CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThis send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 5 premios ganados y 6 nominaciones en total
Opiniones destacadas
For viewers who like Irving Berlin music, this is a film to watch. His songs are really the main attraction. But the story, which encompasses a group of musicians and their career changes, has an interesting series of romantic plot twists that is intriguing.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
The plot is really nothing more than boy meets girl, boy loses girl, boy gets girl, but it's enough of a framework to present an almost non-stop catalogue of great Irving Berlin songs. The music itself is all that is needed to make this a grand entertainment; the litany of classic Berlin standards includes the title song, "Now It Can Be Told", "Everybody's Doing It Now", "Easter Parade" and many others, performed by Twentieth-Century Fox's stock musical players Tyrone Power, Alice Faye and Don Ameche, as well as Jack Haley (who does a great comic rendition of "Oh How I Hate To Get Up In The Morning") and a young, vibrant Ethel Merman, singing, amongst others, "Blue Skies" and "My Walking Stick". All in all, a wonderful "escape" film.
"Alexander's Ragtime Band" has always been a personal favorite of mine and an excellent example of the kind of lively and jubilant musicals Fox specialized during the golden age. It was a huge hit in its day and remains a huge improvement over the monotonous "In Old Chicago"(1937). I saw "Alexander's Ragtime Band" again last night and it may well be my favorite Fox musical, though I have dozens of other favorites. Directed by the underrated Henry King with a rich and endlessly tuneful score, the film is a fictionalized account on the early days of jazz, and contains close to 30 Irving Berlin songs. Alice Faye never looked so ineffably beautiful, Tyrone Power never more charismatic, Don Ameche never more genial. It's all about the music and the stars. A great timeless classic that becomes more entrancing and enriching with each viewing.
Alexander's Ragtime Band is a combination musical/drama with Alice Faye belting out Irving Berlin songs and making eyes at her leading man, Tyrone Power. Young Power is far more beautiful than his leading lady and is good as the wealthy classic musician turned band leader who shapes a cheap Faye into a classy performer. Worthwhile to see because of the song Faye sings "to" Power and the kiss they share afterward.
Otherwise, the movie is melodramatic with its storyline stretching over many years, rivalry, and World War I. But what else do you expect from a musical? A classic worthy to be seen.
Otherwise, the movie is melodramatic with its storyline stretching over many years, rivalry, and World War I. But what else do you expect from a musical? A classic worthy to be seen.
The main reason to watch this movie is to enjoy the great music of Irving Berlin (né Israel Baline). Anyone who is responsive to good music will enjoy his compositions. The dance numbers are not spectacular but they do add to the music. As for the story, well it's nothing more than to tide the viewer over from song to song. Tyrone Power, Alice Haye and Don Ameche are all more than competent in their roles though they really aren't asked to do too much given the triteness of the plot. They are all very photogenic. A great film for any fan of swing music, 7/10.
¿Sabías que…?
- TriviaDue to Motion Picture Production Code which was enforced between 1934 and 1968, this film's content was subject to rigid censorship. In her autobiography, Ethel Merman said that the original lyrics to "Heat Wave": "She started a heat wave by letting her seat wave" was changed for the movie to "She started a heat wave by letting her feet wave."
- ErroresAlexander returns from World War I after it ended, which occurred in late 1918. Even allowing for a year or two's delay, the women he meets upon his return are wearing clothing from the wrong era - they are immediately dressed in late 1930s fashions (appropriate for the year the film was released) instead of the lower hemlines and low (close to the face) hat styles of the early '20s. Hemlines didn't rise to just below the knee until the mid '20s, and women's body silhouettes were mannish, with the bust and waistline de-emphasized, unlike the fitted suit worn by Alice Faye when she sees Alexander upon his return.
- Citas
Stella Kirby: You haven't left me with a word to say.
Charlie Dwyer: That's good. People talk too much anyway.
- Créditos curiososThe music that Tyrone Power "conducts" during the film's opening credits is the song "Marching Along With Time", which was ultimately cut from the film. The song, however, as sung by Ethel Merman, has survived as an outtake and can be seen as an extra feature on the DVD.
- ConexionesFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandas sonorasAlexander's Ragtime Band
(1911) (uncredited)
Written by Irving Berlin
Performed by Alice Faye with Tyrone Power on violin, Don Ameche on piano,
Jack Haley on drums, and others
Reprised by Alice Faye at the end
Snippets played in the score throughout
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Alexander's Ragtime Band
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Relación de aspecto
- 1.37 : 1
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