María Estuardo, reina de Escocia

This is a good costume-designing , historic-drama and Katherine Hepburn is well cast in the title role . She plays a tragic , romantic heroine that contends with various treacheries . Mary (1516-1558) inherited the throne of Scotland from Jacob V . She was next in line to the English kingdom , and married Francisco II , king of France , but he died early . Having been in France for thirteen years , Mary returned Scotland , and arrives from France with some misgivings . Then , Mary disembarks in Leith and goes to a castle near Edimburg , along with David Rizzio (a cadaverous John Carradine) , court musician and confidant . There , she's received by his brother , the Earl James Stuart , (Ian Keith) . Later on , Queen Mary married a foppish named Lord Darnley (Walton) . But Mary falls in love with Bothwell (a stylish Fredric March) , a kilted Earl and her supporter in her battle for power . Then , Rizzio was reputed to be the father of Mary's , the future James I of England . Darnley , with some underlings , murdered Rizzio in Mary's presence . But Darnley is killed by an explosion in his refuge , outskirts Edimburg , and the God-fearing Calvinists led by John Knox (Moroni Olsen who played same role in stage) accused to Bothwell as regicide . John Knox and the rebels Lords besiege Holyrood and the Borthwell's stronghold , Dumbar castle . The Calvinists forced her abdication , Mary escapes and asks for protection to Queen Elizabeth I (Florence Eldridge) , but Mary is double-crossed and is taken imprisoned in the Tower of London . Although supposedly Mary and Elizabeth never met face to face , the movie have them doing so and the screen crackle when both have their reunion , because they are strong rivals for power in Tudor dynasty , England . After that , Mary confronts her English accusers at court in a stylized trial . Finally , the film reflects splendidly when Mary goes to beheading block with all due pomp and circumstance .

The motion picture is finely performed by Katharine Hepburn, in spite of this she was in her ¨box-office poison¨ days , the last scenes , where Mary confronts trial is so well played and photographed in a stylized manner -with Mary on the floor and judges in a sort of balcony- by cameraman Joseph August . However , the picture is interminable and overlong and some moments is frankly boring . Writing credits with excessive speeches by Maxwell Anderson (his own playwright) and Dudley Nichols , a Ford's habitual screenwriter . The picture is lavishly produced by Pandro S. Berman , an usual costumer's producer and professionally directed by John Ford . Followed by a remake with the same title (1971) with Vanessa Redgrave as Mary and Glenda Jackson as Elizabeth and directed by Charles Jarrott .

Don't let my summary get you upset, I would never mean to do that--but although I do love this film--in short it is a bit boring. I loved the period costumes and sets and the acting, but the storyline lacked any real excitement!! Hepburn was fine but any real passion in the acting department has to go to Fredric March. The supporting players were also very good in their parts, especially Florence Eldridge as Queen Elizabeth. I saw somewhere that Ginger Rogers tried out secretly for the role of Elizabeth and almost had it until she was found out by the director!! Would have loved to have seen that one--LOL But it is a nice film, but just a tad too long and boring!!

Mary of Scotland is not based on the exact historical record, but on Maxwell Anderson's play. However Anderson was trying to dramatize the difference between Elizabeth Tudor and Mary Stuart. Elizabeth was first and foremost a queen who put her passions on hold when it was a choice between them and the country she governed. Mary Stuart was totally incapable of doing that.

Interesting that Katharine Hepburn played Mary. Hepburn who was probably the liberated woman of the 20th century would have been a natural to play Queen Elizabeth. Too bad in fact she didn't in her career. But she does fine her as Mary. Florence Eldridge plays a cold, calculating Elizabeth. Fredric March as Lord Bothwell is not the hero he's shone to be here.

One thing about Scotland in the 16th century. The kingdom had the unbelievable rotten luck of having a whole succession of minority rulers with regencies for a couple hundred years. The nobles who are depicted here are quite used to having their own way. And when Mary abdicated the throne it went to still another regency when her infant son James became king.

