The Unholy Three

Definitely worth a look. There are some advantages/disadvantages to the original. Disadvantages: Well, there are a few. The tension isn't as great. Lila Lee is not as sympathetic a "Rosie" as Mae Busch from the original. I am a HUGE fan of Harry Earles, but he is all but incoherent here unfortunately. Ivan isn't as good as Victor in the role of Hercules, and Hector really bugs me in this version. Advantages: Of course, YOU GET TO HEAR LON CHANEY! His one and only "talkie"! That's worth the price of admission alone! My grandmother used to head a movie theater waaaay back in the late 20's and early 30's and said that people went crazy for their chance to hear Chaney talk! I believe it! Okay, besides that, the scene with the police detective and the toy elephant is great! The scene where Harry Earles tries to get an early bonus with the necklace is very good and the whole relationship between the midget and the strongman is better defined, IMHO, in this version. All in all, check it out if you have a chance!

The only reason I decided to watch this was because this was Lon Chaney Sr.'s only talkie movie as he'd untimely die after this came out. I had not seen his previous silent one and while I had the option to also check that out from my local library, I just decided to see this version, for now. It's not bad as an early sound film and I appreciated the humor of some scenes but, like others commenting here, I did have trouble hearing some of the little person Harry Earles' words when he spoke them as well as that of the strongman played by Ivan Linow. Lila Lee wasn't bad as the pickpocket-turned-betrayer Rosie and neither was Elliott Nugent as her eventual boyfriend though he had more success when he turned director of various Bob Hope comedies. It was also a nice surprise that part of this film took place on Christmas Eve since the holiday just passed as you can tell by the date of this review. Oh, and yes, Lon was fine voice-wise whether doing his own or that of an old woman when wearing a disguise and also as a dummy's voice when throwing it as well as a parrot. Maybe a haunting music score could have helped in some scenes but overall, this version of The Unholy Three was good enough that I say this is worth a look.

Why this wonderfully crazy film from 1930 isn't more readily available is a total sin. Of course, THE UNHOLY THREE (1930) is most famed for the only time we can hear the great silent horror star Lon Chaney speak. When he speaks, this rather gruff, but ordinary voice comes out. I sat there thinking "That's Quasimoto, Eric the Phantom, Dead Legs Flint, and that's what Dracula would of sounded like if Chaney lived to get the part? Wow!")

The film is really out of control. Three out of work circus performers (Chaney, midget Harry Earles and strongman Ivan Linow) decide to become a trio of jewel thieves. Midget Earles has the best dialog, delivered in a squeaky voice- "I like it" (meaning the plan) "It's unholy!" This motley trio decide to disquise themselves very outlandishly (Chaney as an old woman, Earles as a cooing baby) They couldn't just lay low, or take assumed names? They had to resort this sort of lunacy? Lila Lee is also a wonderful treat here. Why didn't she do more talkies?

"The Unholy Three" was the last film made by the great Lon Chaney -- and the only talking film which he completed before his untimely death at age 47. Chaney is nothing less than marvelous as "Echo", the sideshow ventriloquist who forms a criminal collaboration with a midget (Harry Earles) and a strongman (Ivan Linow).

After fleeing a carnival bust, this threesome sets up a burglary ring with Echo also posing as an old lady pet shop owner. The gang also recruits Rosie (Lila Lee) as the sexy "granddaughter". This front works well enough for the gang until one of Rosie's suitors (Elliott Nugent) naively and innocently undermines the gang's unity.

This is a very enjoyable film, which has nice comic touches and some racy, pre-Code dialougue. The best scenes involve "Grandma" (Chaney in drag is a hoot!) fighting with the gang as the old lady. Other priceless scenes include "Baby" (Earles) casing a wealthy home ("pretty beads...) and where the gang eludes the police inspector watching Baby play around the Christmas tree ("my cow, gimme my cow!...). Very funny stuff.

This film is highly recommended to all film buffs -- and in particular, to fans of Lon Chaney. The real pleasure of course, is Chaney, who adds several vocal textures to his already incredible repertoire. He not only is the voice of Echo, but also "Grandma", a sideshow dummy, and a parrot! It is indeed a shame that we could not have had more from this incredible talent ...

This is a fine debut for a top & unique silent film star. Considering Chaney's vocal accomplishment in the early torturous sound on film system, one wonders how Chaney would have faired a few years down the road in films like The Invisible Man with only his voice and no face whatsoever. Lon barely was able to make this remake as he was suffering from advanced stages of throat cancer and it shows on his face throughout the film. His face is gaunt and withdrawn which only adds to the oddness of the story. Thalberg most likely gave the go ahead for Lon to remake his 1925 silent hit as it was popular with the public and after five years he would have been still familiar with the story. Thus learning lines would have come a lot easier to the suffering and ultimately dying Chaney. Sound actually improves the story somewhat and indicates the same circus environment that Chaney's director friend would make two years down the road in Freaks. Browning had actually made the silent Unholy Three and the script or scenario must have not gathered too much dust when director Jack Conway did this sound remake. But Conway & Chaney scored a 1930 triumph and it's a shame Chaney had to die on the cusp of it.