The Shadow

The old cliché is 'a dark and stormy night', but here there is no storm - just fog. And old clichés are the order of the day in "The Shadow", a creaky antique that is really fun and absorbing in spite of itself. Motion pictures became far too sophisticated and technological for this one, unless you yearn for a time when movies, and life, were simpler.

The Shadow is one bad dude, a blackmailer Scotland Yard has been trying to nab for some time. He is responsible for some suicides and murders, and finally shows up at the home of the Chief Inspector, along with various and sundry guests and visitors (this, of course, creates a lot of suspects). This story was based on a play, and something must have been lost in the translation because, as reviewer dburroughs above states, there is very little logic and a great deal of contrivance involved.

Nevertheless, it is very enjoyable if you just go with it and don't ask questions. And Henry Kendall, who plays a silly-ass Englishman/friend of the family, is worth the price of admission.

Despite this film coming out in 1933 when the Shadow was a popular pulp character, this movie has nothing to do with this American character that fights crime. Instead, the Shadow in this British film is a scum-bag that is an expert at blackmail as well as murder--and Scotland Yard is at a loss for how to stop him or as to his identity. The film has a few things going for it--though the middle portion of the film is a bit slow and a couple of the characters are too broadly written--especially that awful old woman who cries way too intently! Overall, however, it is better than you'd expect for a low-budget mystery film. I've seen an awful lot of films similar to this one but "The Shadow" is a bit better--thanks to some interesting plot twists and a great first portion. Worth seeing if you like old-time B-movies, like I do.

An old British Mystery movie that will keep the audience captivated right to the end, you will never guess the Shadows identity, the synopsis gives away a subtle twist to this mystery film.

Not THE Shadow (as in, the Lamont Cranston Shadow) but more of A Shadow - and this one is villainous. It is an enjoyable mystery that employs many of the clichès of the old-dark-house genre, but does it in a self-aware way (would you ever believe that someone is killed at the exact moment he is about to reveal the hidden identity of the Shadow?). Perhaps overly talky, but the mystery does sustain your interest. Henry Kendall steals the show as an intentionally stereotypical perfectly-jolly-old-chap-fellow - a direct precursor to Charters and Caldicott in "The Lady Vanishes" a few years later. **1/2 out of 4.

In an old dark country house the police search for a killer known as The Shadow. A creaky old British drama starring stage revue artist Henry Kendall as the kind of bumbling upper class twit that must have been something of a cliche even in 1933. It's passable entertainment more because of its archaic attitudes ("As far as cunning is concerned, women... well you're all married," a police officer warns his colleagues at one point) than the quality of its plot. A young Felix Aylmer plays one of the suspects, and looks just like an old Felix Aylmer with dark hair.