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Theodora Goes Wild

  • 1936
  • Approved
  • 1h 34min
CALIFICACIÓN DE IMDb
7.1/10
3.1 k
TU CALIFICACIÓN
Melvyn Douglas and Irene Dunne in Theodora Goes Wild (1936)
Ver Official Trailer
Reproducir trailer1:28
1 video
53 fotos
Romantic ComedyScrewball ComedyComedyMysteryRomance

La autora de un best-seller polémicamente subido de tono intenta ocultar su condición de celebridad a sus vecinos de pueblo, que se escandalizarían si lo supieran.La autora de un best-seller polémicamente subido de tono intenta ocultar su condición de celebridad a sus vecinos de pueblo, que se escandalizarían si lo supieran.La autora de un best-seller polémicamente subido de tono intenta ocultar su condición de celebridad a sus vecinos de pueblo, que se escandalizarían si lo supieran.

  • Dirección
    • Richard Boleslawski
  • Guionistas
    • Sidney Buchman
    • Mary Eunice McCarthy
  • Elenco
    • Irene Dunne
    • Melvyn Douglas
    • Thomas Mitchell
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    3.1 k
    TU CALIFICACIÓN
    • Dirección
      • Richard Boleslawski
    • Guionistas
      • Sidney Buchman
      • Mary Eunice McCarthy
    • Elenco
      • Irene Dunne
      • Melvyn Douglas
      • Thomas Mitchell
    • 56Opiniones de los usuarios
    • 25Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Óscar
      • 2 premios ganados y 3 nominaciones en total

    Videos1

    Official Trailer
    Trailer 1:28
    Official Trailer

    Fotos53

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    + 46
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    Elenco principal65

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    Irene Dunne
    Irene Dunne
    • Theodora Lynn
    Melvyn Douglas
    Melvyn Douglas
    • Michael Grant
    Thomas Mitchell
    Thomas Mitchell
    • Jed Waterbury
    Thurston Hall
    Thurston Hall
    • Arthur Stevenson
    Elisabeth Risdon
    Elisabeth Risdon
    • Aunt Mary
    Margaret McWade
    Margaret McWade
    • Aunt Elsie
    Spring Byington
    Spring Byington
    • Rebecca Perry
    Nana Bryant
    Nana Bryant
    • Ethel Stevenson
    Henry Kolker
    Henry Kolker
    • Jonathan Grant
    Leona Maricle
    Leona Maricle
    • Agnes Grant
    Robert Greig
    Robert Greig
    • Uncle John
    Frederick Burton
    Frederick Burton
    • Governor Wyatt
    Stella Adams
    Stella Adams
    • Townswoman
    • (sin créditos)
    Paul Barrett
    • Roger Taylor - Adelaide's Husband
    • (sin créditos)
    Noel Bates
    • Townswoman
    • (sin créditos)
    William 'Billy' Benedict
    William 'Billy' Benedict
    • Henry
    • (sin créditos)
    Sven Hugo Borg
    Sven Hugo Borg
    • Bartender
    • (sin créditos)
    Carolyn Lee Bourland
    • Adelaide's Baby
    • (sin créditos)
    • Dirección
      • Richard Boleslawski
    • Guionistas
      • Sidney Buchman
      • Mary Eunice McCarthy
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios56

    7.13.1K
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    Opiniones destacadas

    theirenedunnefan

    Great Movie!

    I've seen this movie many times, and it just keeps getting funnier every time I see it. It reminds me a lot of myself, growing up in a small town like "Lynnfield", and being brought up to think and act the way Theodora was. Then when I moved away from home, some people thought I went "wild!" This has all the qualities for people who can relate to small towns, even with the "worst town gossip" to make you wonder what's going to be spread next... For a fact, this movie is a lot like Irene Dunne's life, actually her friends said they liked her best in this movie, because it is most like her in character. If you come from a small town, it's a classic film you can kinda relate to...and just have to see!
    10millriver

