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CAUGHT PLASTERED (RKO, 1931), directed by William A. Seiter, is a rare find on television these days. It stars the once popular but highly forgotten comedy team of Bert Wheeler and Robert Woolsey, Wheeler as the dizzy character with a talent for singing and dancing; Woolsey the one with the glasses, cigar and wisecracks like comedian Groucho Marx, but nobody can top the old Grouch. Wheeler and Woolsey play a couple of drifters who help out an old woman (Lucy Beaumont) save her drug store from a crook (Jason Robards Sr.). Dorothy Lee, who appears in almost all of the W&W comedies, once more plays Bert's love interest. They supply the catchy tune, "I'm That Way About You."

I enjoy this movie mainly because I remember it being the very first Wheeler and Woolsey comedy I've seen (back on Turner Network Television in 1989). Some people might refuse to watch these guys today on the basis that they don't know who they are. Unfortunately, because their comedies seldom made the late show lineup on commercial television stations back in the 50s, 60s or 70s, W&W never became immortal as the Marx Brothers or Laurel and Hardy, but when given a chance, one can see how good their comic timing can be and how good these two guys are together. True, their latter films in 1936-37 were not up to par, but if anyone wants to see them at their comedic best, watch either CAUGHT PLASTERED or what many consider their funniest outing, HIPS, HIPS HOORAY (1934). For now, CAUGHT PLASTERED is worthy for film buffs of 1930s comedies. Silly to be sure, but quite funny. Great attention grabber: Check out to the opening credits with cartoon train rolling down the track with the wheels in the persona of Woolsey's eyes and glasses, and that wacky music intro. Wheeler and Woolsey were amusing as comedy teams go, and worth rediscovering today.

Formerly presented on American Movie Classics prior to 2000, it's presently shown, but not often enough, on Turner Classic Movies. (**)

Bert and Robert are out of work Vaudeville comedians bumming their way through life when they run into a sad little old lady who owns a down-on-its-luck drug store. They feel sorry for her and decide to help her out, creatively. However a local do-gooder (I never really trusted the type) wants to quickly buy the drugstore for his own purposes. And if you think he looks like Jason Robards Jr., he should because it's his father! Dorothy Lee, the cutest cupie doll since Betty Boop, sweetens this concoction by being not only the police chief's daughter, but the object of both Bert and Mr. Robards Sr.'s affection. Will the boys save Granny? Will Bert & Dorothy sing a duet? Will they all stay sober? See this fun and short comedy for yourself. I recommend it!

I've seen two movies by this comedy team- one of which I enjoyed and the other I thought was terrible (CRACKED NUTS). CAUGHT PLASTERED is the one liked. There's tons of jokes and gags in this film, some are good for a few good laughs and some for a few groans. In fact, the boys play a couple of comics who failed in their routines and have been chased out of the theatre at numerous locations. So in this sense, I think the script acknowledges that these guys' comedy is not so great, but not bad enough to get some laughs. The story is fairly predictable. The down and out comedy performers out of money hopping trains stop in a town and find an old woman crying on a streetcar, because she's about to lose her drug store to the bank because of slow business. With nothing else to fall back on, the fast talking, cigar chomping, obnoxious Woolsey with this thick, round glasses and his baby faced parter, Wheeler, offer to help her get the drug store up and running again. Will they do this in enough time to save her from losing the store and saving her from having to spend the rest of her life in the "old ladies home?" You'll have to see for yourself. Much of the jokes centers around the boys interactions with the customers, many of which they, especially Woolsey, manage to offend and their getting duped by a crooked businessman/bootlegger (it's still prohibition in 1931)into selling "lemon soda". One of Woolsey's best lines, is "I think someone is passing the flask around here," when they're the ones serving the booze and they don't realize it. I can honestly say that I've never heard drunks singing "London Bridge is Falling Down" until I've seen this movie, but hey it was kind of funny. Dorothy Lee plays Wheeler's romantic interest in the movie and she is a little cutie, despite having a nasal voice. At times, they did get a little too dreamy eyed and sappy around each other, but not to the point of being too annoying. Overall, while I enjoyed this movie and the chemistry between Wheeler and Woolsey, I think their act was kind of second rate compared to others like the Marx Brothers. Still, this movie has the special early 1930s feel to it, is well written and doesn't move slowly like many early sound films, and is quite enjoyable. Check it out if you get the opportunity. 7/10

This was only the second Wheeler & Woolsey film I managed to watch when it aired on American Movie Classics back in the '90s (The first was Kentucky Kernels). All I remembered from back then was a duet of Wheeler and Dorothy Lee singing while the latter was drunk. This was made during both Prohibition and before the Production Code was strictly enforced so gags are depicted that probably would have not passed muster just a few years later. It's largely during the last 30 minutes that things really take a hilarious turn but there's plenty of amusing scenes throughout. So on that note, I recommend Caught Plastered.

