You Can't Beat Love

Playboy lawyer Preston Foster (as Jimmy Hughes) is reluctantly recruited to run against an incumbent mayor, while romancing his daughter, pretty blonde Joan Fontaine (as Trudy Olson). The campaign leads to the uncovering of a gang of racketeering gamblers in the city, with both mayoral candidates, and the city police chief, becoming suspects. "You Can't Beat Love" is a competent, but routine little piece of fluff, which looks to have benefited few of those involved. There are a few likable moments. Thankfully, it was as forgettable as it was routine.

*** You Can't Beat Love (1937) Christy Cabanne ~ Preston Foster, Joan Fontaine, Herbert Mundin

Ahh.. the peaceful years just before world war two. Preston foster and joan fontaine. When attorney hughes takes a dare to get a hard, blue collar job, he gets more than he bargained for. And drags his butler along. Now he's running for mayor, and the current mayor doesn't like it, so it's war! Pretty silly. There are two characters that are clearly doing mae west and w.c. Fields impersonations.... the girl's name is even may smith. What have they gotten into?? It's a fun, wacky 62 minutes. Directed by christy cabanne... had started in the wee early days of silents, directed right on up to 1948. Story by olga moore. Really silly story line, but it's all in good fun.

The only reason for watching this film was the allure of watching Joan Fontaine in her third picture. RKO obviously had no clue what to do with this budding young talent. Pairing her with the dashing Preston Foster didn't get the intended results.

In fact, the film, as directed by Christy Cabanne doesn't hold the viewer's attention. The plot doesn't make too much sense, as it appears to have been done as a B movie to fill a double bill, so popular at the time.

The best thing in the movie are some of the supporting cast members. Herbert Mundin makes the best impression as the faithful valet. Alan Bruce, William Brisbane, and Paul Guilfoyle are seen in minor roles.

As far as Joan Fontaine, one wouldn't have guessed how far she would go judging for her participation in the film.

Watch it as a curiosity.

A man runs for mayor on a bet. The mayor's daughter meets him at a political campaign and it's hate at first sight. The chill only lasts until their next encounter, but by then we know this is a formula romantic comedy and they'll both be in love for the windup. After a few more misunderstandings, PRESTON FOSTER and JOAN FONTAINE walk off arm in arm and the simple plot is over in an hour.

Strictly an RKO programmer that passed the time in '37, a time when JOAN FONTAINE was being promoted as a new RKO starlet but given material that would have defeated any other ingenue. There is nothing here that suggests she would go on to an Oscar-winning career. PRESTON FOSTER carries the main burden, as does Herbert Mundin as his timid valet, and the whole thing has the look of a B-film that nobody had much faith in.

Interesting only to see the two leads in their prime but with very little chemistry between them.

Trivia note: Whether it's because his make-up is too dark or not, even in B&W Foster's eyes come across as bluer than Paul Newman's.

The film begins with a knuckle-head (Preston Foster) working on a road crew dressed in a tux in order to win a bet. Apparently, this guy will take on any bet or act on a whim. This becomes very apparent when he disrupts a food giveaway hosted by the mayor's daughter and as a result of this, he announces he's running for mayor--though he seems very much apolitical and has no interest in the job. Later, when he once again meets up with the mayor's daughter (Joan Fontaine) they supposedly fall in love--although there seemed to be little chemistry between them and it made very little sense for Fontaine to suddenly love a guy she so quickly hated at the beginning of the film. Plus, she really had plenty of reason to dislike the guy.

Regardless of the reasoning for announcing he was running for mayor, eventually Foster takes the role seriously and jumps in to the fray--only to see first-hand just how corrupt the police chief is. Foster's job from then on is to expose this crook, though new girlfriend Fontaine doesn't understand and takes it all very personally.

Aside from the appearance by Joan Fontaine in one of her earliest films, there's not a lot to distinguish this film--though it is occasionally fun and is a decent time-passer. You could do worse, but you could also do a lot better.