It's a Great Life

Rosetta Duncan has to be one of the most annoying actresses I have ever seen. Jed Prouty deserves an academy award for pretending to be in love with this *blank* .... must have been the most difficult acting job in his career. At one point, during the first Technicolor sequence, Lawrence Gray almost kicks Rosetta Duncan....and you can't help wishing he had and right off the stage at that. Rosetta Duncan is about as funny as a room full of cockroaches. The film would have been improved greatly if she had been entirely removed from the cast.

Lawrence Gray has a pleasing voice and it is a shame he doesn't get to sing more.. and he is really the only reason I don't give this picture a 1. His rendition of "Following You" and "I'm Sailing on a Sunbeam" (the second in Technicolor) are the highlights of the picture. Vivian Duncan has a pleasant voice, but she is unfortunately drown out by her annoying sister's croaks. Benny Rubin is pretty much wasted in his tiny part.

What a treat! Early talkie musical starring Broadway and Vaudeville stars, the Duncan Sisters. They sang, danced, and did comedy. This film is sort of a knock-off of THE Broadway MELODY. The Duncan Sisters were wanted for that film but were on the road, so the producers copied them in hiring Bessie Love and Anita Page. Later that year MGM snagged the Duncan Sisters for this film.

They play sisters who work in a department store along with handsome Jimmy (Lawrence Gray). When smart-alec Casey (Rosetta Duncan) gets fired, they all quit and launch a career in "the show business." Jimmy is sweet on Babe (Vivian Duncan) which infuriates Casey.

Anyway, they form an act built around Jimmy's songs. He plays piano while the girls sing and dance. They are a hit, but there is constant friction between Casey and Jimmy. The couple gets married and Casey goes berserk, breaking up the act. Casey goes solo, while the couple tries to make it alone. They all flop. Some time after, Babe gets really sick and Jimmy is forced to track down Casey and bring her back home.

While the plot is creaky and the acting is not always very good, the musical numbers are vintage gold. "I'm Following You," which was a big hit, is sung several times. There is also a great comic version of "Tell Me Pretty Maiden," which was the theme song of FLORODORA GIRL, the terrific Marion Davies film which also starred Lawrence Gray. "The Hoosier Hop" is also solid and done in 2-strip Technicolor. Another color sequence is a fashion parade that goes comically wrong.

Gray is charming and handsome and it's hard to figure why he wasn't a bigger success in talkies. He also has a great singing voice. Benny Rubin and Jed Prouty co-star.

Of the sisters: Rosetta is the shorter one and the broad comic. She kept reminding me of Patsy Kelly and Beryl Mercer. Vivian was "the pretty one" and has an OK soprano voice. They duet on several songs and are quite effective. They both are passable dancers and comics. They were big stage stars but didn't do all that well in films. Their only other feature together was TOPSY AND EVA, based on their smash hit stage musical. They also did a few shorts.

I liked them and thought they were both talented and personable. Maybe they could have found a niche in films. Rosetta was on the verge of a comeback on TV (WILD BILL HICKCOK) when she was killed in a car accident. Vivian apparently retired and lived to be 90.

IT'S A GREAT LIFE is creaky and stagy but what a treat to see these big stars on film.

IT'S A GREAT LIFE (Metro-Goldwyn-Mayer, 1929) directed by Sam Wood, is another one of those "Broadway Melody" variations produced during the early sound era, with the plot revolving around the up and down stage career of two singing sisters and a songwriter, in this instance, piano playing composer. What makes this one more natural to MGM's own Academy Award Best Picture winner of "The Broadway Melody" (1929), which starred Bessie Love, Anita Page and Charles King, is that this one features actual sisters in the leads. The sisters in question are The Duncan Sisters. And who are the Duncan Sisters? No, they are not the originators of the franchise of Duncan Donuts. Both blondes, they were popular vaudeville headliners with one previous feature film to their name, the silent production of TOPSY AND EVA (UA, 1927). As a result from viewing IT'S A GREAT LIFE, Rosetta (1886-1959) is best described as the shortest of the two with a flare for comedy in the manner of Winnie Lightner with a sort of raspy voice; Vivian (1899-1986), slightly taller yet prettier, sings and dances, but lacking in acting ability, especially when it comes to heavy dramatics. As with many big names during this period, the Duncan Sisters are virtually forgotten today. It's interesting to point out on how Vivian closely resembles Anita Page at one point with a cross variation to future screen actress Dorothy McGuire. Had IT'S A GREAT LIFE been distributed earlier in 1929 instead of the tail end or early 1930, it might have become an equivalent to "The Broadway Melody," considering how both films are somewhat similar in theme, which makes one wonder if the writers of "The Broadway Melody" story had the Duncan Sisters in mind. Regardless, there were no further Duncan Sisters musicals to follow, indicating that IT'S A GREAT LIFE left little or no lasting impression to 1929 audiences. By the time of its release, musicals were showing signs of decline, thus making their talking debut the final feature film for the Duncans.

