Una mujer y un hombre compitiendo por el afecto de una mujer: la bella en cuestión es Lorraine de Grissac, uno de los dos rivales es Lupin, al que todo el mundo creía muerto y que ahora vive... Leer todoUna mujer y un hombre compitiendo por el afecto de una mujer: la bella en cuestión es Lorraine de Grissac, uno de los dos rivales es Lupin, al que todo el mundo creía muerto y que ahora vive bajo el nombre falso de René Farrand.Una mujer y un hombre compitiendo por el afecto de una mujer: la bella en cuestión es Lorraine de Grissac, uno de los dos rivales es Lupin, al que todo el mundo creía muerto y que ahora vive bajo el nombre falso de René Farrand.
- Dirección
- Guionistas
- Elenco
- Le Marchand
- (as Ien Wulf)
- Detective
- (sin créditos)
- Detective
- (sin créditos)
- Party Guest
- (sin créditos)
- Squad Car Driver
- (sin créditos)
- Vasseur
- (sin créditos)
Opiniones destacadas
Rene Farrand (Douglas) is engaged to a wealthy, beautiful woman, Lorraine de Grissac (Bruce). When a fabulous emerald necklace is stolen from Lorraine's uncle, everyone is a suspect. A private eye who once worked for the FBI, Steve Emerson (William) is brought in to investigate. The name of the famous jewel thief, Arsene Lupin, is tossed around, though he is dead. However, Emerson has never believed that, and there are clues pointing to his return from the grave.
Emerson is very suspicious of Farrand, and suspects that he might be the dead Lupin. In one scene, the necklace keeps turning up, first in one person's pocket, and then another's.
One bone to pick. One review here complained that NO ONE in this movie had a French accent, even though this story takes place in France. In France, the people speak French. They don't speak English with a French accent. So no accent is needed since one assumes they're speaking French. Following the line of thought of the review, if these people needed accents, so would anyone performing a Chekhov play need Russian accents, and you'd need Swedish accents for Strindberg. Incorrect.
This is a good movie with nice performances all around; the series never caught on, in part due to the fact that Arsene was played by different actors all the time.
Pleasant.
In this installment, it picks up three years after the last film. While the actors were different, the plot was a logical follow-up to the earlier film and once again, while the film was set in France, no one spoke with even the vaguest of French accents. This time, a fat-headed but brilliant detective (Warren William) is out to catch the thief but must contend with some decent plot twists to untangle the mystery.
This is a pretty good film of about the same quality as the earlier ARSENE LUPIN starring John and Lionel Barrymore. While this film did not have quite the same star power as this other film, Melvin Douglas and Warren William are both entertaining to watch. Sadly, however, despite a decent supporting performance by Virginia Bruce, there were also some disappointing performances as well. George Zucco (a perennial heavy from B-films) and Monty Wooley (a likable sort of rogue in most films) are pretty much wasted, as they are given very little to do. It's a shame, because with better writing, these two could have been major assets in the movie. Instead, Douglas and William are pretty much the whole show.
This is an interesting return. After the Barrymores in the 1932 version, they make a comeback. It has a good back and forth. It's great to have smart people on both sides. This does have drawbacks from the traditional crime mystery. It doesn't have much mystery. This is carried by a few good actors.
¿Sabías que…?
- TriviaOf the primary cast members, only Melvyn Douglas and Virginia Bruce were born in the 20th Century. The rest were born in the 1800s.
- ErroresWhen Steve goes into his boss's office to resign from his G-man's job, the door oddly has no door frame as the camera follows him past a coat rack and a water cooler. A very unusual set construction and shooting technique to show a character passing from one room to the other. This may also reveal the budget constraints of the picture - at least in regards to set construction.
- Citas
Lorraine de Grissac: Now I know you really missed me when I was away.
Rene Farrand: Missed you? I'll have you know I took shower baths in my own tears.
[Lorraine laughs]
- ConexionesFollows Arsène Lupin (1932)
- Bandas sonorasNocturne No. 2 in E flat major Opus 9
(1830-1) (uncredited)
Written by Frédéric Chopin
Played on piano by Melvyn Douglas
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Detalles
- Tiempo de ejecución1 hora 21 minutos
- Color
- Relación de aspecto
- 1.37 : 1