    one of the greatest sleeper-comedies ever filmed

    Theodora Goes Wild is perhaps the greatest sleeper in film history. When other comedies such as Midnight, Lady Eve, It Happened One Night, and especially the over-rated Bringing Up Baby are touted with 4 star ratings, this relatively unknown gem sweeps them all away in its irresistible path. One of the finest comedies ever filmed, this is a masterpiece in every way. The direction is superb, the writing sparkles with a wit that time has not dimmed. But the frosting on its cake is the comic genius of Irene Dunne, one of Hollywood's most underrated actresses. This, her first real comedy, is an object lesson to any aspiring comedienne, so perfect is her timing and delivery of virtually every line. This film should be studied by every student in the field of film and enjoyed by countless others who have never even heard of it. It's too bad that Irene Dunne is not given the credit she truly deserves. My bet is that in 50 years she will be considered perhaps the finest Hollywood actress of her time. If you think I'm joking, just watch her in Back Street, Love Affair (much better in my opinion than its more popular remake Affair To Remember), Show Boat, I Remember Mama, this film, The Awful Truth, A Guy Named Joe, Anna and The King of Siam, Life With Father, Ann Vickers........
    8jzappa

    You're Crazy Not to Go Wild If You're Theodora

    Irene Dunne plays Theodora Lynn, a proper New England girl. She also happens to go by the name of Caroline Adams. Secluded all her life with her two prudish aunts and the other puritans of the "highly regarded" Lynn Literary Circle, she sublimates her revolt as the secret author of a tantalizing best-selling novel. This is her sublimation of revolt. The movie illustrates the makeover of an allegedly homely and introverted girl into the most wild and high-spirited lady. And it marks a difference between wild and silly, as Uncle John says, "A Lynn may go wild, but never silly." See title for more info on how Theodora goes.

    She lives in Lynnfield, named after the Lynn family, whose only legacy are Theodora and her two aunts, Elsie and Mary. "The two oracles," says Thomas Mitchell, editor of The Lynnfield Bugle, the "pulse" of the town. It's an enticing note for the movie to start on, a brassy Thomas Mitchell carving out the lovable, spirited personality he'd bring to Stagecoach, fending off puritanical spinsters protesting that the titillating novel he's featuring is not fit to print. Indeed, the members are single-minded not to allow "sexy trash like this come right into our homes and corrupt the morals of our youth." When Mitchell gets to have a word, he blames the community for denying social progress. But the group deems it their obligation to keep Lynnfield the one pure, God-fearing place left in the world.

    We chuckle knowingly when the action then cuts to New York, where a publisher reads an irate wire from Lynnfield. Theodora is so frantic she thinks Caroline Adams is depraved. Was he raised in a small town by two maiden aunts? Has he lectured Sunday School or played church organ for years? Categorically not. Undaunted, he knows that nobody dumps an audience this big, a career this sensational, due to scruples. That's the reality, one curtailed by Hollywood soon after. But the censors were new and hadn't yet learned to keep its right up, so here we have a forgotten early-sound keepsake of silver-screen censure of moral censorship, frivolous and wacky, but by god not silly.

    It's this uncensored rebellious energy that I think lends itself to a creative stylishness rare to early American cinema. Short-lived Russian immigrant director Richard Boleslawski brings a particularly effective and stylishly economical editing and visual direction to this appropriately fast-paced early rom-com. Like all the "early rom-coms," its time played a big role in not just its plot but its attitudes, which on the one hand make Theodora Goes Wild refreshingly irreverent but on the other still outmoded in certain varying personal ways. Theodora meets her dapper illustrator, in the form of Melvyn Douglas. Here's a persona who bursts into the movie mugging, blustering and making a domineering nuisance of himself. Theodora opposes his idea of a writer who ought to live life, and so he enlists himself to liberate her. And yet judging this behavior as extraordinarily narcissistic, overbearing and cocky against the alpha male fantasy in romantic comedies of the era would be judging one against a homogeneous crowd.

    Women were to be rescued, shown the way, wisened up to the real world. And consistent with that role, Theodora is finally inspired by this dashing leader-of-the-pack type to run amok, even exceeding him in mischief and cheek. She now exhibits what he's urged on her so winningly. She relates with dignity how she told the town off: It's a free country, she's an adult and phooey to anyone who judges her for what she does. Indeed, Theodora woos infamy, summoning one outrage after another. But, to her disappointment, beneath his supposedly freethinking facade, Michael is as soft and repressed as she was. Michael is ensnared in a hateful marriage on behalf of his father's political livelihood, and Theodora guarantees to return his favor with a taste of his own juice. Usurping into Michael's apartment, she dresses in feathers and gives shocking interviews to the tabloids. They rotate. Now it's Theodora's task to free him from his bourgeois sense of decorum.