Synopsis in brief: Set in New York City, the story opens with a chase after two girls are seen running from their apartment building, down the street, and immediately being pursued by a policeman and some passersby, causing some traffic accidents as the girls cross through heavy traffic, ending with them heading into a department store where it is soon revealed that they are late for work. The plot development introduces the Hogan sisters, Casey (Rosetta) as the wisecracking elder sister to Babe (Rosetta). Babe loves Jimmy Dean (Lawrence Gray), with whom she works in the sheet music department. For some reason, Rosetta dislikes Jimmy, which is never revealed why. She always finding fault in him and takes every opportunity to criticize him whenever possible in hope that Babe will become discouraged and forget about him. After getting fired from their jobs following the annual store show by Mr. Mandelbaum for his disapproval of Casey's clowning, the trio make a go for the big time in vaudeville. Although they become successful, things become complicated when Babe marries Jimmy, causing problems in her relationship with Casey, thus breaking up the act. While failures on their own, they all become too stubborn to make the first move and admit their faults, even when one of them becomes seriously ill with pneumonia.

The musical program: "Smile, Smile, Smile" (sung by employees); "What the Debutante Must Do" (fashion show sequence in two strip Technicolor), "I'm a Son of a ---." "Lady Love" (sung by Vivian Duncan); "I'm Following You" (sung by the Duncan Sisters); "Smile, Smile, Smile," "I'm Following You," "It Must Be an Old Spanish Custom," "Rigoletto," "It Must as Well Be You," "Let a Smile Be Your Umbrella" (sung by unseen vocalist during dramatic moment); "I'm Following You" (sung by Lawrence Gray); "Dance Number" (performed by Rosetta dressed up like a little Dutch Boy); "Hoosier Hop" (production number in two-strip Technicolor with the Duncan Sisters); and "I'm Following You." With the songs being the main attraction, only "I'm Following You" is quite memorable, even after several reprises.

Aside from the aforementioned leads, only Benny Rubin as Benny Friedman, the booking agent, and Jed Prouty (who played the stuttering uncle in "The Broadway Melody" ) as David Parker, the store manager who loves Casey, assume billing in the opening casting credits while others do not.

The title to IT'S A GREAT LIFE has been used several times over the years: Paramount (1935) with Joe Morrison; Columbia (1943), as part of the 28 film series featuring "Blondie and the Bumsteads" with Penny Singleton and Arthur Lake, as well as the long forgotten TV comedy series starring Michael O'Shea and Frances Bavier (1953-55).

The movie as a whole is really not bad. After it is all over, it'll be hard to get these lyrics, "Wherever you go, whatever you do, I want you to know, I'm following you" out of your head. IT'S A GREAT LIFE may never be categorized as a great early musical, but mostly a curiosity for fans of movies from this particular era as well as a rediscovery look into the careers of the once popular Duncan Sisters. Only the final minutes, highlighted by a Technicolor production number choreographed by Sammy Lee, comes off a bit weak.

Once shown on a frequent level on Turner Classic Movies cable channel prior to 1996, it's become more of a rarity today. (** Duncans)

This is one of the few movies I've had a hard time sitting through to the end. One might guess that the title was an intentional effort by MGM to draw an audience in the dark times of the Great Depression that had just begun. The film came out less than six weeks after the Wall Street stock market crash of 1929. Otherwise, the title, "It's a Great Life," is meaningless with the story.

