The Ship from Shanghai

Early talkie could have been good but the hideous performance of Louis Wolheim and bad direction kill this effort despite some good work by Kay Johnson, Zeffie Tilbury, and Carmel Myers. Even Conrad Nagel is not all that bad, but the endless monologues of Wolheim kill any tempo this film might have had plus he's just plain bad. This is one of several talkie flops that ruined Nagel's starring career; this is also Myers' first major talkie. Too bad. She was interesting. Johnson has a couple of dynamite scene, and Tilbury (famous as the grandmother in The Grapes of Wrath a decade later) is awfully good as Lady Daley. Holmes Herbert, Jack MacDonald, and Ivan Linow co-star.

1930 was the year that MGM went to all-talkie production and this movie demonstrates their lack of ease with the new medium. In addition they saddled themselves with a lot of sequences shot on the water, always a risky proposition -- although the ship was likely at the docks.

Meanwhile this production is afflicted with all the stereotypical problems of early sound productions: a static camera, unnatural-sounding sound with a lot of hiss and badly directed dialogue. Even if you discount these problems, this story of how brutish purser Louis Wollheim seizes control of a yacht after it is wrecked in the storm lacks interesting characters. Each character can be defined in a sentence. The interesting parts of the movie are the sailors trying to deal with the storm as it swamps the yacht; and Kay Johnson checking on the badly injured Conrad Nagel. Those, however, are clearly shot MOS. The rest of the movie makes use of cuts where a moving camera would have been better.

MGM clearly figured this movie to be a greater success than it turned out and its failure pretty much ended the career of Kay Johnson and knocked Conrad Nagel out of the leading man category. Louis Wollheim survived and prospered off his next movie, the great ALL QUIET ON THE WESTERN FRONT. If the MGM brass thought this movie would propel them firmly into the sound era, they were sadly mistaken.

Yes, this early talkie is not the smoothest production to watch. And some of the acting could have been more subtle. But I found it interesting to watch--mostly because it represents an historic era in filmmaking.

The story is about a small group of idle rich who decide to sail a yacht across the Pacific. During the trip, they are ignorant of the crew's dissatisfaction with the way they are treated. The steward, Ted, especially is resentful of his lot in life. He privately vents his anger over having to wait hand and foot for people who, he feels, are no better than he.

Due to uncontrollable circumstances, the situation changes. Class distinctions break down and Ted makes a power play, motivated by revenge and his perception of "justice".

Variations of this story have been filmed numerous times since, which makes me wonder if some of them originated from this film. There are definite similarities between this film and "Swept Away", which I heartily recommend--the original directed by Lina Wertmuller.

That's the sound that this ancient maritime drama makes as it meanders through it's less than exciting hour long running time. Set on a transoceanic trip from Shanghai to San Francisco, the film stars Kay Johnson, Conrad Nagel, and Zeffie Tilbury as a group of incredibly annoying passengers who end up under the thumb of evil steward Louis Wolheim, who seems to be channeling the spirit of a very dumb and quite drunk Wallace Beery. There's some scratchy stock footage of Chinese villagers to help set the scene and a bizarre (and pointless) rendition of Singin' In the Rain performed by a band of Asian men in coolie hats. This badly recorded, crude early talkie will put most viewers to sleep.

A group of wealthy socialites take a cruise on their yacht but a storm cripples the ship, making it possible for the disgruntled crew to mutiny.

Flat-nosed Louis Wolheim does his best in the role of an insane crewman with dreams of power but his exaggerated performance makes this dull film laughable and only mildly entertaining. The acting is stagy, the story melodramatic, and the early sound technology makes for long stretches of awkward silence. Unless you're interested in someone from the cast, or want to see how bad some early talkies could be, skip this one.