CALIFICACIÓN DE IMDb
7.5/10
15 k
TU CALIFICACIÓN
Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 premio ganado y 1 nominación en total
Sig Ruman
- Dr. Steinberg
- (as Sig Rumann)
Hooper Atchley
- Race Judge
- (sin créditos)
King Baggot
- Racetrack Official Starter
- (sin créditos)
Kenny Baker
- Party Guest
- (sin créditos)
Vivian Barry
- Telephone Girl
- (sin créditos)
Opiniones destacadas
Overall, this is a good Marx Brothers feature that is sometimes a little uneven, but that looks pretty good as long as you don't compare it with their very best pictures. The basic setup is amusing, and it provides some good material for the cast to work with. Groucho, Chico, and Harpo all get their moments, with Margaret Dumont once again joining in the fun.
The sanitarium setting and Groucho's attempt to run it are used pretty well.
There is a very funny scene when one of the heavies tries to check on Groucho's credentials, and another one when Dr. Hackenbush has to compete with an outside expert (Sig Ruman, who is always fun in this kind of role) for Dumont's confidence.
Not all of it works quite that well, and one or two of the musical numbers could have been skipped with no loss at all. But there are plenty of good moments and creative sequences, and a satisfyingly chaotic finale as good as those in any of their films.
The sanitarium setting and Groucho's attempt to run it are used pretty well.
There is a very funny scene when one of the heavies tries to check on Groucho's credentials, and another one when Dr. Hackenbush has to compete with an outside expert (Sig Ruman, who is always fun in this kind of role) for Dumont's confidence.
Not all of it works quite that well, and one or two of the musical numbers could have been skipped with no loss at all. But there are plenty of good moments and creative sequences, and a satisfyingly chaotic finale as good as those in any of their films.
Superb comedy that puts our heroes in a sanitorium to help out owner O'Sullivan and an ailing Dumont. Groucho is the doctor brought in to help things along and it equals hilarious results. He and Chico share a wonderful sequence at the racetrack with Chico, in need of quick cash, looking for a sucker to con...Groucho just happened to walk by. The telephone scene between Groucho (as numerous voices) and Leonard Ceeley is also priceless. Allan Jones appears as O'Sullivan's love interest and even sings a bit. A bit too much for me, but he still sings lovely. The long dance numbers are uninspired and lose the comic flavor after a few minutes. We get it back in the wooing scene between Groucho and beautiful Esther Muir and in the rollicking good finale. The film, under Wood's direction, is well paced, with exception to the barnyard musical numbers. They drag it down for a bit. A comedy classic nonetheless.
After this one, the quality fell off...dramatically.
This one has everything but Zeppo. Groucho and Chico work together like a well oiled insane asylum. The ice cream bit still makes me laugh and I've seen it upwards of twenty times. The timing is incredible. The examination room bit with Harpo ("Either this man is dead or my watch has stopped") is equally tight. There isn't a slow moment in the film.
What is unusual in this film is the big musical number with the African-American race track employees. Instead of people in black face or grotesque caricatures, real black singers and dancers are featured. Imagine seeing the Jitterbug fifteen years before white teens were performing it. It is not the only time the Marx Brothers have featured black musicians in one of their movies (At the Circus comes to mind)...
Margaret Dumont as Mrs Upjohn is wonderful. A Marx Brothers fan, like myself, tends to fall in love with the woman after many years. Her beauty and naivety eventually charm even the most cynical Grouchophile...
See it!
This one has everything but Zeppo. Groucho and Chico work together like a well oiled insane asylum. The ice cream bit still makes me laugh and I've seen it upwards of twenty times. The timing is incredible. The examination room bit with Harpo ("Either this man is dead or my watch has stopped") is equally tight. There isn't a slow moment in the film.
What is unusual in this film is the big musical number with the African-American race track employees. Instead of people in black face or grotesque caricatures, real black singers and dancers are featured. Imagine seeing the Jitterbug fifteen years before white teens were performing it. It is not the only time the Marx Brothers have featured black musicians in one of their movies (At the Circus comes to mind)...
Margaret Dumont as Mrs Upjohn is wonderful. A Marx Brothers fan, like myself, tends to fall in love with the woman after many years. Her beauty and naivety eventually charm even the most cynical Grouchophile...
See it!
