Popeye the Sailor Meets Ali Baba's Forty Thieves

A POPEYE Cartoon.

After crashing his plane in the Sahara, POPEYE THE SAILOR MEETS ALI BABA'S FORTY THIEVES when brigand Abu Hassan loots the desert village where the old spinach muncher has found respite. With Olive Oyl captured as a slave for the Thieves, it's time for our hero to come to the rescue...

This was the second in a series of 3 excellent two-reel cartoons, created by Max Fleischer, in which Popeye & his friends are interpolated into the classic stories of The Arabian Nights. They feature great animation - notice the fascinating 3-D backgrounds - and taut, fast-moving plots. Meant to be shown in movie theaters, they are miles ahead of their Saturday Morning counterparts. Jack Mercer is the voice of Popeye; Mae Questel does the honors for Olive Oyl.

Max Fleischer is the man responsible for the blossoming American animation film industry and he inspired the likes of Walt Disney, Walter Lantz and even Leon Schlesinger. Popeye became the most popular short-film series in the United States when Fleischer bought the film rights to the character, thus resulting in classics like 'Popeye the Sailor Meets Ali Baba's Forty Thieves' and so forth.

These early Popeye shorts employed what is commonly referred to as 'rubber hose animation' where the characters lacked any specific points of articulation making their arms and legs look 'bendy'. I love these shorts because of the surreal charm they still have eighty years on. They're not trying to pretend that its animation is perfect, they just want to entertain the audience with its fast-paced and ridiculous animation.

I really do like these cartoons' they're lovely time capsules in spite some of the inherent racism that was unfortunately prominent in the 30s. With that said, these cartoons were never made with the intent of offending anyone through any inappropriate characters, they were just products of the time which we can thankfully look beyond now.

Popeye is still a beloved cartoon icon around the world and for good reason; he made the United States and the world happier during the Great Depression, and for that he's become a real superhero in his own right.

I love Fleischer's take on Popeye the Sailor better than all the other versions of the character. This cartoon and "Aladdin and His Wonderful Lamp" are favorites from Popeye's colorful "Arabian Nights" trilogy.

I enjoy the desert scene in which Popeye, Olive Oyl, and Wimpy walk through the sand. Wimpy's mirage of a feast and the "tank roll" scene are also highlights for me. I also love the scene at the cafe when Popeye snatches Abu Hassen/Bluto's underwear off him without removing his clothes. One final moment that I enjoy is when Olive kisses Popeye while pacing back and forth on the pier while on duty.

When this show was on I watched it every time I could! I thought that the characters were really funny and all had great personalities. The animation in My opinion was crisp, clean, and really clear. Not to mention beautiful! Most of the characters in this show are hilarious like the Looney Tunes characters that we all love. in My opinion these characters are the funnies and talented ever seen. In fact, The things that goes on in this series' cartoons are in My opinion nuts which that is what makes them hilarious! There are so many to like and laugh at and the silly things they do! If you like the original Looney Tunes then I strongly recommend that you watch this show!

The second Popeye colour feature again takes a page from 'The Arabian Nights' as the spinach-eating sailor battles the legendary 'Forty Thieves' (oddly, Ali Baba is absent) who are led by egotistical tough guy Abu Hassan (essentially Bluto in foreign garb, voiced by Gus Wickie). After crashing his flying patrol boat in the desert, Popeye (voiced by Jack Mercer), his gangly girlfriend Olive Oyl (voiced by Mae Questel), and gourmand J. Wellington Wimpy (voiced by Lou Fleischer), end up in a Arabian town that gets thoroughly pillaged by Abu Hassan and his fast moving band of thieves. Finding his friends abducted, Popeye follows the brigands to their magical cave and before you can say "Open Sesame" is battling with two-score Arabesque villains to the rousing tunes of John Phillip Sousa. Needless to say that when things look the bleakest, out comes the can of spinach. The film is fun, albeit a bit dated, and culture-sensitive types will find a pleasing amount of Arab stereotyping over which to wax indignant. The animation is superb and Fleischer Studios Tabletop 3D background technique is on display, especially in the opening desert scenes and in the thieves' cave. The film is all you would expect from a Popeye feature, no more, but no less. In addition to the comic action sequences, there are lots of background jokes to watch for (I liked the 'Ali Cat Café'). The voice talent is great, especially Mercer's constantly muttering, semi-inarticulate sailor. Popeye is a one-of-a-kind character and, IMO, the Fleisher shorts and features made in the first half of the last century are 'his best work', so enjoy.