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IMDbPro

Pépé le Moko

  • 1937
  • Approved
  • 1h 34min
CALIFICACIÓN DE IMDb
7.7/10
8.4 k
TU CALIFICACIÓN
Mireille Balin, Jean Gabin, and Line Noro in Pépé le Moko (1937)
Ver Bande-annonce [OV]
Reproducir trailer3:30
1 video
99+ fotos
CrimeDramaRomance

Agrega una trama en tu idiomaA wanted gangster is both king and prisoner of the Casbah. He's protected from arrest by his friends, but is torn by his desire for freedom. A visiting Parisian beauty may determine his fate... Leer todoA wanted gangster is both king and prisoner of the Casbah. He's protected from arrest by his friends, but is torn by his desire for freedom. A visiting Parisian beauty may determine his fate.A wanted gangster is both king and prisoner of the Casbah. He's protected from arrest by his friends, but is torn by his desire for freedom. A visiting Parisian beauty may determine his fate.

  • Dirección
    • Julien Duvivier
  • Guionistas
    • Henri La Barthe
    • Julien Duvivier
    • Jacques Constant
  • Elenco
    • Jean Gabin
    • Gabriel Gabrio
    • Saturnin Fabre
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.7/10
    8.4 k
    TU CALIFICACIÓN
    • Dirección
      • Julien Duvivier
    • Guionistas
      • Henri La Barthe
      • Julien Duvivier
      • Jacques Constant
    • Elenco
      • Jean Gabin
      • Gabriel Gabrio
      • Saturnin Fabre
    • 67Opiniones de los usuarios
    • 67Opiniones de los críticos
    • 98Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados en total

    Videos1

    Bande-annonce [OV]
    Trailer 3:30
    Bande-annonce [OV]

    Fotos122

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    + 115
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    Elenco principal23

    Editar
    Jean Gabin
    Jean Gabin
    • Pépé le Moko
    Gabriel Gabrio
    Gabriel Gabrio
    • Carlos
    Saturnin Fabre
    Saturnin Fabre
    • Le Grand Père
    Fernand Charpin
    Fernand Charpin
    • Régis
    • (as Charpin)
    Lucas Gridoux
    Lucas Gridoux
    • Slimane
    Gilbert Gil
    Gilbert Gil
    • Pierrot
    • (as Gilbert-Gil)
    Marcel Dalio
    Marcel Dalio
    • L'Arbi
    • (as Dalio)
    Charles Granval
    Charles Granval
    • Maxime
    • (as Granval)
    Gaston Modot
    Gaston Modot
    • Jimmy
    René Bergeron
    René Bergeron
    • Meunier
    • (as Bergeron)
    Paul Escoffier
    Paul Escoffier
    • Louvain
    • (as Escoffier)
    Roger Legris
    Roger Legris
    • Max
    • (as Legris)
    Jean Témerson
    • Gravère
    • (as Temerson)
    Robert Ozanne
    • Gendron
    Philippe Richard
    Philippe Richard
    • Janvier
    Georges Péclet
    • Barsac
    • (as Péclet)
    Mireille Balin
    Mireille Balin
    • Gaby
    Line Noro
    Line Noro
    • Inès
    • Dirección
      • Julien Duvivier
    • Guionistas
      • Henri La Barthe
      • Julien Duvivier
      • Jacques Constant
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios67

    7.78.4K
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    Opiniones destacadas

    tprofumo

    Film noir from the French, before they invented the phrase

    "Pepe Le Moko" is an early film noir, coming several decades before the French themselves invented the term to explain atmospheric American crime films. And it is one of the best, a film ranking right up there with the work of Melville, Becker, and other top post war directors.

    This is being billed in the US now as a sort of lost film. Actually, it wasn't lost. Hollywood simply bought the rights and kept it off American movie screens so it could release its own remake of it in 1938, retitled "Algiers." That wasn't a half bad film, made enjoyable for the most part because it was a very off-beat story, had great atmosphere and featured the breathtakingly beautiful Hedy Lamarr in the role of Gaby.

    At first, when looking at this French original, you wonder why it seems so familiar. Then you realize that the Hollywood version is almost a shot for shot remake, copying almost everything. Everything, that is, but the performance of Jean Gabin.

    Hollywood's version, which stared Charles Boyer, always seemed a little contrived, primarily because Boyer was just not very convincing as the tough Paris gangster who pulls a bank heist and flees to Algiers, where he takes up permanent residence in the Arab quarter, the Casbah. Boyer just didn't seem like the gangster type.

    Gabin, who had played rough characters before and would go on to play many others, is perfect as the smart, charismatic, but sometimes brutal Pepe.

    It is ironic that the French, so in love with gangster films that they copied American cops and robbers films of the 30s, actually made one of their own in that era that wound up being copied by the Americans.

    This one is well worth seeing.
    10Galina_movie_fan

    "Everyone in the world has two fatherlands: his own and Paris".

    "Pepe Le Moko" (1937) directed by Julien Duvivier - is a wonderful movie with the great performance from very young Jean Gabin. It just happened that I've seen several movies with him in the older age where he is serious, not very talkative man with the head full of grey hair and I like him in the later movies, too but it was so much fun to see him as Pepe - young, charming, dangerous, smart, brutal, irresistible, and so much in love with Paris that he'd lost forever. As much as I enjoyed the film as an early noir and crime, I think it is about the longing for home, about the nostalgia and as such it is even more interesting, deeper, poignant that just a noir. The celebrated film director Max Ophüls, who knew a lot about nostalgia and immigration said about Paris,

    "It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night. Everyone in the world has two fatherlands: his own and Paris."

