CALIFICACIÓN DE IMDb
5.6/10
415
TU CALIFICACIÓN
Agrega una trama en tu idiomaA musical revue that has Paramount stars and contract-players doing unrelated short sketches and elaborately staged song-and-dance numbers like a duet on a giant cuckoo clock and Clara Bow s... Leer todoA musical revue that has Paramount stars and contract-players doing unrelated short sketches and elaborately staged song-and-dance numbers like a duet on a giant cuckoo clock and Clara Bow singing aboard a navy vessel.A musical revue that has Paramount stars and contract-players doing unrelated short sketches and elaborately staged song-and-dance numbers like a duet on a giant cuckoo clock and Clara Bow singing aboard a navy vessel.
- Premios
- 3 premios ganados en total
Charles 'Buddy' Rogers
- Buddy Rogers - Episode 'Love Time'
- (as Buddy Rogers)
Opiniones destacadas
Several scenes are still missing from this 1930 film, but what's left is mostly good stuff, and all interesting from a historical point of view. Would you like to see Clive Brook as Sherlock Holmes? Here's a rare chance. Would you like to see Clara Bow sing? Here she is. Would you like to see rather too many songs by Maurice Chevalier? Take your pick of several here. Would you like to see names such as Lillian Roth, Helen Kane, Mitzi Green, and Zelma O'Neill, who are only half-remembered today? Now you can. Would you like to see early appearances by William Powell and Fredric March before they made it big in talkies? They're in this.
The musical numbers fall into the 'ok' camp; they are largely static and stagey, and rather old-fashioned, but no more so than any other early talkie revue film. A lot of the film drags (notably Helen Kane's Boop-de-doop school lesson, and the links by Jack Oakie et al) but as a piece of history, it is fine. It should be a candidate for restoration if the whole film survives in a vault somewhere; let's hope so.
The musical numbers fall into the 'ok' camp; they are largely static and stagey, and rather old-fashioned, but no more so than any other early talkie revue film. A lot of the film drags (notably Helen Kane's Boop-de-doop school lesson, and the links by Jack Oakie et al) but as a piece of history, it is fine. It should be a candidate for restoration if the whole film survives in a vault somewhere; let's hope so.
This was the type of variety show which most of the studios made which was popular in the early days of sound. In this case, the film consists of various short sketches, including musical numbers, comedy bits, and even a dramatic scene. The stars include Maurice Chevalier, Clara Bow, Ruth Chatterton, Fredric March, Gary Cooper, George Bancroft, Jack Oakie, Skeets Gallagher, Buddy Rogers, Kay Francis, Jean Arthur, Mary Brian, Fay Wray, Evelyn Brent, Leon Errol, William Powell, Warner Oland, Clive Brook, Eugene Pallette, Lillian Roth, Stu Erwin, Helen Kane, Nancy Carroll, and Mitzi Green.
Paramount also enlisted a posse of directors, including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, Victor Scherzinger, and more. Several of the film's segments, including a few in early Technicolor, were missing from the copy that I watched. In fact, the segment featuring Cooper, Brian, Arthur and Wray only consisted of the intro. My favorite segments include the very silly detective bit with Clive Brook as Sherlock Holmes, Powell as Philo Vance, and Oland as Fu Manchu; Chevalier and Brent in a lover's quarrel; Ruth Chatterton as a sad French prostitute who sings a song to American G. I.s (including March) about to return home from WWI; and a comedy piece with Chevalier as a gendarme patrolling a park popular with lovers. Most of the song and dance numbers were largely forgettable, though. Still, it was nice to see for a different look at the various stars.
Paramount also enlisted a posse of directors, including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, Victor Scherzinger, and more. Several of the film's segments, including a few in early Technicolor, were missing from the copy that I watched. In fact, the segment featuring Cooper, Brian, Arthur and Wray only consisted of the intro. My favorite segments include the very silly detective bit with Clive Brook as Sherlock Holmes, Powell as Philo Vance, and Oland as Fu Manchu; Chevalier and Brent in a lover's quarrel; Ruth Chatterton as a sad French prostitute who sings a song to American G. I.s (including March) about to return home from WWI; and a comedy piece with Chevalier as a gendarme patrolling a park popular with lovers. Most of the song and dance numbers were largely forgettable, though. Still, it was nice to see for a different look at the various stars.
Of the early talkie-era all-star revues, this one is by far the most "fun." The song sequences are nicely done; in particular, the "Dancing to Save Your Sole" segment with Nancy Carroll. Maurice Chevalier does very well in his three segments, one comedy segment, one comedy musical segment (bearing the noticable stamp of Lubitsch), and the entertaining finale. The comic segments are a bit hit or miss, but the Philo Vance/Sherlock Holmes/Fu Manchu skit near the start is a must-see. I saw this in an old TV print; the color sequences mostly exist, but have yet to be restored, and the copy of most prints that circulate is servicable, but not spectacular. Find the best print you can.