This is one of the first MGM sound pictures, and it even has a couple of short scenes at the end that are in color. Those are of staged dance and costume extravaganzas. But, at best, they are B-level talent and entertainment. The film's opening scene is a real hoot and the only real comedy in it. What this movie is otherwise, is a scripted play that serves to knit together a few skits and song and dance routines of the Duncan Sisters, Rosetta and Vivian. They were a vaudeville team for some time, and Vivian wrote some of the songs for their act. They had played the title roles in a Broadway musical, "Topsy and Eva," that ran just over four months from late December 1924 to early May, 1925. Those were black face roles of the two characters from "Uncle Tom's Cabin," in a musical play written as a sequel to the Harriet Beecher Stowe story.

MGM was casting about looking for the talent that would soon make it the master and premier studio of cinema musicals. But this film clearly is third-tier for entertainment. The singing would hardly qualify for professional anywhere. The hoofing of the sisters amounts to nothing more than some synchronized steps and movements. And their comedy is lame. It may have been good enough for the smaller venues of the huge vaudeville circuit of the late 19th and very early 20th centuries. In that time, every town big enough to have a theater and people hungry for entertainment had vaudeville.

Some of the early 1929-1930 films with vaudeville-like revue formats had very talented entertainers, some of whom went on to have successful careers in cinema. But, others had people with lesser talents who wouldn't make the cut. This movie is in that group. Besides the lesser music and dance talent, the three leads are very hammy throughout. And the screenplay is sappy melodrama and overacting in the frequent epithets of disgust between Jimmy and Casey.

So, it It should come as no surprise that this was the only sound picture and last of three total feature films that the Duncan Sisters made. But for one more short they made together seven years later, they were finished in films. It is interesting, though, that most of the rest of the staff, including the bit players here, had long careers in film. Jed Prouty who plays David Parker would have 149 credits in films and then television into the 1950s. Benny Rubin who plays the Hogan Sisters' agent, Benny Friedman, acted in cinema and TV for more than six decades, and has 212 credits. Others have more.

One doubts that many people today would find this film entertaining. Most would probably give up on it by halfway through. I'm something of a cinephile who's interested in all aspects of the cinema and its origins and performers. Some others with similar interests, or students studying cinema may appreciate this film for those purposes. But I doubt that there will be many more to join the few who have commented positively on this film to this time. Most may even find my four stars a stretch. But the opening scene is worth one all by itself, and the color sequence toward the end with the choreography and unusual sliding scene earn it one more of the four stars I give it.

Here's an example in the dialog where the vaudevillian hamminess blots out the slight humor. Babe Hogan, "Jimmy, Jimmy, were...were you really thinking of me when you wrote that?" Jimmy Dean, "Sure I was. Every great composer has a girl who inspires his masterpieces."

I love old movies and have a very high tolerance for old fashioned style films, but "It's a Great Life" was very, very hard for me to watch. When seen today, you wonder how the Duncan Sisters could have been such a successful stage act, as they are, at times, godawful and hard to take.

When the story begins, Casey and Babe (Rosetta and Vivian Duncan) are working at a department store and hate the job. Once thing they like, however, is the upcoming store talent show. Unfortunately, the acts bomb one after another and it culminates with Babe performing a terrible song. To try to save it, Casey goes on stage and tries to inject some laughs into the act...and it is a hit. Soon the sisters plan on doing a vaudeville version of this act but this plan is scuttled when Babe gets married...and Casey absolutely hates her new husband, Jimmy. So Babe and Jimmy try their hand at performing...and fall flat on their faces. Casey does better but longs to get back with her sister....but her hatred of Jimmy stops any chance of reunification. What's to come of this?

The main problem with this film is that the singing is just horrid...so bad that it's painful to watch. Some of the acting isn't especially good either (the end with Casey and Babe is just horrible) but frankly these non-singing portions are the highlights! Overall, a curio...just not a very good one. And, frankly, I cannot understand the reviews giving it scores of 8-10. This is NOT another "Broadway Melody" and is best seen for it's historical importance and NOT its entertainment value...which is nil.

Incidentally, if you subject yourself to this one (DON'T!), you'll get to see a couple two-color Technicolor sequences.