Way Out West

Other than the novelty of seeing a very effeminate performance from leading man William Haines, there isn't much to recommend this picture. It seems that despite the fact that Haines was a major silent star, in the sound age he was given crappy roles. I read a book ("The Leading Men of MGM" by Jane Ellen Wayne) that discussed leading men of the day and the author indicated that studio head, Louis B. Mayer did not like gay actors and so Haines, despite his great popularity, was given rotten films in order to destroy his career. I can't say for a fact that this is true, as the book seemed VERY scandalous and dished a lot of dirt, but based on this film, I tend to believe the author in this case. This isn't even good enough to be considered a B-movie! The writing is pretty terrible and clichéd, the action generally pretty cheesy and the whole idea of a stereotypically gay man trying to win a woman's love just seemed silly. An interesting curio, perhaps, but NOT a good film.

In Arizona, wisecracking carnival showman William Haines (as Windy) uses leggy women to lure local cowboys into his boudoir, where he wins over $200 from them with a rigged roulette wheel. Mr. Haines wants to use the money to go to Chicago and sell life insurance, but loses it to pick-pocket Vera Marshe (as "La Belle Rosa"). When the men discover they've been had, they attempt to lynch Haines then make him work off the money on a ranch. Roughed up but retaining his good humor, Haines falls head-over-heels for pretty ranch owner Leila Hyams (as Molly Rankin). But rowdy Ralph Bushman (as Steve), son of silent legend Francis X. Bushman, wants Ms. Hyams too. Ukulele playing singer Cliff Edwards (as Trilby) and comedienne Polly Moran (as Pansy) lend support. "Way Out West" was a noticeably uneven entry from the superstar, appearing careless at times.

**** Way Out West (8/2/30) Fred Niblo ~ William Haines, Leila Hyams, Cliff Edwards, Polly Moran

Carnival barker Windy (William Haines) cheats a group of cowboys with a rigged roulette wheel. Instead of hanging him, the boys decide to force him to work off the stolen money. He falls for ranch owner Molly Rankin (Leila Hyams).

I really like him as a scheming con-man in a carnival side show. I wouldn't mind a whole movie with that. Once he gets on the ranch, I like him a lot less. In fact, I don't think I like him at all. His flirting with Molly comes off as lies and deceits. I don't really care about the romancing and the movie falls flat. There is an undercurrent of something more which only backs up why the romance doesn't work.

WAY OUT WEST is a film designed to be a star vehicle for the controversial WILLIAM HAINES, who was during this time an outspoken gay member of the Hollywood community. He was a talented charmer, capable of natural performances rather than the standard overacting typical of many a silent screen star.

While the film itself may not be a winner, it's entertaining enough to keep you watching until the happy ending. Haines plays a carnival worker whose crooked ways lead to his capture by a bunch of cowboy roughs who want him to work off his debt to them by doing chores as a farmhand. FRANCIS X. BUSHMAN is one of the guys, POLLY MORAN makes a winsome female, and CLIFF EDWARDS has an innocuous supporting role.

It's strictly standard stuff but interesting to watch Haines at work, creating a character you can't help but like despite his sordid reputation (in the film). Rumor has it that his being openly gay ruined his career in up tight Hollywood when morality clauses were enforced rather harshly.

Summing up: Definitely worth a look.

Although he's all but forgotten now, in 1930, Hollywood's first full year of talkie films, William Haines was king of the box office. His movies - he starred in three of them - made more money than those of any other male star. WAY OUT WEST is one of those films.

Haines plays a carnival shyster who cheats some cowboys out of their money with a crooked roulette wheel. They retaliate by kidnapping him, taking him back to their ranch and forcing him to work off the debt.

There are some of the usual silly-billy antics you expect from a Bill Haines film. But there are also lapses into very serious areas as well. The look on Haines' bleeding face after he's been roughed-up by a big cowboy, without a word spoken, speaks volumes.

Also appearing are Leila Hyams, one of MGM's pretty starlets of the early 1930's; Francis X. Bushman, Jr.; the ubiquitous Polly Moran; and little Cliff Edwards, who gets to play his ukulele & sing.