not just a film to see, it is film history and should be viewed with that in mind and not put under a microscope of today's languishing tastes.
(62%) It is without doubt a classic owing to the fact that it is so well made, and so memorable. The sets are some of the greatest ever to appear on any film, and Lugosi is great as the awful head vamp. It's more than a little dated of course, so there's no blood/biting or on-screen death or murder, plus the acting is very theatrical at times, and there's quite a few long drawn-out sections of total silence that highlight exactly how old and pioneering it is.With that said, all horror fans should watch this at least once, as it does make a great late-night Halloween movie that will live on - just like the old count himself - forever.
Dracula is a figure that is known by virtually all and can be credited in large part to this 1931 classic. Bela Lugosi who plays Count Dracula is horrifyingly creepy and finding a better Dracula would be nearly impossible. From the first encounter between Renfield and Dracula to the closing scene, the audience is on the edge of their seats and don't know what to expect, which is an essential part of most horror movies. I was a big fan of this film not only because it is an American classic but because it is a true horror film. In my opinion, too often in horror films today, the story itself isn't scary at all. The experience of going to the movie theatre with a huge screen and incredibly loud speakers help scare audiences by having things pop out when you are least expecting it. I believe that anyone can make a movie like that and is completely insignificant. The story behind Dracula is truly creepy and horrifying. A great story like this makes this one of the most significant horror films in history.
It's almost impossible not to love 'Dracula', a horror milestone that is the most important and influential vampire movie ever made. Bela Lugosi became a cinematic legend after this movie, and his portrayal of Dracula basically invented the modern vampire as we know it. Murnau's silent classic 'Nosferatu' was an obvious influence on Todd Browning, but while Browning was no James Whale (the innovative British director who made 'Frankenstein' for Universal a few months after this) he added a lot of his own style and ideas to the project, and Counts Orloff and Dracula are completely different kinds of creatures. Lugosi made his Count sophisticated, attractive and sexy, and this is what made this movie such a sensation at the time, and what helps make it still a wonderful viewing experience. Lugosi's performance is one of the greatest in horror history. Some of the other actors in the cast are a bit shaky but Edward Van Sloan as Van Hesling is excellent and Dwight Frye's Renfield (a different character from the book) is also memorable. Both actors would reappear in 'Frankenstein'. 'Dracula' is an important landmark horror movie, but even better, is still a fantastic viewing experience seventy years later. Don't just watch it because it's a classic, watch it because it's wonderful entertainment!
¿Sabías que…?
- TriviaGenerally regarded as the film that kickstarted the horror genre in Hollywood.
- ErroresIn the scene where Van Helsing is attempting to catch Dracula's lack of reflection in a mirror, there are visible chalk marks on the floor showing Bela Lugosi where to stand for the shot.
- Citas
Count Dracula: This is very old wine. I hope you will like it.
Renfield: Aren't you drinking?
Count Dracula: I never drink... wine.
- Créditos curiososThe original title card has producer Carl Laemmle, Jr. identified as Presient (sic).
- Versiones alternativasA version of the film played on the 10/24/15 airing of Svengoolie (1995) featured a soundtrack taken from the French language audio track on the Dracula Blu-ray.
- ConexionesAlternate-language version of Drácula (1931)
- Bandas sonorasSwan Lake, Op.20
(1877) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Excerpt Played during the opening credits
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Detalles
Taquilla
- Presupuesto
- USD 355,000 (estimado)
- Total a nivel mundial
- USD 87,019
- Tiempo de ejecución1 hora 15 minutos
- Relación de aspecto
- 1.20 : 1(original release)
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