The Bat Whispers

Roland West first filmed the story of the Bat, a killer that steals money and jewels for their value as well as for adventure, in 1926. He then made The Bat Whispers in 1930, which is a sound version of his silent film. The transition is not entirely smooth yet rewarding. Let me first state that the silent film is easily the superior of the two. The silent film had a much more creepier feeling to it. The acting was far superior, and the sets were incredible. West does duplicate much of the sets and shots that were in his first version. The acting, however, is not very good as it is obvious that sound pictures have not been around too long. West tries to accommodate that new innovation which sometimes results in stagey scenes and long dialogue sessions. Chester Morris is...well, to say the least...a ham. His performance is a bit over-the-top for me. He does show glimmers of talent though. The story is pretty much the same and that is the film's strength. It's a fun mystery that by today's standards will seem crude and silly, but taken in context of its time should provide some entertainment. Oddly enough, the mystery seemed less mysterious in this version. I knew who the killer was with ease(trying to distance myself from the memory of the first film as I did this). West again has some impressive camera shots. The opening scene of the bat stealing a jewel from an apartment high in the sky was incredible as was the journey of the bat over a bank and following a man with a lot of money. The camera work of West is innovative, and it is a pity that his life was cut short and we did not get a chance to see him employ his talents in other projects.

Based on a play that was filmed four years earlier by the same director this is a wonderful film that is hampered only by the limitations of sound. That said this is probably the best version of the story.

A fiend known as The Bat is lurking around the mansion of a rich family and its up to an intrepid detective to prevent him from getting the goods.

This movie is a lot of fun, with several wonderful performances especially by Chester Morris as the detective.

Interestingly the film was filmed both in the standard aspect ratio and in an early wide screen process (Both are on the DVD). The films are more or less identical, but since they were taken from different takes they both play like two different nights of the same play.

I like this film a great deal and recommend it to anyone who likes the Old Dark House genre.

Great fun! The special effects are amazing for a 1930 movie. Miniaturized sets are used & although they're primitive by today's standards, keep in mind that this movie is over 70 years old. It's an excellent Old Dark House movie, complete with thunderstorms, secret passageways, a mysterious creature named "The Bat," comedic elements, a large old house, several murders, etc. It's been noted that the comic strip character, "Batman," owes some of his origins to "The Bat," & it's apparent in the outfit, the shadows cast from buildings, & in the name of the character itself. "The Bat" is indeed a pretty scary entity. The sound effects are good, camera work is excellent, & the ending is bizarre. It kept my interest throughout its 83 minutes. Well worth seeing for Old Dark House fans (this is one of the best). I rate it 9/10.

This is a great old black and white mystery/suspenser. If you have the capacity to enjoy films of the 30's and 40's and you like mysteries and fine film craftsmanship, see his movie. Chester Morris is very good as the lead. The plot is relatively true to the Hopwood/Rinehart original screenplay. The setting is an old mansion with a spinster and family members terrified by a super criminal known as the Bat. They get outside help, but the Bat strikes anyway. Who is the Bat? What does he want in the old mansion? The story answers those questions in a most old-fashioned, entertaining manner. Of the three movie versions of the Bat, the 1926 silent, the 1950's Vincent Price/Agnes Moorhead version, and this one, this is the best.

Yes, this film is dated. The acting is beyond hammy; only in the early talkies did movies contain this kind of unabashedly theatrical performing. Just when you think Chester Morris couldn't possibly twist his mouth--or curl his eyebrow--or twirl his finger--in a new way, he surprises you and offers a wholly different mugging expression he hadn't pulled out before. Along with the acting, the genre (the creepy old house with hidden panels etc.) became old hat by 1950. So, all right, this movie is stilted and creaks. However, for a film antiquarian, this motion picture is a joy. Its sets and lighting are breathtaking, and one gathers from it why the play was one of the longest running on Broadway at the time. I'll take it over the Vincent Price remake, THE BAT, anyday and I love Vincent Price.