This may be one of the best of the Wheeler&Woolsey comedies. Their particular brand of broad comedy has regrettably gone out of style in the 21st century and their movies are seldom shown nowadays - except on good old reliable TCM. Like their other films it is loaded with puns and outlandish circumstances and you have to be a fan of that genre, or at least a fan of W&W.

No need to recap the plot, such as it is. It's the usual improbable scenario, this one about coming to the aid of an old lady with a failing drug store and turning it into a howling success. It features Jason Robards Sr. as the villain, who has an uncanny resemblance to his son, especially the voice and mannerisms. there are even a couple of tuneful but long forgotten songs. Whether you're a fan or not this is a good comedy in any era.

******** - Website no longer prints my star ratings.

Tommy Tanner (Bert Wheeler) and Egbert G. Higginbothom (Robert Woolsey) are out-of-work vaudevillians. They encounter a crying old lady on the tram. She recently lost her husband and is about to lose the family drug store. The guys offer to help her save the place. She has 30 days.

Apparently, Bert Wheeler and Robert Woolsey are a vaudevillian comedy team back in the day. That's what they look like and act like. I'm sure that they have a full stage act of setups and punchlines, one after another. It's fine, but it's not so exciting cinematically. They need to add more physicality to their bits.

It's prohibition-era and W + W are helping old lady Lucy Beaumont (mother) to run her dug-store so she can turn a profit, pay her rent and avoid going into an old people's home. W + W don't know anything about running a drugstore but they make a success of things and introduce a food and drink counter which takes off. Jason Robards (Harry) is the bad guy who wants the shop to fail and he colludes with a colleague to provide W + W with lemon syrup to serve to customers. The lemon syrup is, in fact, alcohol. This is not good news in times of prohibition and W + W are now operating a 'Speakeasy' which gets busted after a tip-off to Police Chief De Witt Jenkins from the bad man Robards.

Sometimes the film is a bit funny but mostly it's not. You watch in anticipation of something funny that might happen, but it mostly doesn't happen, I'm afraid to say. The film gets pulled up into the "ok" category by the song performed by Wheeler and Dorothy Lee (Peggy). I wish there had been a proper dance number between them. W + W also perform a few brief dance steps together and it's these musical interludes that make the film an ok experience. They really needed more dance numbers in this film - Dorothy was wasted coz she can dance.

As for prohibition - it's a tough call to outright ban something. I think the obvious choices would include violence and killing but how about including those people who encourage singers to do that vocal gymnastics nonsense and make male singers intonate like babies when they vocalize!!! Yep, get those time-wasters off the planet ....................and pass round the lemon syrup....alcoholic, of course.

Bert Wheeler and Robert Woolsey are a couple of skinned vaudevillian who land in a new town and decide to help out Lucy Beaumont, whose drug store is failing. Supplier Jason Robards Sr. Is getting ready to call in her note so he can take over the building it is in; the land is about to become valuable.

There are fans of Wheeler & Woolsey. I am not one of them, but occasionally give them another try. Like the Marx Brothers, they were Crazy Comics, always ready to put one over on the ordinary citizen and to help out old ladies. Along with virtual costar Dorothy Lee, they appeared in many RKO productions through Woolsey's death in 1938. After their massive success on stage and screen in RIO RITA, RKO put them in two or more features a year, which strained their production team and fans. Here, under the direction of William Seiter, the production moves along at a good clip, W&W's stagey performances and Miss Lee's helium voice get on my nerves.

