The Mysterious Island

I really enjoyed this mess of a movie from MGM, based on Jules Verne's book. Lionel Barrymore stars as Count Dakkar (Captain Nemo in the book), a brilliant scientist and inventor with a volcanic island laboratory. The island is part of a larger kingdom known as Hetvia, and Dakkar's research efforts are put on hold when his former friend Falon (Montagu Love) decides to stage a coup. He tortures Dakkar in order to obtain his many scientific secrets, but Dakkar escapes and joins a group of opposing forces in an effort to stop Falon.

This was a troubled production, taking years to complete. It started out as a silent, but as sound came into vogue, they reshot only parts with full sound, while leaving the majority of the film silent, using title cards, and also adding sound effects and a score. Lucien Hubbard wrote the script and got final screen credit for direction, too, although footage had been shot as far back as 1926 by directors Maurice Tourneur and Benjamin Christensen. The movie is an exciting adventure for the first 2/3 or so, but when the action goes undersea, we head into fun & bizarre territory, with a race of duck-faced undersea people, a giant octopus, and an alligator with a horn glued on his snout. Being Pre-Code, this has some surprising moments of violence. The disparate pieces of this don't go together smoothly, and the ending seems kind of rushed, but I liked this oddity a lot. Recommended.

In the days before the advent of the Talking Picture, few stage performers were destined to succeed in making the transition. Among the more prominent of these thespians was Lionel Barrymore. Few actors ever emerged from Broadway, then to radio and finally up onto the silver screen. In one of the more collectible early films was this adventurous tale called " The Mysterious Island " in which he played the Jules Verne character Count Andre Dakkar, which took audiences to that the incredible Isle. In this early and mostly Silent, Black and White film, Barrymore plays a futurist scientist who builds a Undersea craft with which he plans to visit the incredible city of the Undersea people. Jacqueline Gadsden plays his daughter, Countess Sonia Dakkar (Jane Daly) and Nikolai Roget (Lloyd Hughes) her intended. However, the heavy, Baron Hubert Falcon (Montagu Love) has his own plans for her, but needs to capture the strange craft for world conquest. Despite the film being poorly cut and the primitive 'talkie' is plagued with many 'silent' segments, the story is easily carried by the cast. Further, if an audience is Patience and not overly critical, the viewing is enjoyable. Seeing this movie in the light of it being an early entry in the world of films, one can understand why it became a Classic in 1929. ****

Count Andre Dakkar (Lionel Barrymore) considers himself a scientist and rules his island as a benevolent leader. He creates submarines to search for a suspected underwater civilization. His daughter Sonia falls in love with engineer Nicolai Roget. Despotic ruler Baron Falon disapproves of the mixing of the classes. With revolution brewing in the Kingdom of Hetvia, Falon seizes the island and hopes to use the research submarine vessels as weapons. The Count and Sonia face torture. Nicolai returns with the first submarine to rescue them. Under attack, they are forced deeper and deeper until they discover the sea people.

The Jazz Singer was released two years earlier. This is still mostly silent with a few scenes with sound. It's also an early colored film but I didn't see that print. The TCM showing looks black and white. It is loosely adapted from Jules Verne. It faced a long production as film technology started to change. The story is high adventure. There are miniatures, creatures, and midget sea people. It is the fun of simple thrills.

Mysterious Island, The (1929)

*** (out of 4)

I seemed to enjoy this one a tad bit more than Mario. The film tells the simple story of a scientist (Lionel Barrymore) who creates a submarine so that he can go to the bottom of the ocean to look for life. My main problem with the film is probably its historic nature in the fact that it was started as a silent film but production got pushed back so much that MGM decided to shoot some sound scenes and include them. The start of the film is sound and none of it worked for me. Like most early sound films, the dialogue was badly recorded and it really was boring and make me want to doze off. When the silent section, pretty much the rest of the film, started, I thought the film took off like a rocket. There was plenty of action from start to finish and I also enjoyed the underwater scenes. Hundreds of midgets were hired to play the sea creatures and I thought they looked pretty good. The alligator turned dinosaur was silly but the huge squid was nice. Barrymore, in the sound portion of the film, is all over the place but I thought his silent scenes were a lot better. I've always felt he was better in silents and to see him act here silent and sound was interesting to say the least.

I am a history teacher and sometimes use films to discuss American history. In particular, we discuss and learn about the earliest films and historically important films. While some of these films are just brief little snippets (like the very early Edison films) and some are extremely dated and dull by today's standards (THE JAZZ SINGER comes to mind), some of the films we discuss have aged very well and are still great entertainment. One such important but still entertaining early films is THE MYSTERIOUS ISLAND. It was intended as a silent film, but with the success of "talkies", the studio decided to add dialog and very loud sound effects to this very early sci-fi film taken from the Jules Verne novel. At times, the sound works very well--such as in the beginning when there is a lot of dialog (provided the record of the sounds was timed perfectly--fortunately on video and DVD this isn't a problem). At other times, it looks like a silent movie with a few tacked on sounds (similar to what happened with Harold Lloyd's WELCOME DANGER). However, despite this "hybrid" nature of the film, it is still very entertaining--and a lot of fun to see sci-fi done in the old fashioned way. The undersea sequences are of course dated, but not really that bad for 1929--in fact, I found them to be pretty charming. An interesting and entertaining film even today with a good performance from the great Lionel Barrymore.