Un niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en ... Leer todoUn niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en su trabajo.Un niño mimado que cae por la borda de un barco de vapor en la década de 1920 es recogido por un barco de pesca de Nueva Inglaterra, donde debe ganarse la vida uniéndose a la tripulación en su trabajo.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 8 premios ganados y 6 nominaciones en total
- Priest
- (as Jack LaRue)
- 'Doc'
- (as Sam McDaniels)
- Charles
- (as Billy Burrud)
- Robbins
- (sin créditos)
- Boy
- (sin créditos)
- Bit Role
- (sin créditos)
- Fisherman
- (sin créditos)
- Reporter
- (sin créditos)
Opiniones destacadas
Well-directed, well-acted coming-of-age tale that may have the most hard-bitten viewer in tears by the end.Captains Courageous still stands up pretty well today.
Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.
You might think this movie will come off as old-fashioned and stale, a old Kipling yarn filmed in the 1930s in black and white. Well don't pre-judge this! It's really good. Fast, energetic, touching, and filled with good acting and great filming. It even has a moral tale that doesn't smack you as sentimental, but is a good reminder of what counts in life.
The main character is a rich boy who obviously needs to learn some lessons in humility and honor. And he's played with real perfection by the young English actor Freddie Bartholomew who had a five year heyday of great roles and great performances with classic adventure stories told on film. And there are parallels here of bigger tales like "Kidnapped" (1938) and "David Copperfield" (1935), with a child intersecting the world of adults and its perils.
His adult friend is the bigger star, Spencer Tracy, who does a good job though I've never quite loved his style of acting. Here he plays a Portuguese sailor with a half an accent and it's the one problem in the film. Next to him in a big role is Lionel Barrymore, who recognizably makes for a quirky captain of the fishing boat. He's great. And so are the other side characters, including a whole slew of big names from the time (John Carradine and Mickey Rooney are probably most famous now).
Much of the film is a low key adventure film. It's aimed at kids the way "The Wizard of Oz" is aimed at kids—meaning it's great for adults, too, and there are a few things snuck in to keep older viewers attuned. Director Victor Fleming went on to direct "Oz" and much of "Gone with the Wind" in two years, and you can feel his Hollywood expertise in every scene here. This is not a stiff 1930s movie if your head is in that mode. Fleming (with photographer great Harold Rosson, who shot "Oz" and a hundred others) makes it vivid and wondrous. The mix of studio shots and authentic sea footage (made with a second film crew in the North Atlantic) is brilliantly handled—no back projection goofs here.
I really liked this movie. It's straight up filmic storytelling. No distractions, no bumbling. Give it a go and be surprised.
Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.
Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.
The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.
If you want to see a touching movie with superb acting and genuine emotion, this is the one.
Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.
They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.
¿Sabías que…?
- TriviaWhen production finally wrapped in late February 1937, Spencer Tracy was relieved. "Well, I got away with it," he said later. "Want to know why? Because of Freddie, because of that kid's performance, because he sold it 98 per cent. The kid had to believe in Manuel, or Manuel wasn't worth a quarter. The way he would look at me, believe every word I said, made me believe in it myself. I've never said this before, and I'll never say it again. Freddie Bartholomew's acting is so fine and so simple and so true that it's way over people's heads. It'll only be by thinking back two or three years from now that they'll realize how great it was."
- ErroresWhen planning the Atlantic crossing, Mr. Cheyne is told that the trip would happen on the Queen Anne. A lifeboat on the ship is shown with a name that is partially obscured, but appears to say QUEEN MARY. "QUEEN" is shown in its entirety, and the letters "AR" are shown in the second word.
- Citas
Harvey: I bet I know a lot of things you don't know. I know that's not French you're singing.
Manuel Fidello: That's right. About ten million people know it Portuguese.
Harvey: I bet you can't speak French.
Manuel Fidello: Right now, I sorry I speak *English*.
- Créditos curiososThe opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood.
- ConexionesEdited into Spisok korabley (2008)
- Bandas sonorasOoh What a Terrible Man
(1937) (uncredited)
Lyrics by Gus Kahn
Music by Franz Waxman
Sung by John C arradine, Spencer Tracy, Freddie Bartholomew, and other seaman
Selecciones populares
- How long is Captains Courageous?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,645,000 (estimado)
- Tiempo de ejecución
- 1h 57min(117 min)
- Color
- Relación de aspecto
- 1.37 : 1