    Regardless, all that good stuff is just decoration. Actually, it's foundation, but there is a definite, sublime enchantment in its star, Irene Dunne. She played more kinds of roles in more kinds of movies than most of her female peers, and yet is arguably more natural, spontaneous and memorable than any of them. In fact, Theodora Goes Wild is her first comedy. She walks right into it, fully and effortlessly possessed of herself and manages to both be better than all of her female comedy contemporaries and completely different from all of them as well. I'll even go as far as to say that the movies owe more to Dunne than Claudette Colbert, Carole Lombard and Myrna Loy put together. Her Theodora became the forerunner of copious romantic comedies like The Awful Truth and Ninotchka, all anchored in similar principles: the enchanting transformation of their female protagonists. The Awful Truth made a star out of Cary Grant. And in his later co-stars, were looking for Dunne-like qualities. This is her show, and like it always is in such cases, absolutely no one else could've compared.
    7evanston_dad

    Dunne and Douglas Make a Good Pair

    Irene Dunne plays Theodora, a straight-laced young woman living with her two spinster aunts in a prudish small town, who just happens to be the secret author of a scandalous and best-selling series of romance novels. When the illustrator for her books, played by the always engaging Melvyn Douglas, figures out her secret, he blackmails her into giving him a job as gardener just so he can be close to her. When the town's gossip mongers become too much to bear, and Douglas takes off after her declaration of love, Theodora decides she's tired of being straight-laced and goes wild.

    Dunne and Douglas have a lot of chemistry in this, and even if the movie overall doesn't make much sense (what screwball romance ever did?), the two of them keep it fun and energetic. I'm not sure Dunne's performance warranted the Oscar nomination she received, and I don't know what in the world the Academy was thinking to nominate the movie for its editing, but it's a solid comedy from the old days.

    Grade: B+
    6manxman-1

    Theodora saves the movie

    As a fan of Irene Dunne's, and not having managed to catch up with Theodora Goes Wild, I was looking forward to finally getting to see this movie after having read the lavish praise heaped on it on this site. Having said that, I have to admit that while, yes, it was amusing, it was very much of a one-note idea that was stretched very thin. Dunne, as always, was at the top of her form and her talents in all departments were very much on display. What did let the movie down was a weak script and an irritatingly hammy performance by the usually reliable Melvyn Douglas. One only has to look at Ninotchka to see how good he can be when his comedy acting has a serious side to it. His character in Theodora Goes Wild was just too silly to be believable. The smalltown sequences were charming in their way but after a while became tedious with repetition. Thomas Mitchell's scenes (as editor of the local newspaper) were rip-roaring first class, which made one want for more. Would I recommend this movie? Yes, if you're a fan of Irene Dunne's and want to watch her comedic talents at work. Several postings on this site have recommended The Awful Truth as a must-see. Well, yes, if you're a Dunne fan but here again there are moments when the script sags and both Dunne and Cary Grant, both consummate professionals, are skating on very thin ice, pulling the movie onward through sheer force of personality. If you really want to see Irene Dunne at her very, very best then you should catch her in the much better written My Favorite Wife, or Love Affair, both infinitely superior to their later remakes. In these two movies her talents REALLY soar!

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    Argumento

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    • Trivia
      Irene Dunne's first comedic role. She was so against doing this film that she took a two-month trip to Europe in the hopes someone else would be cast. Theodora Goes Wild (1936) earned Dunne her second Academy Award® nomination.
    • Errores
      When Theodora confronts the town's women after helping Michael with his dog's paw, the shadow of the microphone is briefly visible on the walls of the living room.
    • Citas

      Theodora Lynn: [as Caroline Adams] I have this to say to the modern young girls, gentlemen - Be free, express yourselves! Take your life in your own hands and mold it. The world will try to rob you of your freedom, but fight for it! It's all you have to live for! That's all for the modern girl.

    • Conexiones
      Featured in The Lady with the Torch (1999)
    • Bandas sonoras
      Rock of Ages
      (1830) (uncredited)

      Music by Thomas Hastings (1830)

      Lyrics by Augustus Montague Toplady (1776)

      Sung by Irene Dunne and congregation at church

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    Detalles

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    • Fecha de lanzamiento
      • 12 de noviembre de 1936 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Streaming on "Classic Movies 40s 50s 60s" YouTube Channel
      • Streaming on "DK Classics III" YouTube Channel
    • Idioma
      • Inglés
    • También se conoce como
      • Javni skandal
    • Productora
      • Columbia Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 34 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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