King Solomon's Mines

This first version of H. Rider Haggard's 1884 novel has a wonderful cast (Paul Robeson, Cedric Hardwicke, Anna Lee, Roland Young and John Loder), excellent production values which includes a bubbling volcano pit, and good special effects when the lava starts eroding the walls of the crater. Even with black and white photography, it is very comparable to the 1950 Technicolor version (with Stewart Granger and Deborah Kerr) and better than the 1985 version (with Richard Chamberlain and Sharon Stone). Because I am partial to Paul Robeson, I didn't mind the intrusion into the narrative of his singing three songs with his magnificent voice. (Who can make a film with Robeson without having him sing?) The movie is full of suspense, action (when the tribes battle each other) and some comedy provided mostly by Roland Young. Overall a stirring addition to the genre that should please its fans.

Respectable early entry in the King Solomon's Mines sweepstakes. (No need to recap the plot.) Except for a few scenic shots of the overland trek, the movie doesn't really come alive until the last half-hour, but from then on it's near-brilliant. The sweeping shots of warrior armies advancing across the veldt, the close-in shots of the defenders with their magnificent shields, the pageantry and tomfoolery of the royal court, but most of all, the ghastly assassination squad led by the whims of a hump-back hag who moves like a creeping disease. I've seen nothing like her (Sydney Fairbrother) before or since, but her crab-like crawl over the gateway rock may make you rethink the pace of evolution. Also, the white-hot caldera with the clinging ledge above amounts to a spine-tingling effect for any movie period. I'm not even sure Technicolor could have improved on the staging of these remarkable scenes.

Now, there are no seams that I can spot during this stellar last half-hour. I couldn't tell whether the scenes were done on location in Africa or maybe even Great Britain. However the earlier scenes of the trek are marred by obvious inter-cutting between long-shot locations and close-in exterior sets poorly done. For me, this breaks the spell and indicates a curious lapse in an otherwise well produced adventure film. Lee and Robeson are spirited and commanding as central figures. However, I agree with a reviewer's observation that Loder would have made a more convincing Quartermain than the stiff-backed Hardwicke. Also, Hardwicke and Young behave more like they belong in a gentleman's smoking club than footloose in the wilds of Africa, while Young's wry asides are strictly a matter of taste and, in my view, a lame attempt at comic relief.

Nonetheless, this 1937 production is definitely worth catching up with, especially for those who have never seen or heard the great Paul Robeson.

This movie version (the first) is true to the book and displayed movie magic for its time. Its got Cedric Hardwicke in it who has done other Africa themed films making you right at home with this one. I personally liked the Deborah Kerr and Stewart Granger version better but again the book is the best bet and makes for interesting reading as you can't wait to find the fabled King Solomon's Mines. The premise is that Solomon not only possessed wisdom never before seen but immense God-supported wealth making him use gold for everything as he had no money considerations whatsoever. Apparently his mines provided a great deal of this or so they would have us believe. It is a good story when told and this movie tells it good enough. I enjoyed a snack with this plus a tasty drink on standby. Imagine all that wealth sitting there and the locals paying it no mind because their spear and their hut are more important than shiny stones. The Native Indians in America had no use for gold either remarking that the little yellow nuggets drove white men mad making them want it even less. Its only as good as we say it is

First of the Many Versions, this British Production is Somewhat Dated but not without Charm and Adventure. Once things get going it is Truly an Adventure Filled with Dangers and Diabolical Natives.

This wasn't the Best of Prints and some of the Images looked Very Dark and Blurry but Enough Remained to be Watchable. The Final Act is Undoubtedly the Best with Standout Scenery and some really Scary Natives. Their Attire and Demeanor is Striking and Unsettling.

Paul Robeson is Often Touted as Enhancing the Story with His Three Songs but they seem out of Place and Pretty Corny. "Mountain, you mountain, mountain, you mountain." But Even if You don't find that kind of Stuff Appealing there is Much to Like in this Rousing Adventure that has an Outstanding Climax.

In darkest Africa, so legends say, lies the secret location of KING SOLOMON'S MINES, a great mountain full of heaps of diamonds. Surrounded by a seemingly impassable desert, it is said no white man has ever set foot there. Africa's greatest hunter & guide, Allan Quartermain, does not believe the mines exist, but he is forced against his better judgment to lead a small party over the desert ... and right into a fierce tribal civil war.

This is a very fine adventure film, with much to recommend it. Plenty of excitement, a little romance, and a few well-sung songs help push the plot along. Footage shot in Africa enhance the atmosphere of this Gaumont-British film.

Sir Cedric Hardwicke is a sturdy, stoic Quartermain, just the sort of no-nonsense fellow you would want guiding your expedition. American opera star Paul Robeson has marvelous presence as a mysterious native who seems to know a bit too much about the lands they are seeking. Arthur Sinclair & Anna Lee are the two Irish treasure seekers who spark much of the action. John Loder & Roland Young (very droll) nicely play the two English chaps who finance the trek. Robert Adams is the nasty tribal usurper who gets in their way.

Strangely receiving no screen credit, stage actress Sydney Fairbrother is nothing short of terrific as the ancient, filthy witch doctor Gagool, `older than the memory of the oldest man.' The scene in which she stalks about, calmly choosing those to instantly die, is a classic of mounting terror.

Mr. Robeson uses his magnificent voice in three songs: `Walk! Walk!', `Climbin' Up' & `Kukuwana'.