Alan Tanner se retira a una casa de campo para terminar el tercer acto de su nueva obra, pero surgen complicaciones cuando aparecen sus dos ex mujeres y una vecina, dejándole abandonado con ... Leer todoAlan Tanner se retira a una casa de campo para terminar el tercer acto de su nueva obra, pero surgen complicaciones cuando aparecen sus dos ex mujeres y una vecina, dejándole abandonado con ellas hasta que pueda terminar su trabajo.Alan Tanner se retira a una casa de campo para terminar el tercer acto de su nueva obra, pero surgen complicaciones cuando aparecen sus dos ex mujeres y una vecina, dejándole abandonado con ellas hasta que pueda terminar su trabajo.
- Dirección
- Guionistas
- Elenco
- Man in Producer's Office
- (escenas eliminadas)
- First Actor
- (escenas eliminadas)
- Second Actor
- (escenas eliminadas)
- Girl
- (escenas eliminadas)
- Bartender
- (escenas eliminadas)
- Girl
- (escenas eliminadas)
- Man in Producer's Office
- (escenas eliminadas)
- Costume Designer Maza
- (sin créditos)
- Pug Answering Phone in Gym
- (sin créditos)
- Bridgeport Sheriff
- (sin créditos)
Opiniones destacadas
A lively cast makes this one fun—everyone on the screen is hilarious in one way or another. Genevieve Tobin is charming and clever as Brent's first ex-wife, recruited by Brent's producers as the one person capable of helping break his writer's block. Tobin and Brent are the closest to sane of any characters in this movie.
Glenda Farrell is at her rowdiest as Brent's second ex-wife, showing up with milkman/deputy sheriff Frank McHugh in tow, hoping to collect some alimony. Glenda's initial entrance is just a riot: McHugh has preceded her into the house by a couple of minutes when she bursts in shouting, "Fine way to treat a lady! You gonna let me sit out there in the car all night?" McHugh doesn't miss a beat: "Have you been nipping at my applejack?" Farrell: "All right, so sue me!"
Patricia Ellis is also following Brent around, apparently imagining that she can capture his affections by showing up unexpectedly in his bedroom. Among all of these distractions, it's no wonder Brent isn't getting any work done.
It's not exactly sophisticated but sure has some laughs—lots of fun for fans of silly 30s comedies.
*** (out of 4)
Surprisingly entertaining comedy about a writer (George Brent) who flees to a cabin in Conneticut to try and finish up a play that is due in a week. The show's producer gets worried so he sends the writer's first wife (Genevieve Tobin) to try and help him and before long his second wife (Glenda Farrell) shows up demanding that he be thrown in jail over back alimony. SNOWED UNDER is a pretty far-fetched little comedy but the terrific cast and its fast-pace makes it a real winner and it's really too bad that the film isn't better known because it's a pretty good little gem. I think the strongest thing the film has going in its favor is the terrific cast with Brent, Tobin and Farrell leading the way with their top-notch performances. You've also got Patricia Ellis playing a young woman also in love with the writer, Frank McHugh as a deputy sent to arrest him and John Eldredge and Helen Lowell are also good in their supporting bits. The entire cast works so well together and the dialogue they're having to spill is flying out a mile a minute. The dialogue is delivered in an extremely fast way and the entire cast does well to really push it and make it funny. Some of the best moments deal with the three women constantly fighting amongst each other trying to see why one wants to be with the writer or why they were ever with him. The sequence where the writer decides he wants to go to jail instead of staying in the house was pretty good. The location, a small house in the woods, is the perfect setting and you really do feel as if you're in this place with all these characters as things start to go crazy. Fans of the 30s comedies should really enjoy this and it certainly deserves to be better known.
"Snowed Under" is a kooky comedy--much of the mold of films like "Palm Beach Story", "My Favorite Wife" and "The Man Who Came to Dinner". However, the quality of the film is a couple steps below these excellent films and this is for a variety of reasons. First, occasionally the acting and writing are a bit too broad and the film tried too hard to make you laugh. While I love Glenda Farrell in most films, here she was just too shrill. Also, a few of the scenes were very, very awkward and poorly constructed--such as the fainting scene near the end of the film. The film simply is too goofy and cleaning up the script a bit would have made a better film. It didn't help that the fake snow never melted and looked really, really fake. Overall, watchable and even occasionally enjoyable...but also lacking the polish and fun you might expect in such a film.
Alan Tanner (Brent) has new play opening in a week, but the play has no acceptable third act.
In order to get it done, Tanner goes to a cottage, which at the moment is snowed under to work in peace. Not happening. His blonde neighbor (Patricia Ellis) is crazy about him and shows up.
The play's producer, Arthur Layton (Porter Hall), dispatches Alan's first wife Alice (Tobin) to keep him on task. Unfortunately Alan's second wife, Daisy (Farrell), shows up and demands her alimony.
Soon the women are screaming at one another and fighting over who can help Alan more. And the neighbor wants to know where she stands. Meanwhile Alan can't get any work done.
This is a madcap comedy, and for some reason I found it incredibly loud and a little too crazy, a fun premise, but forced. Despite going over the top, it has a sophistication to it.
Frank McHugh is a scream as a deputy sent to arrest Alan, who just may find some peace if he can only get to jail. With a little more attention, this film would have been much better.
¿Sabías que…?
- TriviaTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and La vida no es una farsa (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- ErroresThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Citas
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- ConexionesReferenced in Seven Keys to Baldpate (1947)
- Bandas sonorasJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
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Detalles
- Tiempo de ejecución
- 1h 3min(63 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1