CALIFICACIÓN DE IMDb
6.7/10
1.7 k
TU CALIFICACIÓN
Aunque Charlie y Lee están en Mónaco para una exposición de arte, se ven envueltos en una disputa entre financistas rivales que involucra a los Chan en una red de chantajes y asesinatos.Aunque Charlie y Lee están en Mónaco para una exposición de arte, se ven envueltos en una disputa entre financistas rivales que involucra a los Chan en una red de chantajes y asesinatos.Aunque Charlie y Lee están en Mónaco para una exposición de arte, se ven envueltos en una disputa entre financistas rivales que involucra a los Chan en una red de chantajes y asesinatos.
- Dirección
- Guionistas
- Elenco
William Begg
- Casino Patron
- (sin créditos)
Edward Biby
- Hotel Guest
- (sin créditos)
Emil Bistagne
- Casino Patron
- (sin créditos)
Eumenio Blanco
- Waiter
- (sin créditos)
Eugene Borden
- Hotel Clerk
- (sin créditos)
Opiniones destacadas
This film has the reputation to be very delightful in the Charlie Chan series. Well, maybe, I don't deny, I am not fan enough, but if you crave for this detective film series from the forties and thirties, you will appreciate of course. I did not particularly, because I am not sensitive enough to this atmosphere of talkings. So far, our Chinese detective has never been investigating in a casino, which is a very specific atmosphere, the gambling settings very special, providing many elements for a good mystery scheme. This film is produced by Twentieth Century Fox, the genuine production company of the series before it becomes Monogram Film Corporation.
Charlie and Lee once again find themselves in foreign territory (he doesn't seem to spend much time with the rest of his family). The get a look at one of the gambling hot spots of the world. Soon they are wrapped up in the intrigue between two very rich men who hate each other. There is a murder on a country road as they walk to their hotel (the taxi they have take breaks down). A woman in a fancy car is seen driving away. The two men and two women, along with a bartender, become embroiled in the transfer of a million dollars in metallurgical bonds. As is usually the case in these episodes, there are multiple efforts at coverups by the principles. It would seem that the more playing with the facts these guys attempt, the more Chan becomes suspicious. There are also the scenes where loudmouthed number one son is always a half step behind his honorable father. There is also some great stuff as Junior tries to speak French. At one point he confesses to murder with his poor use of the language. Charlie asks him at breakfast if he can order something without getting them thrown in jail. It is my understanding that Oland died shortly after the completion of this movie. That is why Sidney Toler took over the role. I saw all the Chan movies as a boy and am rediscovering them now. I hope that the remainder of the canon is as entertaining.
Charlie Chan and "Number One Son" Lee are visiting Monte Carlo when a bank messenger is murdered and some bonds stolen. Sadly, this was Warner Oland's last Charlie Chan film. He's good in this, though he does seem a little 'off.' Whether this is my imagining things because I know about his problems offscreen, I don't know. He just doesn't seem as happy in this one as earlier films. Keye Luke is great, as always. Harold Huber, who appeared in Charlie Chan on Broadway as a different character, is fun here as a French police chief. It's not the best of the series, but still enjoyable. All of the Fox Chan films were at least watchable, whether Warner Oland or Sidney Toler were Chan. After the series moved to Monogram, quality declined greatly. The worst moments of Charlie Chan at Monte Carlo are better than anything in the Monogram series.
Contrary to many of the reviews, I think this is one of the best Charlie Chan movies and one of my my personal favorites. It's wonderfully escapist, taking place as it does, in a fabled location over 70 years ago.
The plot is a bit more sophisticated than many of the Chan films - no cigarettes that cause one to drop dead after one puff or poison gasses fabricated by Hollywood writers. The plot remains true to reality as valuable bonds pass from one set of slippery hands to another causing the murder of two people.
The production is stylish and most of the actors do a great job. The hyperactive, super energetic #1 son is only minimally so in this film, however Harold Huber as the chief of police overdoes himself in his brash and noisy performance. He is on camera almost as much as Chan and quickly becomes an irritant. His French accented English is almost as bad as his Brooklyn accented French.
Interestingly, all of the French characters speak French in the film - something one might expect in an art house film, but hardly in a B-movie. It certainly lends an air of authenticity but might be detracting to those who have not studied French.
Automobiles of the era play a big part in the film, the star vehicle being the gorgeous Rolls convertible that is featured in several scenes. There are many scenes of various cars - from beat-up taxis to limos fit for a king. (Watch the limo that pulls up to Karnoff's villa to pick up the bank messenger.) Also it seems that the police ride around in convertibles in Monaco!
The plot is a bit more sophisticated than many of the Chan films - no cigarettes that cause one to drop dead after one puff or poison gasses fabricated by Hollywood writers. The plot remains true to reality as valuable bonds pass from one set of slippery hands to another causing the murder of two people.
The production is stylish and most of the actors do a great job. The hyperactive, super energetic #1 son is only minimally so in this film, however Harold Huber as the chief of police overdoes himself in his brash and noisy performance. He is on camera almost as much as Chan and quickly becomes an irritant. His French accented English is almost as bad as his Brooklyn accented French.
Interestingly, all of the French characters speak French in the film - something one might expect in an art house film, but hardly in a B-movie. It certainly lends an air of authenticity but might be detracting to those who have not studied French.
Automobiles of the era play a big part in the film, the star vehicle being the gorgeous Rolls convertible that is featured in several scenes. There are many scenes of various cars - from beat-up taxis to limos fit for a king. (Watch the limo that pulls up to Karnoff's villa to pick up the bank messenger.) Also it seems that the police ride around in convertibles in Monaco!
Another fun Charlie Chan Movie! This time, he's in Monte Carlo, and yes, another poor soul is murdered. He's assisted by the great Harold Huber as Monte Carlo's chief of police while they try to solve the murder. I liked this one more than others, because at least they TRIED for my authenticity this time, a lot of people speak French, which IS what they do in French- Language speaking countries right? Not like his adventure in Shanghai, where everyone Chan encountered spoke perfect English. So there was a bit of fun language barrier comedy. The mystery is pretty easy to guess, all in all, a great addition to the Orland Chan series.
¿Sabías que…?
- TriviaThis was the 16th and final Charlie Chan film in which Warner Oland portrayed Chan.
- ErroresWhen the roulette wheel is shown, it contains a "double zero". French roulette wheels only have a single zero.
- Citas
Charlie Chan: In future remember tongue often hang man quicker than rope.
- ConexionesEdited into Who Dunit Theater: Charlie Chan at Monte Carlo (2015)
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- How long is Charlie Chan at Monte Carlo?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Charlie Chan in Monte Carlo
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 12 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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