The Girl Said No

Girl Said No, The (1930)

* 1/2 (out of 4)

I'm not sure how many people know this but William Haines made three films in 1930 and they were so popular that he was voted the most popular actor of the year. This was Haines first talkie after years in the silent era where he played obnoxious brats who would do anything to get his way. In this film, he plays an obnoxious brat who returns home from college and refuses to settle down in any way, shape or form. He reluctantly gets a job where he falls in love with the secretary (Lelia Hyams) but she wants nothing to do with him so he decides to bug her to death, kidnap her and torture her some more. Okay, we all know that THE JAZZ SINGER was released in 1927 and it pretty much had people wondering if silents would ever be needed again. I always point to 1928's THE WIND as proof that movies didn't need sound. This film here is my second bit of evidence in this theory because Haines is so downright obnoxious that you'll with the film was silent so you wouldn't have to hear him. Apparently MGM also released this in a silent version and I wouldn't mind seeing it because what we've got here is pretty bad on all levels. I'd almost recommend people to watch this just to see how bad it actually is. There are a couple good moments so I'll get them out of the way now. There's a pretty funny sequence where Haines pays a waiter to throw some onion soup on his rival (Francis X. Bushman, Jr.). Bushman, Jr. himself is pretty good here and there's also another decent sequence with Marie Dressler towards the end of the movie. Now, for the bad, which is pretty much everything else. For starters, Haines is so obnoxious that you won't be able to not hate him. Not only is the actor himself way too over the top but his character is such a mean jerk that you want to see him beaten to a pulp. That's not a good feeling to have for the lead actor. The scenes with him pretty much forcing himself on the girl and kidnapping her doesn't work because of how much we hate him. Hyams isn't any better as the female lead but the less said the better. The technical side of the film is also quite poor as there are several sequences with the actors moving where it becomes quite hard to understand what they're saying as they move further away from the mic. The opening sequence at the house is also pretty ugly to watch as several of the actors in the frame have their heads cut off. The biggest sin of this turkey is that there's just not enough laughs to carry a 91-minute movie. Perhaps had this been 60 or 65 minutes then it might have worked but not at this long time. It's worth noting that there's a joke where one character says he doesn't understand why people would be against birth control in regards to Haines. I'm not sure how many films this early mentioned birth control but the quote itself is something I have to agree with in regards to this character.

Winsome graduate William Haines (as Tom Ward) comes home, intending to enter the job market, while retaining his college lifestyle. Mr. Haines is accustomed fast cars, frequent parties, and women who don't say "No!" While seeking employment at "Sutton & Co.", Haines flips over pretty blonde secretary Leila Hyams (as Mary Howe). But, the otherwise engaged Ms. Hyams wants nothing to do with the graduate. Although "The Girl Said No", Haines refuses to give up...

The Haines formula film, with sound, rang up the cash register for MGM. This film was the most profitable of the 1930 hits which propelled William Haines to the top of the box office charts. For the year 1930, he was the US #1 Male "Box Office Star", according to the industry standard list, complied by Quigley Publications. "The Girl Said No" finds Haines graduating from college at a later age than most (he's about the same age as Dustin Hoffman in "The Graduate"). Haines' fine voice, comic timing, and physicality make the most of a weak, inappropriate, story...

Highlights are Haines' driving Hyams crazy in his car, especially when she tries to drive away without him; and, a terrific extended session with Haines posing as Marie Dressler's doctor. Ms. Dressler (as Hettie Brown) is hilarious; and, the two play extremely well together. Polly Moran also appears, as Haines' loyal housekeeper. Haines and Moran don't have as much to do; but, the rapport between Haines and both women should have had producers looking for a suitable co-starring vehicle. The other cast members perform well (and stay out of Haines' way)...

Haines has some fine moments throughout, and shares a classic scene with Dressler...

******* The Girl Said No (3/15/30) Sam Wood ~ William Haines, Leila Hyams, Marie Dressler, Polly Moran

William Haines and Leila Hyams star in this rather dated early talkie from MGM. In this Haines finds the girl of his dreams with Hyams, but she's been earmarked for the boss's son Francis X. Bushman, Jr.

In this day and age Haines would be arrested for the way he pursues Hyams. I'm not sure how in 1930 he wasn't hauled off to the hoosegow. But these were the parts Haines played, smart alecks who got away with anything.

Anyway Bushman is such a drip of a human being audience sympathy is with Haines.

Best in the film is Haines's scene with Marie Dressler where he does some unorthodox things to sell her some bonds. Polly Moran is here also for some more laughs.

Still feminists would stone the screen if this were made today.

This labored attempt at madcap comedy features William Haines as a reckless, hyperactive go- getter who drives everyone around him crazy when he comes home after college graduation and proceeds to paint the town crimson. Early on, he falls madly in love with a secretary (Leila Hyams) who works in the Wall Street firm of one of his father's colleagues and sets out to claim her for his own whether she likes it or not, making one outlandish attempt after another to wrest her from a rival (Francis X. Bushman, Jr.). This kind of devil-may-care behavior is more suited to the silent cinema; with spoken dialogue mixed in the slapstick sequences seem to go on forever. Such is the charm, skill and magnetism of Haines that he almost pulls it off, but he is working with thin material that is stretched way too far, and let's face it, his behavior is reprehensible. Marie Dressler lends a big blob of color as a dowager who becomes falling-down drunk after two sips of alcohol.

It seems like people either love this film or hate it. Personally, I liked it a great deal. The film doesn't stray far from the typical Haines formula - the character starts out brash, ends up humble. Haines plays Tom Ward, recent college graduate and oldest son of a bank president. He's been laughing his way through life up to this point, and seems to have no intention of changing. His dad sets him up with a job via a friend in the investment business, and Tom fritters away that opportunity and instead takes an interest in the firm secretary, played by Leila Hyams. His attempts to woo her away from an extremely unlikeable coworker sets up situations for some typical Haines tomfoolery. However, Tom's fortunes and attitude take a sharp turn when his father dies suddenly and the family suddenly finds itself penniless. Now it's a job selling neckties for Tom and a small flat shared by the entire family.

If you like Haines' silent films, you'll like this one, but I don't think anyone should be introduced to Haines via one of his talkies. For one thing, talking comedy was never something MGM did extremely well or with much finesse, and in this first year of talking pictures the studio was really groping for successful formulas as well as adapting their silent stars to the new medium.

The worst thing about this film is that Haines is a fast talker and the primitive sound recording has trouble picking up all of his conversation. He gets better at speaking clearly in later films, and the technology improves as well. The second worst thing is that there is no explanation of some of the turns of events in the film that would have been familiar to anyone in March 1930. Today, it is hard to understand why the death of the head of household might automatically lead to instantaneous poverty for the surviving members, especially if that head of household was head of a bank right after the stock market crash. None of this is explained in the film.

The best part of the film is a ten minute bit done when Tom Ward is trying to sell bonds to a wealthy woman played by Marie Dressler. Since Dressler's character agrees to see Ward because she believes him to be a doctor, it sets up some comical situations that leave Haines' character squeamish to say the least. Polly Moran is another good part of the film. She plays the Ward family housekeeper that loyally follows the family from mansion to poorhouse. It's one of the few Moran/Dressler films in which the two actresses don't interact, but they still do much for the success of the film.

Highly recommended for the fans of early talkies and of William Haines. However, if you are unfamiliar with the early sound films and the goofy style of William Haines you might not share my enthusiasm.