The Ticket of Leave Man

Ticket of Leave Man, The (1937)

** 1/2 (out of 4)

A serial killer known as The Tiger (Tod Slaughter) falls for a beautiful blonde so he frames her boyfriend sending him to prison in hopes that he'll get the girl. When the boyfriends gets out of prison The Tiger must try a new method to get the girl. I believe this is the sixth or seventh Slaughter film I've seen and they all feature the same plot of him trying to win a girl by framing their boyfriends. Slaughter has become a cult item the past several years and if you can tolerate him he's not too bad but non-fans will probably scratch their eyes out. He's as over the top as ever here but this nuttiness keeps the film moving. The supporting cast members are all dry and dull as is the creaky direction. The ending is downright stupid but it fits in with the campy nature.

This is one of the scariest movies I have seen. If you want to see a really good horror movie see this movie. It has a great story line. It also has great acting. If it does not scary you know movie will. This is better then A Nightmare on elm street.

I have never heard of the phrase 'Ticket of Leave', but I can safely assume from watching the story that it is referring to a person who is paroled out of prison.

The basic idea behind "The Ticket of Leave Man" is decent and the story should have been a lot better. After all, it does involve an evil criminal who not only steals but garrotes his victims! And, the guy later frames an innocent man only because he hopes to one day use him in his gang--but first he needs to break the man! However, the story itself is quite poor--mostly because of some horrible over-acting by Tod Slaughter who plays the evil killer. Subtle his performance isn't--and he even snickers a bit like Snidely Whiplash! Additionally, a few of the other performances are less than stellar. Because of the high cheese factor, it's really hard to recommend the film--unless you are making up a list of movies that SHOULD have been better or ones that featured very hammy performances.

thoroughly enjoyed this Todd Slaughter vehicle,, to be honest I never heard of him before till this movie,, he's very funny, entertaining, and just a joy to watch on the screen as the "Tiger".. a con man goes around London, killing people,, then decides it's time to pull the ultimate con,, he sets up a charity,,, called ticket of leave man,, a charity to help those who have just gotten out of jail,, and need a break,, i.e. a job... our main character is very nieve, and get's taken in by the nefarious tiger... he meets a beautiful young woman he intends to marry, but now their future is in jeopardly as he has lost faith in being an honest man,, and is contemplating a life of crime, to better his financial situation, and take care of his girl...

You've got to love Tod Slaughter. This hammy English actor has more or less been forgotten nowadays. He seems to be no more than a footnote of cinematic history. Yet I think this is a serious injustice, as every Tod Slaughter vehicle I have seen has never been anything less than entertaining. He specialized in playing cads in a series of Victorian melodramas. There weren't that many of them and Slaughter's cinematic career doesn't encompass all that many screen outings. He seemed to end up going back to the stage. His acting certainly would not have been out of place in the theatre, it's so hammy and over-the-top. But the leering villains he played were tremendously memorable, and Slaughter never seems to ever let you down. In this one, like all of them, he plays a middle-aged villain who lusts after a much younger woman, and nefariously sets a plan in motion where her fiancée is incarcerated, leaving Tod with seemingly easy access to the girl. This plot-line is extremely typical for his films. His character is a killer called the Tiger, who goes around London murdering people. He is aided by a stereotypical crooked Jewish moneylender. The innocent fellow they put in prison is the ticket of leave man of the title, i.e. a chap just out of jail looking for a break. Naturally, evil Tod has to deal with this chap when he comes back into society.

This is not the best Slaughter production. And like most of the others it's certainly no classic. But Tod is a very fun guy to watch and these melodramas he appeared in back in the 30's are still enjoyable to watch, unlike many other similar cheap productions from the time. This one is certainly formulaic, but it's acceptable when it's the unusual and unique attractions of Tod Slaughter that is the main draw.