El enemigo del hombre o La vida trágica de Luis Pasteur

Paul Muni has the title role in "The Story of Louis Pasteur," a 1935 film also starring Josephine Hutchinson, Anita Louise, Donald Woods, and Fritz Lieber.

The biopic focuses on Pasteur's work in sterilization, rabies, and anthrax, and includes his inoculation of the small boy Joseph Meister (Dickie Moore) which is a famous - and risky - moment in Pasteur's life. Strangely, there is nothing about pasteurization, although with a great scientist who was responsible for so many innovations, you can't show everything. And certainly the rabies and anthrax stories are more dramatic.

Some of the film, I believe, is fictionalized - his nemesis, Dr. Charbonnet, was probably created to represent some of the criticism Pasteur faced in his lifetime. The love affair between his assistant, Dr. Martel (Donald Woods) and Pasteur's daughter Annette doesn't seem to be true either. Typical Hollywood.

Nevertheless, this is a reverent biography with a strong performance by Muni and good work by the rest of the cast. It seems crazy to think that before Pasteur, doctors did not sterilize instruments and wash their hands, but apparently, they didn't.

Good movie.

In 1860 Paris, doctors are collectively disgruntled by chemist Paul Muni (as Louis Pasteur). He advises surgeons, "Wash your hands. Boil your instruments. Microbes cause disease and death to your patients." In the opening scene, a doctor is shot due to his patient believing in Pasteur's advice. The controversy causes problems for Pasteur. Ten years later, the renowned man works on cures for anthrax (the black plague) and rabies (after a dog bites Dickie Moore)...

This is an exceptionally well-produced, straightforward biography of Louis Pasteur by director William Dieterle and the crew at Warner Bros. Paul Muni forwarded his film career considerably. He is nothing less than perfect, and Mr. Muni won a much-deserved "Best Actor" Oscar for his performance. So many early "Academy Awards" were chosen due to politics, popularity and promotion. It's nice to see the old Academy occasionally got one right...

The film is lacking, however, in not presenting Pasteur as a younger man (oddly, Muni is only made to look older). And, the fact that you drank "Pasteurized" milk isn't even covered.

******** The Story of Louis Pasteur (1935-11-23) William Dieterle ~ Paul Muni, Josephine Hutchinson, Fritz Leiber, Donald Woods

What a pleasure to see a film so unabashedly idealistic! The film's emotional ending (a well-deserved and long-overdue tribute to Pasteur's work by his collegues) centers on a closing speech by Pasteur (Paul Muni) in which he explains, simply and with passion, that making a contribution to the wellbeing of mankind is the most important work of all.

Pasteur's discovery of the role of bacteria in spreading disease seems self-evident now, but he faced years of ridicule and isolation before his findings were accepted and played their part in transforming our world.

This film is a vaccine against the cynical, self-referential, "in it for me (and maybe my small circle of friends)" films of the recent decades. See it and feel good about being human.

... Both star Paul Muni in a historical biopic, the location is France, he's on the side of right but the French establishment - in this case the medical establishment - opposes him, he withdraws to a remote location at one point to escape persecution and even prosecution, and there are some tense situations where he could be facing a long prison term for putting his work into action.

This is not to say that the biopic is not worthwhile, and as far as the scientific facts go, it is pretty true to the facts. Because this is a 90 minute film, Pasteur's work is "boiled down" - pardon the expression - into two parts. First is his work in the germ theory of diseases. The second part of the film focuses on his work in the area of vaccines, first anthrax and then rabies.

In the first part on Pasteur's work on germ theory - that germs infect a living host and thus produce disease NOT that the germs somehow "rise up" from within the host - the film focuses on the prevention of childbirth fever. Although Pasteur was better known for his work in the prevention of silkworm disease, the studio probably rightly divined that the prevention of the death of new mothers has more human interest than the preservation of silkworms and would make a more compelling film. The same was probably true in the second part with its focus on the treatment of rabies victims.

There are some fictitious parts of course, for the purpose of dramatic license, such as Pasteur's daughter's marriage to a young scientific ally of his and the dramatic search for a doctor who will agree to deliver that daughter's baby according to Pasteur's principles so that his daughter does not contract the dreaded childbirth fever herself.

If you like the better made biopics of the 30s and appreciate Paul Muni's talents in such films, I'd recommend it.

Louis Pasteur was an important and pioneering figure in his field and ever, and his discoveries were revolutionary. He also had a very interesting life well worth telling, and one that lends itself well to film. Even though a film would not be able to cover everything about his life, it was an eventful personal life and he revolutionised so much. It would fare even better as a mini-series.

'The Story of Louis Pasteur' was one of the first biopics that came to be (and also the first of those from Warner Brothers), and it is one of the better early ones. Although not quite one of my favourite biographical films of all time, 'The Story of Louis Pasteur' is a fine example of how to do it right. Meaning that of course there would be fictional elements, and it is these elements that ring the least true here, but the subject, their personal life and what made them so important are treated with respect and not rose-tinted, distorted or falsified.

Pasteur is still a very interesting man and we do see what made him a pioneering and revolutionary figure. 'The Story of Louis Pasteur' is at its weakest in the romantic element of the story, which didn't engage as much as the rest of the film and didn't fit as well either.

Also the performances of Anita Louise and Donald Woods who struck me as a little colourless. Wouldn't have said no to 'The Story of Louis Pasteur' being longer, it did feel too brief and one does wish that there was even more to the story than was told.

However, the story is thoroughly compelling and while not everything is there it does focus on what were particularly revolutionary and in a way that engages a lot and are very intriguing, found myself learning a fair bit. Found myself relating to Pasteur with his struggles against adversity and his eventual overcoming, having been there myself.

One does not notice that 'The Story of Louis Pasteur' is low budget, it is lovingly photographed and handsomely designed. The script is literate without being worthy and very thought-provoking with a surprising amount of complexity and respect for the subject and the ability to entertain and educate. The direction keeps the film moving along briskly with few dull spots. The film is particularly worth seeing for the terrific and deservedly Oscar-winning performance of Paul Muni. The rest of the supporting cast are strong, especially Ftitz Leiber and Akim Tamiroff. Josephine Hutchison does very well with what she has.

In summary, very good. 8/10 Bethany Cox