I've just watched the current restoration and can add some information to the 2002 review.
The footage of the opening "Showgirls on Parade" sequence is missing but the sound survives.
The sound disc for "Isadore the Toreador" has been located (only a few days ago) and will be put into the next restoration with the surviving Technicolor footage..
Nino Martini's number is now complete, and in Technicolor.
The "Dream Girl" Technicolor footage survives but the sound is missing.
The "Gallows Scene" is missing most of the sound except for Dennis King's song.
The footage of the opening "Showgirls on Parade" sequence is missing but the sound survives.
The sound disc for "Isadore the Toreador" has been located (only a few days ago) and will be put into the next restoration with the surviving Technicolor footage..
Nino Martini's number is now complete, and in Technicolor.
The "Dream Girl" Technicolor footage survives but the sound is missing.
The "Gallows Scene" is missing most of the sound except for Dennis King's song.
Well much of this Paramount landmark talkie is missing but what remains is entertaining and it's fun to see the old stars in their primes. Copying MGM's Hollywood Revue of 1929, which earned a best picture Oscar nomination and was a smash, Paramount on Parade has a lot of talent but the film seems cheesy compared to the MGM revue. However, this served as the talkie debut of a lot of stars on the Paramount lot. Among the major names: Clara Bow, Maurice Chevalier, Kay Francis, William Powell, Jean Arthur, Gary Cooper, Nancy Carroll, Ruth Chatterton, Fay Wray, Fredric March, Lillian Roth, Buddy Rogers. And also Jack Oakie, Mitzi Green, Leon Errol, Harry Green, Stu Erwin, Cecil Cunningham, Warner Oland, Eugene Palette, Clive Brook, Skeets Gallagher, Al Norman, Mary Brian, Zelma O'Neal, Helen Kane, George Bancroft, Mischa Auer, etc.
Most of the skits are duds but the musical numbers of funny and snappy, especially Chevalier in "Sweeping Away the Clouds," Helen Kane in a "Poop-a-Doop" classroom number, 8-year-old Mitzi Green doing impressions, Clara Bow in her splashy Navy number, Nancy Carroll quite good in her "shoe" dance, and Jack Oakie and Zelma O'Neal in their gym number.
Where the MGM film had unity via a master of ceremony (Jack Benny) this film seems like a bunch of "shorts" strung together but maybe that's because of the missing material.
Most at ease among the many big stars are Clara Bow and Maurice Chevalier who are energetic, snappy, and not afraid of the mike..... Worth a look.
Most of the skits are duds but the musical numbers of funny and snappy, especially Chevalier in "Sweeping Away the Clouds," Helen Kane in a "Poop-a-Doop" classroom number, 8-year-old Mitzi Green doing impressions, Clara Bow in her splashy Navy number, Nancy Carroll quite good in her "shoe" dance, and Jack Oakie and Zelma O'Neal in their gym number.
Where the MGM film had unity via a master of ceremony (Jack Benny) this film seems like a bunch of "shorts" strung together but maybe that's because of the missing material.
Most at ease among the many big stars are Clara Bow and Maurice Chevalier who are energetic, snappy, and not afraid of the mike..... Worth a look.
¿Sabías que…?
- TriviaOf the original 20 individual sequences, seven of them were filmed in 2-strip Technicolor: the opening sequence: 'Showgirls on Parade', Nino Martini's 'Come Back to Sorrento,' Harry Green's 'Isadore the Toreador' with Kay Francis, Dennis King's 'Nitchavo,' 'Girl of My Dreams', with Richard Arlen, Jean Arthur, Mary Brian, Virginia Bruce, Gary Cooper, James Hall, Phillips Holmes, David Newell, Joan Peers, and Fay Wray, of which only the B&W introduction survives, and the 'Rainbow Revels' finale featuring Maurice Chevalier singing 'Sweeping the Clouds Away', which also survives in B&W. The total Technicolor footage was 2517 feet (768 m), or about 28 minutes.
- ErroresThe re-release opening credits credit producer Jesse L. Lasky as "Jessie" L. Lasky.
- Citas
Jack Oakie: It's a mystery play written especially for me!
- Versiones alternativasVersion for distribution of the original film in Romania, titled Parada Paramount (1930) included additional sketches by Romanian actors Ion Ian-Covescu and Pola Iliescu
- ConexionesAlternate-language version of Parada Paramount (1930)
- Bandas sonorasAll I Want Is Just One Girl
Music by Richard A. Whiting
Lyrics by Leo Robin
Sung by Maurice Chevalier
Sung also by Mitzi Green
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- How long is Paramount on Parade?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Paramount on Parade
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 1.20 : 1
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