Just Imagine

One of the weirdest movies of the 1930s, this sci-fi musical is set in 1980 and includes a trip to Mars as well as moderne sets, clothing, and vehicles. This film is an explosion of creaky production numbers and vaudeville set pieces (starring the famous fake Swede of the era--El Brendel). Along for the ride are Maureen O'Sullivan (she sings!), Frank Albertson, and John Garrick. The real gem here, however, is the wonderful Marjorie White, a pudgy dynamo who reminds me of Bette Midler. Tragically, White was killed in a car crash in 1934. Brendel is funny, White is a whirlwind of talent, O'Sullivan is lovely, BUT this whole does not equal its parts. Best line in the film is when Brendel spies the Queen of Mars but then points to her mincing minion and states, "She's not the queen ... HE is."

It has a pretty bad reputation, but Just Imagine is such a unique film that it's essential viewing for those who can overlook the bad songs and the unfunny antics of El Brendel. The art direction is, of course, inspired, the dance sequences wonderful (especially on Mars), and the joke about Henry Ford is truly hilarious. Despite it's creakiness, there's no more lovable film than Just Imagine.

I want Fox to do what they can to make a good restoration to the print of this film, clean up the sound, and release it on DVD so I can buy it and watch it whenever I want to.

This movie is incredibly bad, but it is just oh-so entertaining to watch.

It was shown on TV Ontario as part of a 'guilty pleasures' theme in 1980. It is the kind of movie you're not supposed to like but I liked it anyway. I would like to see it again. I would like to be able to show it to people who haven't seen it yet.

I mentioned to another person that I would like to see this out on DVD. He said, "If that happens then only you and I will have copies of it." I think how well a DVD of this would sell would depend to a very large extent on how it was promoted.

This movie is now running on cable. It is an ambitious mishmash of Flash Gordon, Yiddish vaudeville, and Busby Berkeley musical, superimposed on a lame "romance thwarted" story structure. The acting is stilted or too stagey. The sound and cinematography are crude even by 1930 standards. By comparison, the production standards in Harold Lloyd's silent movies sparkle. The movie ends in a courtroom, just like many idiotic movies of today. Don't let this discourage you, though. There are some snappy one liners. It's fun seeing Maureen O'Sullivan years before her nude swimming sequence in the Tarzan movie; and Mischa is good as an astronomer. He will appear five years later in "My Man Godfrey" as the protege of Carol Lombard's mother. And the "vintage future" sets, swoopy modern clothes, mutant Martians, and personal hovercraft with twin boom tails resembling P-38s are wonderful. This movie is funny and not preachy, while "Things To Come" is the opposite. BC

Having read some earlier user comments and Maltin review, I wasn't expecting Citizen Kane; rather, that this was one of those "so bad it's good" films. I would comment rather: "so bad it's incredible". It makes Reefer Madness and its like appear as cinematic art. I couldn't take my eyes off the screen, since I was sure that matters could not get worse. The futuristic earth scenes from 1980 (!) were not bad despite a trite story, since the sets must have seemed impressive at the time, and are about as good as those in the British film Things to Come. El Brendel was not as poor a performer elsewhere as he was here, given the poor material he had to work with. His hat sequence, probably perfected over years in vaudeville, is the most entertaining moment in the film. Who thought up the Mars sequence? A number of silent filmmakers had already done the alien or primitive world with much more sophistication, and not unbalanced between comedy (Brendel) and adventure (the heroes). To do justice to the cast: they were attractive performers doing their best.