Gion no kyôdai
- 1936
- 1h 9min
CALIFICACIÓN DE IMDb
7.4/10
3.2 k
TU CALIFICACIÓN
Dos hermanas geishas llevan una vida difícil en el distrito de Gion de Kioto. Cuando una de ellas se siente obligada a ayudar a un empresario en bancarrota, la otra hermana pone en marcha va... Leer todoDos hermanas geishas llevan una vida difícil en el distrito de Gion de Kioto. Cuando una de ellas se siente obligada a ayudar a un empresario en bancarrota, la otra hermana pone en marcha varios planes para deshacerse de él.Dos hermanas geishas llevan una vida difícil en el distrito de Gion de Kioto. Cuando una de ellas se siente obligada a ayudar a un empresario en bancarrota, la otra hermana pone en marcha varios planes para deshacerse de él.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Namiko Kawashima
- Oemi Furusawa
- (as Kazuko Kuno)
Fumio Ôkura
- Jurakudo, the antiques dealer
- (as Fumio Okura)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The characters in Sisters of Gion are trapped, but like many women in a Japan of that era, which was... well, for a while up until 1936 and beyond. Particularly that of the Geisha, whose lives would have to revolve around men who would want them to "do things" for them; not simply sexual, though there was that, but just to take care of them, and buy things for them, etc. So in this story, Mizoguchi has a character, Omocha (Isuzu Yamada) who looks at her lot and life and doesn't like it, and tries to tell her much more submissive sister Umekichi the same. So she spends most of this story swindling a guy with a kimono mostly at the expense of a lower-rung guy who is staying with them, Furusawa, who lost his business. Not so much cause she's a bad person (she isn't) but just as the guy and who he's with kind of deserve it.
The story moves along at a fairly good pace, especially considering how short it is at 69 minutes (though according to IMDb the version available through the Eclipse DVD series is the shortened cut, a few times it does show), and it's pretty good... not great, mind you, but good. Some, or I should say most, of the dialog is a little too on-the-nose about the points it wants to make, even near the end when Mizoguchi really gains momentum with his story and the male-female dynamics of this society. And yet by the end it is powerful and moving, in some part because of how strongly he directs the film; those shots that kind of take deep focus looking down an alleyway that is kind of narrow, closing in on the characters, or how long he stays on a shot (he was all about the long takes too), almost like there's no escape for these girls.
So, do come for the feminism on display, which could be seen as overwrought or dated but only because it's 1936 and for its time is powerful - and stay for some elegant direction, some wonderful acting (watch the scene where Omocha has the guy over who is there on official matters, kind of to scold him for how she treated his employee, but then softens up when she serves Sake), and a couple of moments of good music, however sparse. 7.5/10
The story moves along at a fairly good pace, especially considering how short it is at 69 minutes (though according to IMDb the version available through the Eclipse DVD series is the shortened cut, a few times it does show), and it's pretty good... not great, mind you, but good. Some, or I should say most, of the dialog is a little too on-the-nose about the points it wants to make, even near the end when Mizoguchi really gains momentum with his story and the male-female dynamics of this society. And yet by the end it is powerful and moving, in some part because of how strongly he directs the film; those shots that kind of take deep focus looking down an alleyway that is kind of narrow, closing in on the characters, or how long he stays on a shot (he was all about the long takes too), almost like there's no escape for these girls.
So, do come for the feminism on display, which could be seen as overwrought or dated but only because it's 1936 and for its time is powerful - and stay for some elegant direction, some wonderful acting (watch the scene where Omocha has the guy over who is there on official matters, kind of to scold him for how she treated his employee, but then softens up when she serves Sake), and a couple of moments of good music, however sparse. 7.5/10
Master Mizogushi placed on screen two different kind of look of the gueishas's world, although they are sisters, the older is more wise and understanding about his position, the younger is more cold having in the men just a way to get an easy money, handling according her will, actually she hates them, along the movie the viewers will see two side of the street in two human being whose the life hurt too hard, nice piece of art of study of human nature!!!
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 7.25
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 7.25
Mizoguchi creates a tiny universe with a few characters that somehow manages to maintain in balance throughout the entire film. This is achieved because every character feels real, that means they can be right and wrong and there is not a single character that has the absolute truth.
Very simple filmmaking precisely thought out. With no ostentation the director decides to stay in the shade and put the story and characters in the spotlight.
After watching It on DVD a couple of years ago, I got to see It on the big screen thanks to the Bilbao Art House Zinema.
After watching It on DVD a couple of years ago, I got to see It on the big screen thanks to the Bilbao Art House Zinema.
In the early days of film writing "Sisters" was often cited as one of the great films EVER; it is probably right that this quiet, measured film is now not viewed as such.
Still, I found it held my interest easily and was effecting. The acting is admirable, and the sadness of the women's plight are expressed without sentiment. Well worth seeing; 8 out of 10.
Still, I found it held my interest easily and was effecting. The acting is admirable, and the sadness of the women's plight are expressed without sentiment. Well worth seeing; 8 out of 10.
This movie, about two geisha sisters who lead a hard life in the Gion district of Kyoto, is a good drama movie!
I personally do not have much to say about it. The movie is not amazing or incredible for my part, but it has some funny moments where the main plot is the most compelling element. It feels slow at times, but fortunately, it is quite short to be a feature film, and it is also nicely shot and the actors do good. I am glad I took it a visit because I had a good time!
Despite not being a masterpiece, this movie is a good drama with humor and a strong plot. Solid acting and visuals make it worth a watch.
I personally do not have much to say about it. The movie is not amazing or incredible for my part, but it has some funny moments where the main plot is the most compelling element. It feels slow at times, but fortunately, it is quite short to be a feature film, and it is also nicely shot and the actors do good. I am glad I took it a visit because I had a good time!
Despite not being a masterpiece, this movie is a good drama with humor and a strong plot. Solid acting and visuals make it worth a watch.
¿Sabías que…?
- TriviaDaiichi Studio went into bankruptcy following the poor commercial results of the film.
- ConexionesReferenced in Aru eiga-kantoku no shôgai (1975)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Sisters of the Gion
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 17,807
- Tiempo de ejecución1 hora 9 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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