    I could not help thinking of his words when I watched the film. There is one scene that almost reduced me to tears - a middle-aged former chanteuse plays one of her records on a gramophone and sings along with her voice that has not changed at all even if she looks nothing like the picture on the wall from the days of her youth. The time may play very nasty jokes with a woman - she may get fat or skinny, lose her teeth and hair but her voice will stay as strong or tender, ringing or melodious as it was in the long gone days that stay forever in her memory. She sings about Paris and there are tears on her eyes and the scene simply can't leave any viewer indifferent. There is another scene - between Pepe and Gaby the girl from Paris with whom Pepe falls in love (Mireille Balin). They talk about Paris remembering different places which are dear to both of them, and in the end, they both named La Place Blanche where they both belong and not in Algiers's Casbah where Pepe is safe and he rules the world of criminals but can't forget the sound of Metro in Paris. When Pepe wants to tell Gaby that he loves her, he tells her that she reminds him of Metro in Paris...

    I have not even mentioned how masterfully the film was shot by Julien Duvivier and how well it was acted, how fast it movies, and there are so many wonderful scenes that I have not mentioned...Great, great movie.
    8seveb-25179

    Plenty of pep

    One of the classic crime fiction films ever made and a fantastic time capsule containing the distilled exotic ambience of French colonial Algiers. Like many French movie stars, Jean Gabin is no oil painting, but he does have a certain energy and charisma, and he needs to, in order to avoid being upstaged by the colourful menagerie supporting players who surround him. Wanted by the French authorities, master criminal Pepe le Moco and his gang take refuge in the seamy labyrinth of the Algiers Casbah, where the police can never quite catch up with them, but slowly his sanctuary becomes his prison... Meanwhile the wily local inspector bides his time until a woman provides the flashpoint that could prove to be Pepe's undoing. If you have enjoyed the feel of Casablanca you may well fall in love with this one.
    9claudio_carvalho

    Women Were His Salvation and Doom

    In the 30's, in Algeria, the charming Parisian gangster Pépé le Moko (Jean Gabin) rules in the district of Casbah. Surrounded and protected by the women and his gang, he is unattainable by the French and Algerian police forces, but also he has been imprisoned in the area for two years. The police unsuccessfully try to bring Pépé le Moko to the center of Algiers to capture him, and he misses his former life in Paris and Marseilles. The astute and ambiguous Algerian inspector Slimane (Lucas Gridoux) promises to arrest Pépé le Moko the day he leaves Casbah. When Pépé meets the French Gaby Gould (Mireille Balin), she represents everything he misses in his life, and he has a crush on her, bringing a fatal jealousy in his mate, Inès (Line Noro).

    "Pépé le Moko" is a great film-noir, with a good romance and excellent locations. The screenplay is very well developed, showing clearly the maze where Pépé is trapped, and explaining each character very well. Jean Gabin has an excellent performance in the role of a seductive criminal; Mireille Balin is extremely elegant, wearing beautiful costumes; and Lucas Gridoux is perfect in the role of the smart inspector Slimane. My vote is nine.

    Title (Brazil): "O Demônio da Algéria" ("The Demon of Algeria")
    dominic-9

    The exotic origin of film noir

    Pepe le Moko marks a fundamental step in the aesthetic development of european cinema. It is also one of many great crime films of the thirties that is sadly overlooked in many critics top 100 lists.

    Through it's lush sense of location and character Duvivier builds up a sweaty, exotic and complex picture of the underworld life of the Kasbah and the vast panorama of engagingly seedy characters especially Pepe le Moko, played with such effortlessly charismatic ease by Jean Gabin. But it is the rich claustrophobic atmosphere and the relentless pressure of the police that powers this film along to it's elegantly tragic conclusion. A masterpiece, and the clearest fore-runner to the whole film noir genre.

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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      When Walter Wanger produced Argel (1938), the American remake, he tried to have all copies of this movie destroyed. Fortunately, he was not able to do so.
    • Errores
      After Pierrot's death, Pepe is getting progressively drunker, and his suit coat opens to reveal more of his shirt. His shirt has a monogram of "JG" on the pocket, which is the monogram of the actor (Jean Gabin) and not the character because Gabin often wore his own clothes and at that point in the film he coquettishly calls attention to the fact that he is wearing clothes from his personal wardrobe in a sort of sartorial wink at the audience."
    • Citas

      Chef Inspecteur Louvain: But can we trust you? No double-dealing?

      Régis: Sir, I am an informer not a hypocrite.

    • Conexiones
      Edited into Spisok korabley (2008)
    • Bandas sonoras
      Où est-il donc ?
      Music by Vincent Scotto

      Lyrics by André Decaye and Lucien Carol

      Performed by Fréhel

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    Preguntas Frecuentes

    • How long is Pépé le Moko?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de marzo de 1942 (México)
    • País de origen
      • Francia
    • Idiomas
      • Francés
      • Árabe
      • Inglés
    • También se conoce como
      • Tajinstveni Alžir
    • Locaciones de filmación
      • Algiers, Algeria(exteriors, backgrounds)
    • Productora
      • Paris Film
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 60,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 155,895
    • Total a nivel mundial
      • USD 156,544
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 34 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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