CALIFICACIÓN DE IMDb
6.8/10
2.5 k
TU CALIFICACIÓN
El personal de un castillo de apuestas, y una serie de malentendidos y montajes, llevan a que un animador americano y una damisela inglesa se enamoren.El personal de un castillo de apuestas, y una serie de malentendidos y montajes, llevan a que un animador americano y una damisela inglesa se enamoren.El personal de un castillo de apuestas, y una serie de malentendidos y montajes, llevan a que un animador americano y una damisela inglesa se enamoren.
- Ganó 1 premio Óscar
- 3 premios ganados y 1 nominación en total
Pearl Amatore
- Madrigal Singer
- (sin créditos)
Dorothy Barrett
- Dancer in Funhouse Number
- (sin créditos)
May Beatty
- Landlady
- (sin créditos)
Eugene Beday
- Bit Role
- (sin créditos)
Charles Bennett
- Carnival Barker
- (sin créditos)
Frank Benson
- Attendant
- (sin créditos)
John Blood
- Bit Role
- (sin créditos)
Angela Blue
- Dancer
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaWhen Fred Astaire learned that Gracie Allen was nervous about dancing with him on-stage, he reportedly made a point of tripping and falling in front of her the first day on the set to put her at her ease.
- ErroresThis movie is based in England where vehicles drive on the left, but all the vehicles are left-hand drive, which obviously is what side they drive on in the US.
- ConexionesFeatured in Hollywood and the Stars: The Fabulous Musicals (1963)
- Bandas sonorasI Can't Be Bothered Now
(1937) (uncredited)
Words by Ira Gershwin
Music by George Gershwin
Song and dance performed by Fred Astaire
Opinión destacada
Back when musicals weren't showcases for choreographers, we had wonderful movies such as this one.
Being a big fan of both Wodehouse and Fred Astaire I was delighted to finally see this movie. Not quite a blend of Wodehouse and Hollywood, but close enough. Some of the American vaudeville humour, the slapstick not the witty banter, clash with Wodehouse's British sense of humour. But on the whole, the American style banter makes the American characters seem real rather than cardboard caricatures.
Some inventive staging for the dance numbers, including the wonderful fairground with revolving floors and funhouse mirrors, more than make up for the lack of a Busby Berkley over the top dance number. They seem a lot more realistic, if you could ever imagine people starting to sing and dance as realistic.
The lack of Ginger Rogers and Eric Blore don't hurt the movie, instead they allow different character dynamics to emerge. It's also nice not to have a wise cracking, headstrong love interest. Instead we have a gentle headstrong love interest, far more in keeping with Wodehouses' young aristocratic females.
Being a big fan of both Wodehouse and Fred Astaire I was delighted to finally see this movie. Not quite a blend of Wodehouse and Hollywood, but close enough. Some of the American vaudeville humour, the slapstick not the witty banter, clash with Wodehouse's British sense of humour. But on the whole, the American style banter makes the American characters seem real rather than cardboard caricatures.
Some inventive staging for the dance numbers, including the wonderful fairground with revolving floors and funhouse mirrors, more than make up for the lack of a Busby Berkley over the top dance number. They seem a lot more realistic, if you could ever imagine people starting to sing and dance as realistic.
The lack of Ginger Rogers and Eric Blore don't hurt the movie, instead they allow different character dynamics to emerge. It's also nice not to have a wise cracking, headstrong love interest. Instead we have a gentle headstrong love interest, far more in keeping with Wodehouses' young aristocratic females.
- darkbhudda
- 31 dic 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Ein Fräulein in Nöten
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,035,000 (estimado)
- Tiempo de ejecución1 hora 41 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was A Damsel in Distress (1937) officially released in India in English?
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