El gran Ziegfeld

Long but well worth hanging in there for. Luise Rainer gives an outstanding well-deserved Oscar winning performance as Anna Held. The first half of the movie which covers the period of Ziegfeld's marriage to Held is the better half of the movie. Great re-enactment of stage Follies productions. 9 out of 10.

Knowing several people, on and outside of IMDb, who consider The Great Ziegfeld one of the weakest Best Picture winners, that didn't stop me from seeing it anyway. To me though, while it's not flawless and not the best film of the year it was still incredibly well-made and entertaining stuff and from personal view it is nowhere near one of the worst Best Picture winners.

The Great Ziegfeld agreed is overlong with a draggy and at times uneventful first half and half an hour could easily have been trimmed. And more could have done with the relationship between Ziegfeld and Billie Burke which appeared late in the film and didn't feel developed enough, almost like an afterthought.

However, The Great Ziegfeld is very lavishly mounted, with photography that's both beautiful and clever, sumptuous costume design and some of the most handsomely gorgeous sets of any 30s musical. Other pleasures are the marvellous and very well-staged(without being too overblown) songs with A Pretty Girl is Like a Melody being an absolute show-stopper, a script peppered with humour and heart and the mostly poignant story. Standout scenes were Fanny Brice's charming My Man, Ray Bolger's witty dancing to My Follies Girl, Luise Rainer's heart-breaking telephone(justifiably famous) and especially A Pretty Girl is Like a Melody with its clever photography and perhaps one of the best uses of a staircase in a film. The direction is adept and the performances are great, with William Powell suave personified and especially Luise Rainer who is the epitome of charm and grace, capable of a good range of emotions as seen in the telephone scene. Fanny Brice, Frank Morgan, Ray Bolger are all memorable, while Myrna Loy is underused she's hardly wasted either.

Overall, a well-made, entertaining and very good film and well worth the look. 8/10 Bethany Cox

This film was shown on TCM recently, in the DVD format, since it has an overture and a few minutes of "exit music". The copy was excellent, as it has been greatly restored as it looks extremely smooth to the eye.

Florenz Ziegfield was one of the most brilliant producers of this country at the end of the 19th and beginning of the 20th centuries. He had an eye for what worked on a stage. He was also the discoverer of a lot of the talent that went to have enormous careers of their own, long after they appeared in one of Mr. Ziegfeld's extravaganzas.

Robert Z. Leonard in directing this film had a lot of contributors, no doubt, but it's probably Adrian, the costume designer par excellence that gave this movie a lot of class by recreating for the screen some of the costumes that were associated with Ziegfeld.

William Powell portrays the great Ziegfeld. Mr. Powell is amazing in his interpretation of the creative man on the screen. He is this man he is playing on the screen; he is totally convincing he was born to play the role.

Actually the film leaves a lot of things unexplained. We know that Anna Held is out of the picture, after her divorce, but nothing is mentioned that she had died at all. Also, the relationship with his second wife, Billie Burke, comes as an afterthought since she only appears in the last part of the movie.

Luise Ranier made a compelling Anna Held, the French actress, who obviously never understood her husband, even though it's clear she loved him. She appears as a complete insecure person, never knowing what to do, or what to decide on. As far as the Oscar she won for playing this role, it eludes my comprehension, or maybe that year her competition must have been poor.

Myrna Loy as Billie Burke gives a radiant performance. She was always a convincing actress and in the film she demonstrates her versatility in playing a musical comedy star. The young Myrna Loy was a gorgeous creature, as proven in this film.

The costumes from some of the musical numbers are incredible. Of course, they were made to suit the theatricality of whatever Mr. Ziegfeld presented. Such extravagant numbers will never be presented on a Broadway stage ever again as the cost would be prohibitive.

Virginia Bruce, Frank Morgan, Ray Bolger, Fanny Brice appear in the film, but of course, the picture is dominated by William Powell from beginning to end.

Like its subject, this movie is interesting and generally entertaining, but often overblown. It's well worth seeing, although it could also have been whittled down by a good portion of its running time without losing anything important. It does present a believable and entertaining look at Ziegfeld's shows and personality, along with some good scenes and some good performances that keep it going.

William Powell was a pretty good choice to play Ziegfeld, since he has the knack of making a character eccentric and distinctive without having it come across as too forced or unnatural. And Myrna Loy is always a charming co-star, for Powell or anyone else. Yet it is Luise Rainer who delivers by far the most memorable performance - she makes her character temperamental but endearing, unpredictable but completely sympathetic. The best parts of the movie come when she is a big part of the action, and when her character slips into the background in the second half, the movie loses something. The rest of the large cast does get some good moments, and it's fun to see a couple of performers playing themselves, although some of them don't get nearly enough to do. The many production numbers contain some very good ones, but there are others that aren't worth the amount of time they were given, and that could have been cut down considerably without losing anything.

You can see why this impressed a lot of viewers in its time, and it's still pretty good entertainment. It could have been better, though, with a little more restraint. But then, its excesses are rather in keeping with its subject, and at any rate they don't keep it from being worth seeing.

Boy, is this movie long......but worth it for the most part. William Powell is, as usual, his urbane, sophisticated self in a romanticized portrayal of Florenz Ziegfeld. Myrna Loy,leaving behind her wisecracking Nora Charles persona, does a fair job as Billie Burke. Burke, whose movie career was based on dithering, silly women, was once a beauty who graced the Follies. Loy doesn't come across as either but she has never given a bad performance so she is believable. But Louise Rainer as Anna Held is the one to watch here. A beautiful doll-like creature, she enchants you with her performance. The famous telephone scene may be overrated somewhat but it worked for me....and obviously for the Academy...it garnered her an Oscar. The music is so wonderful and the "Pretty Girl is Like a Melody" with Dennis Morgan is eye candy. One glaring fault is that there is a very short sequence with the great Fanny Brice in which she is singing "My Man" ( probably one of the greatest torch songs of all times) and it is just cut-off in mid warble as the story goes on to another scene. An unforgivable sin!! There could have been a little less talk and a little more singing/dancing in the movie but since it is a biography and not primarily a musical, all, except for the Brice faux pas, is forgiven!