Judy Standish (Maureen O'Sullivan) owns the failing Standish Sanitarium. Her rich most important patient Mrs. Upjohn (Margaret Dumont) is leaving. Judy's boyfriend Gil Stewart (Allan Jones) spends all his money to buy a horse and win big for her. She is dismayed that he abandons his singing. Tony (Chico Marx) overhears Upjohn's praise for Dr. Hackenbush (Groucho Marx) and sends for him who turns out to be a veterinarian. Banker J.D. Morgan (Douglas Dumbrille) is trying to buy out the sanitarium with the help of the scheming manager Whitmore (Leonard Ceeley). Gil gets Stuffy (Harpo Marx) to ride his horse Hi-Hat.
Groucho is as snappy as ever. Harpo's physical gags are hilarious. There are some fun long setups like the ice cream bit. When all three get together in the examination, it's a great skit. As always in their movies, there are old fashion musical numbers. Those are not my taste but it's expected. I personally like the musical segments where they inject comedy into them. There is even one with a big cast of black singers and dancers. There are some big laughs although the movie is a bit long.
Groucho is as snappy as ever. Harpo's physical gags are hilarious. There are some fun long setups like the ice cream bit. When all three get together in the examination, it's a great skit. As always in their movies, there are old fashion musical numbers. Those are not my taste but it's expected. I personally like the musical segments where they inject comedy into them. There is even one with a big cast of black singers and dancers. There are some big laughs although the movie is a bit long.
I love the Marx Brothers, and I like/love their movies. While A Day at the Races is one of my least favourites of theirs, as it is somewhat uneven, it is still very entertaining and definitely worth watching.
Why I didn't like A Day at the Races as much as an outing like A Night at the Opera, Horse Feathers or Duck Soup is because it does have some inconsistent support playing. I am not talking about Margaret Dumont for she is sterling as always, I am talking about Allan Jones and Maureen O'Sullivan whose romantic wooings came across as a little too sappy. What hurt the film more though was some of the musical interludes, some work but others miss more than they hit not because they are terrible but because they are too long and slow the film down pretty considerably. Also I would have shortened the film by about 5 or so minutes.
Criticisms aside, it looks great with fine cinematography, lighting and scenery and has good incidental scoring that is both quirky and charming. The dialogue is also very inspired and quotable, and the gags are hilarious. The "Tootsie frootsie ice cream" sketch is for me the best of Groucho/Chico's wordplay routines. And speaking of the Marx Brothers, all three are splendid particularly Groucho who is still quick-witted and a lot of fun to watch.
In conclusion, an entertaining film but not absolutely wonderful. 7/10 Bethany Cox
Why I didn't like A Day at the Races as much as an outing like A Night at the Opera, Horse Feathers or Duck Soup is because it does have some inconsistent support playing. I am not talking about Margaret Dumont for she is sterling as always, I am talking about Allan Jones and Maureen O'Sullivan whose romantic wooings came across as a little too sappy. What hurt the film more though was some of the musical interludes, some work but others miss more than they hit not because they are terrible but because they are too long and slow the film down pretty considerably. Also I would have shortened the film by about 5 or so minutes.
Criticisms aside, it looks great with fine cinematography, lighting and scenery and has good incidental scoring that is both quirky and charming. The dialogue is also very inspired and quotable, and the gags are hilarious. The "Tootsie frootsie ice cream" sketch is for me the best of Groucho/Chico's wordplay routines. And speaking of the Marx Brothers, all three are splendid particularly Groucho who is still quick-witted and a lot of fun to watch.
In conclusion, an entertaining film but not absolutely wonderful. 7/10 Bethany Cox
¿Sabías que…?
- TriviaWith a running time of one hour and 50 minutes, this is the longest of The Marx Brothers' theatrical films.
- ErroresWhen Stuffy gets on the horse with the wagon, he is wearing a coat and dark trousers. As jockey he wears white pants and jockey shirt. While he could have lost the coat easy enough, there was no opportunity for him to change pants.
- Citas
[Stuffy has grabbed some poison to drink]
Dr. Hackenbush: Hey, don't drink that poison! That's $4.00 an ounce!
- Versiones alternativasAfter the film's opening two musical numbers featuring the songs "I'm Dr. Hackenbush" and "I've got a message from the man in the moon" were removed. This footage is now believed to have been destroyed.
- ConexionesEdited into Hollywood: The Dream Factory (1972)
- Bandas sonorasOn Blue Venetian Waters
(1937) (uncredited)
Music by Bronislau Kaper & Walter Jurmann
Lyrics by Gus Kahn
Sung by Allan Jones
Danced by Vivien Fay and an Ensemble of Girls
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- En dan smeha
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,016,000 (estimado)
- Tiempo de ejecución
- 1h 51min(111 min)
- Color
- Relación de aspecto
- 1.37 : 1
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