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If you’ve hunted around for movie bargains, you’ve probably seen some of Mill Creek Entertainment’s 50-Movie Packs on DVD. Apart from other great releases by Mill Creek, these packs are phenomenal boons to cinephiles looking to collect older titles.

There are three new packs available, and I want to not only let you in on a discount code, but I have one of the packs available for you to win.

I know a lot of people may be quick to overlook these packs, and not every movie included stands out as a major value, but there are some great titles in each of them, and fans of the genres will be pleasantly surprised by what they get out of the deal. I have to admit that there is something about seeing a 50-movie pack, especially when it doesn’t cost a couple of hundred dollars, or more,...

Carole Lombard Best remembered for her light comedies of the '30s and early '40s, Carole Lombard is Turner Classic Movies Star of the Day on Sunday, August 28, as TCM's continues its "Summer Under the Stars" film series. Unfortunately, TCM isn't showing any hard-to-find Carole Lombard movies. So, don't expect Swing High, Swing Low; We're Not Dressing; the eminently dreadful (and compulsively watchable) White Woman; I Take This Woman; Up Pops the Devil; It Pays to Advertise, Power, etc. [Carole Lombard Movie Schedule.] Having said that, TCM did show the lesser-known Virtue (1932) and Brief Moment (1933) earlier today, and will be showing The Racketeer (1929) later this evening. Directed by the all but completely forgotten Howard Higgin, The Racketeer is a crime melodrama that features future King Kong semi-villain Robert Armstrong. Chances are The Racketeer will turn out to be nothing more than a historical curiosity — but that's not a bad thing at all. First,...

Carole Lombard on TCM: My Man Godfrey, Nothing Sacred, The Racketeer Mitchell Leisen's Hands Across the Table (1935) would have been more enjoyable had Carole Lombard ended up with Ralph Bellamy instead of Fred MacMurray. In fact, MacMurray's obnoxious Average Joe portrayal — who comes across as the Average Jerk instead — all but destroys the film. His character should have gone to, once again, Melvyn Douglas, Herbert Marshall, Cary Grant, Brian Aherne, Gary Cooper, Ray Milland, Edward G. Robinson, Bela Lugosi, Ginger Rogers, May Robson, or just about anyone else in Hollywood at that time. I haven't watched Vigil in the Night (1940), a melodrama about two sisters/nurses that isn't considered one of George Stevens' best. The cast, however, is good: in addition to Lombard, there are Brian Aherne and Anne Shirley. Vigil in the Night is also of interest in that it's one of Lombard's rare post-1935 non-comedic roles.