CALIFICACIÓN DE IMDb
6.0/10
1.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
Eadie Adams
- Singer (singing 'Gone')
- (sin créditos)
Norman Ainsley
- Newspaper Reporter
- (sin créditos)
Richard Alexander
- Wilhelm - Baron's Henchman
- (sin créditos)
Harry Allen
- Chauffeur
- (sin créditos)
Alyce Ardell
- French Maid
- (sin créditos)
Jimmy Aubrey
- Airplane Mechanic
- (sin créditos)
George Beranger
- Comedy Reactionary
- (sin créditos)
Egon Brecher
- Dr. Stefan Gorsay
- (sin créditos)
Elsa Buchanan
- English Department Store Girl
- (sin créditos)
Opiniones destacadas
This is a very good film and I enjoyed it very much. Joan Crawford, Clark Gable and Franchot Tone give great performances.
One of the highlights of this film is the delightful comedy cameo by that great character actor, Donald Meek as the batty caretaker at the Palace of Fontainebleu!! His scenes alone are priceless!! Don't miss this film, as it is a very good comedy--not so much a slapstick comedy, or a comedy that overdoes it with hammy performances, but it is a winner all the way!! Be sure and try to catch it next time it is on television--it is very good and you won't be disappointed from it!!
One of the highlights of this film is the delightful comedy cameo by that great character actor, Donald Meek as the batty caretaker at the Palace of Fontainebleu!! His scenes alone are priceless!! Don't miss this film, as it is a very good comedy--not so much a slapstick comedy, or a comedy that overdoes it with hammy performances, but it is a winner all the way!! Be sure and try to catch it next time it is on television--it is very good and you won't be disappointed from it!!
Enjoyable piece as society dame falls for reporter in disguise. Road trip is a tad contrived, something about spies and secret plans, but who cares - this movie is powered by the sparks flying between Crawford and Gable. Sidekick Tone is great as the wisecracking nuisance.
This one is worth seeing for Crawford's delightful performance: she positively glows as the madcap heiress on the run. Despite the silly story and uneven performance from Gable (his legendary chemistry with Crawford is nonetheless in evidence), there is always the snappy dialogue (much of it written by John Lee Mahin of "Red Dust" and "Bombshell"), to keep the laughs coming. Crawford's then husband Franchot Tone plays Gable's fellow reporter. For anyone who wonders why she is called the ultimate movie star.
Let me tell you why this movie is good: It shows that Joan Crawford and Clark Gable were great comic actors. There is no question that if I Love Lucy had been re-casted with Crawford and Gable as Lucy and Ricky, the results would have been hilarious. Also, Franchot Tone gives one the more hilarious performances as Gable's news reporter chum and rival. Tone would have played an extremely amusing Fred Mertz. The story is so upbeat and so amusing that it is virtually impossible to find anything about it to dislike. The story has snappy dialog, farcical plot, engaging characters and excellent cinematography. Any movie that features Crawford, Gable and Tone running around France and getting into all kinds of silly trouble is a movie that will entertain.
Love On The Run is yet another example of Louis B. Mayer trying to cash in on the success that eluded him when he 'punished' Clark Gable by sending him to Columbia Pictures for a minor comedy that turned out to be It Happened One Night. For the rest of the decade Hollywood saturated the American public with madcap heiress stories.
When you've got one of the leading players under contract to you however it's a bit easier. Gable is given a rival reporter to contend with in Love On The Run in the person of Joan Crawford's real life husband, Franchot Tone. These two room together, but are ready to do everything short of cutting each other's throats to scoop the other.
Two stories that they are both assigned to cover, heiress Joan Crawford's wedding to a prince, Ivan Lebedeff, and a trans-European flight by Baron Reginald Owen get mixed up together as Crawford gets cold feet and Owen turns out to be an international spy.
Gable and Crawford have done it all before, especially Gable. But I kind of feel sorry for Franchot Tone. If he wasn't in a dinner jacket in his MGM parts he was in a film like this, essentially playing the Ralph Bellamy role. It's a very one sided rivalry Gable and Tone have. It's like the Yankees and Red Sox of the last century with the Yankees constantly coming out on top. No wonder Tone left MGM to try for better acting roles. At MGM he showed what he could do in films like Mutiny on the Bounty and Three Comrades, but even these were in support of bigger stars.
There's some nice performances in the cast from Mona Barrie as Owen's wife, Donald Meek as a most eccentric caretaker and William Demarest as Gable's editor. But no new ground was broken here.
When you've got one of the leading players under contract to you however it's a bit easier. Gable is given a rival reporter to contend with in Love On The Run in the person of Joan Crawford's real life husband, Franchot Tone. These two room together, but are ready to do everything short of cutting each other's throats to scoop the other.
Two stories that they are both assigned to cover, heiress Joan Crawford's wedding to a prince, Ivan Lebedeff, and a trans-European flight by Baron Reginald Owen get mixed up together as Crawford gets cold feet and Owen turns out to be an international spy.
Gable and Crawford have done it all before, especially Gable. But I kind of feel sorry for Franchot Tone. If he wasn't in a dinner jacket in his MGM parts he was in a film like this, essentially playing the Ralph Bellamy role. It's a very one sided rivalry Gable and Tone have. It's like the Yankees and Red Sox of the last century with the Yankees constantly coming out on top. No wonder Tone left MGM to try for better acting roles. At MGM he showed what he could do in films like Mutiny on the Bounty and Three Comrades, but even these were in support of bigger stars.
There's some nice performances in the cast from Mona Barrie as Owen's wife, Donald Meek as a most eccentric caretaker and William Demarest as Gable's editor. But no new ground was broken here.
¿Sabías que…?
- TriviaThe Lockheed Electra seen in this film is the same one that was flown by Amelia Earhart on her ill-fated around-the-world flight attempt the following year.
- ErroresWhen Sally and Michael are at the "London Metropolitan Airport", there are mountains visible in the background. These scenes actually were filmed at the airport in Van Nuys (VNY), known at the time as Metropolitan Airport, which is about 20 miles north of what now is Los Angeles International Airport (LAX).
- Citas
Michael 'Mike' Anthony: [Putting Sally in a closet] If anybody comes, make a noise like a broom.
- Créditos curiososOpening credits are shown over images of trains and autos.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA srl, "AMORE IN CORSA (Love on the Run, 1936) + SAN FRANCISCO (1936)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- Bandas sonorasGone
(1936)
Music by Franz Waxman
Lyrics by Gus Kahn
Sung by an uncredited Martha Mears in a nightclub in Nice, France
Played throughout as part of the score
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Detalles
Taquilla
- Presupuesto
- USD 578,000 (estimado)
- Tiempo de ejecución
- 1h 20min(80 min)
- Color
- Relación de aspecto
- 1.37 : 1
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