Two failed vaudevillians take on the task of helping a sweet old lady save her rundown drugstore from foreclosure. Reinvigorating the establishment with a lunch counter & live radio broadcast, they soon have the business thriving. However, when a crooked businessman attempts to smear the place as a speakeasy, will the boys be able to trace the bootleg liquor, or simply get CAUGHT PLASTERED?

Wheeler & Woolsey are in top form in this sadly neglected comedy. (Bert Wheeler is the curly-headed fellow, Robert Woolsey is the skinny, bespectacled one.) Always much fun to watch, they've got great dialogue here and they keep it coming rapid fire. Their gags at the expense of the drugstore patrons (society lady, nasty kid, effeminate gentleman, demanding diners) are often hilarious. Once very popular, it's a shame this delightful duo has been virtually forgotten.

Frequent co-star Dorothy Lee is still kewpie-doll cute. Lucy Beaumont is darling as the little old lady. Jason Robards Sr. is effective as the suave crook.

This is probably Wheeler & Woolsey's best film! It concerns the old stage-play scenerio of an old widow who is being swindled into selling her store & moving into the Old Folks Home.

W & W meet her just in the nick of time, and turn her failing store into a thriving enterprise. This film is notable for being a "period-piece" -- there are all sorts of references to Prohibition, and the "bad guys" substitute booze for the "lemon soda" in the Old Lady's drugstore (getting everyone drunk & arrested!).

W & W are in "top form", with plenty of wisecracks, jokes, and funny situations (one of them being on the run from railroad agent Charles Middleton, for riding on a train without a ticket (or money!).

This film brings back a MUCH simpler, happier, innocent time, and for that reason alone it's worth seeing!

Norm (PS...I'm a W & W fan, but DON"T see their "Rio Rita"; it's a TERRIBLE film! Abbot & Costello remade it, and the scene that A & C aren't in are terrible, also!).

Another big hit for the comedy team of Bert Wheeler and Robert Woolsey, Caught Plastered is set in a drugstore the boys take on to save a nice old lady from the clutches of the local charming crook, played by Jason Robards Snr.

All the usual elements are here - wisecracks, double takes, a song and dance number, the perky Dorothy Lee - and the film is really rather good. The plot takes advantage of the fact that Prohibition was still very much in force, and the opening titles have a cartoon train rushing through the landscape.

Highly recommended.

I have reviewed quite a few Wheeler and Woolsey films and, for the most part, I have been pretty tough on them. I have not particularly enjoyed most of the films, though there have been a few relatively bright spots in their otherwise bleak careers. However, with CAUGHT PLASTERED I have finally found them in a genuinely enjoyable film that I can heartily recommend. It was a very pleasant surprise, as the earlier films seemed to have too much singing and the later ones were just dull. This one works.

The film begins with the boys out of work. However, they things are even worse for a sweet old lady who they soon meet. It seems that her drug store is about to be taken away, as it's heavily in debt. Wheeler and Woolsey promise her they can turn things around and go to work for her. Shockingly, they do make a genuine success of the store--mostly because they did what makes most drug stores popular--they emphasized everything other than drugs! In fact, they don't even know how to fill out a prescription and in the one case where they actually get one, Woolsey runs to the nearest drug store to get it filled! While there is some singing in the film, it fits into the movie well and doesn't dominate. Wheeler sings a couple cute songs with Dorothy Lee, but they actually work well and are quite catchy. Also, a major plus in this film is that the team actually sticks with a plot!! In so many of their other films, the plot seems incidental...at best! Overall, the film is polished, funny and makes the best use of the team's talents. Who'd have thought that Wheeler and Woolsey could actually make a very good film?!

A beautiful print for 1931. Dorothy Lee.gets drunk and sings with Bert in a musical moment of wonder. Wheeler was a genuine romantic lead opposite Lee with Woolsey as avuncular liaison to Mother whose business picks up with the right kind of medicine. There are no slow spots in the 69 minutes this takes. There are several laugh out loud moments. Amidst a stream of consciousness like "Those moth balls are no good. I've never hit a moth with one yet. Still I'm glad I didn't. Because if I did the moth would cry and I can't stand to see a moth ball." The comparison to Burns and Allen is closer than most. The cast is loaded with characters unburdened by Code limitations e.g. Woolsey hooks up briefly with a flirtatious book buyer whose prurient interest ultimately a book can't satisfy, as Woolsey explains to her, losing the customer.