Agrega una trama en tu idiomaOn parole from prison for a murder he did not commit, and not allowed to carry a gun, Buck sets out to find the real killer. His clue is a corner torn off a wanted poster with some handwriti... Leer todoOn parole from prison for a murder he did not commit, and not allowed to carry a gun, Buck sets out to find the real killer. His clue is a corner torn off a wanted poster with some handwriting on it.On parole from prison for a murder he did not commit, and not allowed to carry a gun, Buck sets out to find the real killer. His clue is a corner torn off a wanted poster with some handwriting on it.
Fotos
Buck Jones
- Buck Donlin
- (as Charles 'Buck' Jones)
Edward LeSaint
- Henry Evans
- (as Edward J. LeSaint)
Knute Erickson
- Otto - Blacksmith
- (as Knute Erikson)
Eddy Chandler
- Cattlemen's Association Detective
- (sin créditos)
Ben Corbett
- Posse Member
- (sin créditos)
Jack Curtis
- Dan Shores
- (sin créditos)
John Elliott
- Warden
- (sin créditos)
Frank Ellis
- Posse Member
- (sin créditos)
Jim Farley
- Cassidy
- (sin créditos)
Bob Kortman
- Lefty
- (sin créditos)
Frank Lanning
- Townsman
- (sin créditos)
Opiniones destacadas
This moody little western is the first Buck Jones western I've ever seen and portrays him in an interestingly ambivalent light as a man with a quick temper who has been jailed for five years for allegedly accidentally killing a man by a blow to the head. The film opens with him being released on parole after serving a year, and establishes from the outset an element of suspense in that he will have to walk away from any potential confrontation he encounters; a situation he is not temperamentally cut out for.
Writer-director Lambert Hillyer does his usual workmanlike job, assisted in this instance by atmospheric photography by Byron Haskin, notably in a bank robbery staged at night after hours.
Writer-director Lambert Hillyer does his usual workmanlike job, assisted in this instance by atmospheric photography by Byron Haskin, notably in a bank robbery staged at night after hours.
I haven't seen this picture for over forty years and I was impressed all over again! Certainly this is a lower-budget western, albeit coming from Columbia Studios. The cast is large but populated by names familiar only to B-western fans, and the running time is right around the standard 60 minutes. The story is familiar, too, that of a man wrongly convicted of a crime and sent to prison and ventures to clear his name upon his release. But the film has some veneer of A-picture status, with the direction clean and the dialogue coming off as if some rehearsals had been taken and been taken seriously.
Although not deep, "The Deadline" is a serious and well-developed look at the struggle Jones has in working to clear his name with direction, continuity, and really all phases of the picture a cut or two above expectations. The story is presented in a novel two-part approach. The first part seems as though it could be set in contemporary times (1931), but then the film evolves to become more and more "western" until it seems to quite firmly plant itself in "Old West" times. Nonetheless the movie features effective acting with horseback chases and gunfire at a minimum. Although a hero in the film, Jones' expected cowboy-hero trappings and posturing are held in check in this one. He looks slim and fit and does a solid job at imparting emotion as he moves along in his quest to find the real culprit. This is a highly satisfying film, and for an added bonus look for a sighting and even a few words from an early-in-career acting assignment for Glenn Strange.
Although not deep, "The Deadline" is a serious and well-developed look at the struggle Jones has in working to clear his name with direction, continuity, and really all phases of the picture a cut or two above expectations. The story is presented in a novel two-part approach. The first part seems as though it could be set in contemporary times (1931), but then the film evolves to become more and more "western" until it seems to quite firmly plant itself in "Old West" times. Nonetheless the movie features effective acting with horseback chases and gunfire at a minimum. Although a hero in the film, Jones' expected cowboy-hero trappings and posturing are held in check in this one. He looks slim and fit and does a solid job at imparting emotion as he moves along in his quest to find the real culprit. This is a highly satisfying film, and for an added bonus look for a sighting and even a few words from an early-in-career acting assignment for Glenn Strange.
I pretty much like this early western,in which the emphasis is on an innocent man's attempt at revenge,and one of the best this guy ever starred in.Unfortunately,I didn't get to see the original opening and closing for this film,but I think Columbia Pictures(the studio that made this film) has the print with the original opening and closing titles.
¿Sabías que…?
- TriviaOne of over 100 Columbia features, mostly Westerns, sold to Hygo Television Films in the 1950s, which marketed them under the name of Gail Pictures; opening credits were redesigned, with some titles misspelled, the credit order of the players rearranged, some names misspelled and new end titles attached, thus eliminating any evidence of their Columbia roots. Apparently the original material was not retained in most cases, and the films have survived, even in the Sony library, only with these haphazardly created replacement opening and end credits; happily, the original opening and closing credits DID survive in the case of this particular title.
- ErroresIn the 1953 TV re-release, Knute Erickson's last name is misspelled "Erikson".
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Detalles
- Tiempo de ejecución1 hora 5 minutos
- Color
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By what name was The Deadline (1931) officially released in India in English?
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