Ian Keith's part as Hepburn's illegitimate half brother the Earl of Moray is an interesting one. In history, I've always thought of him as the real hero. He gave Mary sound advice which had she taken, she would have died on the throne of Scotland.

Vanessa Redgrave's later film shows how the exiled Mary Stuart got tricked into a conspiracy to bring Elizabeth down. I wish that had been done here. She was essentially AbScammed.

Elizabeth and Mary never met in real life, but for dramatic purposes it had to happen here.

It's a good film, not one of the best for any of the principals in the cast or for John Ford. Still it's an interesting piece of cinema although some knowledge of Scottish history might help.

The directors cannot refrain from showing the two queens together in one scene.Charles Jarrot -whose movie is inferior to John Ford's- did the same in 1972.And however,they never met ,not a single time during Mary's captivity.But John Ford's scene is useful for people who know little about the Virgin Queen.It's sure that Mary's childhood in France was a nice one even though her reign was short as king François II's wife.On the other hand,Elizabeth lived in fear when she was a child for her bloody sister wanted to get rid of her.

The first past begins in Scotland ,and France is only evoked in Mary's memories.This first part is the most satisfying historically speaking:Darnley's and Ricci's murders are well directed by Ford,and the town criers who ,every ten minutes announce "It's eight'o clock!All is fine!" shows his sense of humor.Biggest flaw is the little part of James Stuart, aka"the bastard" aka Maurey:This man is really the stringman,who plays a prominent part in the queen's downfall,holding Mary like a puppet on a string,travelling to France when rebellion begins -he was not here when Mary was imprisoned in Lochleven-,just coming back to reap the benefits (regency he had lost when his sister came back).

Frederic March is a fine actor,but his Bothwell is not credible.Bothwell was a hairy brute ,not the romantic chivalrous fair knight we see here.Mary's abduction remains a mysterious part because the historians have no documents of what really happened.Mary's captivity in Lochleven-where she at last understood how James Stuart fooled her -and her extraordinary escape -worthy of Hitchcock's suspense-lasts barely 30 seconds on the screen.

Ditto for Mary's captivity in England.When she arrived,she was in what we would call "under house arrest" today.Only during her last year,when they discovered a plot,she was taken to the fortress of Fotheringay (a wonderful Fairport Convention song by the way),she was really a prisoner in the modern sense of the term.And she had a whole floor for herself though.

The trial is unsatisfying.At the time,Mary did not care for Bothwell anymore,she was longing to become a martyr of the Catholic cause.She did not know that the pope did not take her seriously .The scene with Donald is pure romantic fiction.

All in all ,and even if the things fall apart a bit in the second part,the movie is magnificently enhanced by Hepburn's presence and Ford -they said they had a love affair on the set- lovingly films her.I've been told that the scene between Bothwell and the queen on the tower was filmed by KH herself.

The life story of Mary, Queen of Scots is a thoroughly engaging one. I recommend anyone who wants to know more about the history while being entertained at the same time to check out the two Jean Plaidy books, ROYAL ROAD TO FOTHERINGAY and its sequel, THE CAPTIVE QUEEN OF SCOTS - two great little novels that tell you all there is to know.

MARY OF Scotland is an all-too Hollywoodised version of the story that suffers from an exceptionally overlong running time, unfortunately. It's strange, because some parts of the production are exceptionally slow and boring, while 19 years of history is condensed into about five minutes. There are a few eventful bits but for the most part this is a drag.

The director is none other than John Ford, but despite the presence of such a cinematic luminary, he seems uninterested in the material which is lifeless as a result. Katharine Hepburn is also a disappointment as Mary herself, singularly failing to make the queen sympathetic in any way. Fredric March does what he can as Bothwell, and there are nice little roles for John Carradine and Moroni Olsen, but it's not enough.

I particularly disliked the way that some good little bits of history are omitted or simplified for no apparent reason. For instance, Douglas Walton's final scene didn't happen that way at all and much more drama could have been made of it. Instead all the focus is on the talk and its incessant and goes nowhere. The definitive story of Mary, Queen of Scots this certainly isn't.