The Great O'Malley

THE GREAT O'MALLEY (Warner Brothers, 1937), directed by William Dieterle, stars Irish actor, Pat O'Brien, properly cast as an Irish policeman by the name of O'Malley. Having previously played an officer of the law by the name of O'Hara in THE IRISH IN US (1935) where James Cagney starred and gathered most of the attention, his role of O'Malley solely belongs to O'Brien, with some notable attention to some of his supporting players, such as Humphrey Bogart and Ann Sheridan, who would become major star performers by the 1940s, and the little child actress by the name of Sybil Jason, the studio's answer to 20th Century-Fox's Shirley Temple. Though cute and agreeable in her role, Jason never became a major child actress of her time. After co-starring in two movies starring Temple at her home studio, Jason would become lifelong friends with the legendary child actress.

Set in New York City, the story introduces James Aloysius O'Malley (Pat O'Brien), whose late father was also a policeman, as a "by the book" officer who passes out citations for petty crimes and ordinances. He takes his job very seriously, even to a point of criticizing his own mother (Mary Gordon) for breaking the law for littering. One day he stops John Phillips (Humphrey Bogart), a family man with a wife (Frieda Inescort) and a child, Barbara (Sybil Jason), while on his way to his first job he's has in years, for a violation driving his Model T car with a bad muffler. Only a few minutes late, John loses his job to another man. In desperate need of extra money to buy food for his family, he tries to pawn off some personal items. Unable to get the $10 needed, John steals $400 from the pawnbroker. Later he is stopped by O'Malley for a traffic violation, unaware that he is now a wanted man. Later arrested, John is put to trial and sentenced to serve two to ten years in the state penitentiary. His wife informs Barbara that her father has gone away on his new job in Canada. Because of the incident that could have been prevented, but has only ruined a man's life instead, Captain Cromwell (Donald Crisp) asks O'Malley for his resignation, but is refused. Cromwell decides to make or break O'Malley by reducing him to school crossing guard at Public School 141. Although O'Malley finds his new job humiliating, he soon takes an interest in a girl with a lame leg, who happens to be the daughter John Phillips, and the child's teacher, Judy Nolan (Ann Sheridan). Other members of the cast include: Henry O'Neill (Defense Attorney); Hobart Cavanaugh ("Pinky" Holden); Frank Sheridan (Father Patrick); Lillian Harmer (Miss Taylor); Frank Reicher (Doctor Edwin Larson), with Granville Bates, Henry Armetta and Stanley Fields in smaller roles.

Based on the story with material that was previously done in the silent era as THE MAKING OF O'MALLEY (1925) with Milton Sills and Dorothy MacKaill, this latest update gathers enough attention through its Warner Brothers stock company in their properly placed roles. As mentioned earlier, O'Brien handles his role perfectly as a no nonsense policeman. While Humphrey Bogart has become relatively known for playing gangsters, villains and later detectives, this along with his earlier BLACK LEGION (1936) does he get the rare opportunity playing a father of a small child. Of all the cast members, O'Brien is the sole focus who nearly takes second place to Sybil Jason. No matter, since he won't ever give her a citation for scene stealing. Regardless of some syrupy scenes, and how the Great O'Malley gets through his humiliation with job demotion, the movie is satisfactory 70 minute production.

Viewed mostly on Turner Classic Movies cable channel, THE GREAT O'MALLEY, which was at one point in history was rarely shown on television since the 1960s, has become available on DVD. It would be nice to have the silent 1925 movie available one of these days for O'Malley comparison. (***)

Thinking about The Great O'Malley put me in mind of an episode of NYPD Blue in its final season. Andy Sipowicz has been just appointed sergeant and the point of the whole series was watching Dennis Franz as Sipowicz grow as a human being. There's a scene in this particular episode where Sipowicz as sergeant mediates out a dispute when a young rookie cop collars a truck driver who was trying to make a delivery on a crowded street and was double parked. The driver protested the ticket and the cop arrested him and we see the driver in handcuffs.

Sipowicz basically tells the young patrolman to enforce the law, but with a little discretion, after all this is some poor working stiff, not serial criminal. And in the end the driver is cut loose and presumably the patrolman will use a little more tact in the future.

In the title role in The Great O'Malley is Pat O'Brien who's a walking rule book, so much so no one can stand being around him. But one day just like in NYPD Blue, he stops some guy for speeding on his first day to report to a new job. He detains him so long that the man loses that job.

Which leads to Humphrey Bogart just plain losing it and committing a robbery just to gain enough money to feed his wife and daughter. Of course that results on wife Frieda Inescourt and daughter Sybil Jason staying on relief which is what welfare was called back in the day.

None of this makes any impression on the officious Great O'Malley, but O'Brien happens to make the acquaintance of Inescourt and Jason and between the two of them, manage to soften him up a bit. Even O'Brien's girlfriend Ann Sheridan likes the change in him.

Later on he gets a chance to really make it up to Bogart, going quite a bit above and beyond in his job as a policeman.

The Great O'Malley is a typical Warner Brothers Depression era product from the working man's studio. Both Pat O'Brien and Humphrey Bogart do fine jobs, especially Bogart who at that time was playing mostly gangsters. Here he's a decent, but desperate man and really registers in the role that was a change of pace for him.

This film is not run too often, hopefully TCM will broadcast it and soon.

This film is about an above the board policeman who learns that having a little heart along with the necessity to do what is right goes a long way. Bogart is playing a small but significant role as the well meaning every day Joe that gets caught up in the circumstances of poverty. Still the show is all O'Brien's as we see him go through a range of emotions from start to finish. Worth watching.

"The Great O'Malley," directed by William Dieterle, was Bogart's second film with Pat O'Brien, a man he deeply respected as a person and as an actor… In this very predictable movie, O'Brien was a too zealously cop whose attachment to the letter of the law alienates friends as well as enemies…

Bogart was an honest family man who was forced to turn to crime in order to provide for his family after O'Brien arrested him for a minor offense and caused him to lose a job opportunity…

Bogart had an excellent chance to show some versatility by turning from his earlier carefree attitude into one of frustration and bitter hatred, and he carried it off rather effectively

Great O'Malley, The (1937)

** (out of 4)

Boring melodrama from Warner about cop James O'Malley (Pat O'Brien), an overbearing cop who follows the law down to the wire and this includes passing out tickets for the smallest of issues. Soon he costs a poor man (Humphrey Bogart) a job and the man turns to crime and soon finds himself away from his cripple daughter and doing a ten year sentence. O'Malley gains more and more enemies and soon finds himself close to the man's daughter where he might finally learn his lesson. I'm really not sure what the point of this film was for several reasons. O'Malley is an ugly character, a complete jerk and one people are really going to hate so showing this type of cop to people probably wasn't the best of ideas. I'm not even sure why a story like this would interest anyone and the film comes off like the stars and director didn't have much faith in it either. Dietrich is certainly directing by the numbers as nothing here really jumps out at you as having much effort put into it. There's really not any powerful scenes, drama, laughs or anything else. Granted, nothing here is overly bad but just flat. O'Brien gives a decent performance but it's certainly far from his best because there's not much soul or fire to the character. Bogart does get to shine in a role that you normally wouldn't see him play. I thought he did a pretty good job playing the poor guy trying to look out for his family and it's the type of role you'd expect someone like Spencer Tracy to play but Bogie does fine with it. Sybil Jason and Ann Sheridan add nice support as does Donald Crisp. Warner was the studio for blue collar tales but this one here never really works and I'm really not sure what the point of any of it was.