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IMDbPro

Siga a la flota

Título original: Follow the Fleet
  • 1936
  • Approved
  • 1h 50min
CALIFICACIÓN DE IMDb
7.1/10
4.9 k
TU CALIFICACIÓN
Fred Astaire and Ginger Rogers in Siga a la flota (1936)
Official Trailer
Reproducir trailer1:24
1 video
99+ fotos
ComedyMusicalRomance

Un marinero intenta reavivar un romance con la mujer que ama mientras está en libertad en San Francisco.Un marinero intenta reavivar un romance con la mujer que ama mientras está en libertad en San Francisco.Un marinero intenta reavivar un romance con la mujer que ama mientras está en libertad en San Francisco.

  • Dirección
    • Mark Sandrich
  • Guionistas
    • Dwight Taylor
    • Allan Scott
    • Hubert Osborne
  • Elenco
    • Fred Astaire
    • Ginger Rogers
    • Randolph Scott
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    4.9 k
    TU CALIFICACIÓN
    • Dirección
      • Mark Sandrich
    • Guionistas
      • Dwight Taylor
      • Allan Scott
      • Hubert Osborne
    • Elenco
      • Fred Astaire
      • Ginger Rogers
      • Randolph Scott
    • 78Opiniones de los usuarios
    • 37Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 2 nominaciones en total

    Videos1

    Follow the Fleet
    Trailer 1:24
    Follow the Fleet

    Fotos113

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    + 107
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    Elenco principal61

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    Fred Astaire
    Fred Astaire
    • Bake Baker
    Ginger Rogers
    Ginger Rogers
    • Sherry Martin
    Randolph Scott
    Randolph Scott
    • Bilge Smith
    Harriet Nelson
    Harriet Nelson
    • Connie Martin
    • (as Harriet Hilliard)
    Astrid Allwyn
    Astrid Allwyn
    • Mrs. Iris Manning
    Betty Grable
    Betty Grable
    • Singer in Trio
    Harry Beresford
    Harry Beresford
    • Captain Hickey
    Russell Hicks
    Russell Hicks
    • Jim Nolan
    Brooks Benedict
    Brooks Benedict
    • David Sullivan
    Ray Mayer
    • Dopey Williams
    Lucille Ball
    Lucille Ball
    • Kitty Collins
    Jean Acker
    Jean Acker
    • Minor Role
    • (sin créditos)
    Richard Alexander
    Richard Alexander
    • Paradise Ballroom Waiter
    • (sin créditos)
    Constance Bergen
    Constance Bergen
    • Ticket Seller
    • (sin créditos)
    Frederic Blanchard
    • Captain Jones
    • (sin créditos)
    Lynton Brent
    Lynton Brent
    • Deck Officer
    • (sin créditos)
    Phyllis Brooks
    Phyllis Brooks
    • Minor Role
    • (sin créditos)
    Tom Brower
    Tom Brower
    • Policeman
    • (sin créditos)
    • Dirección
      • Mark Sandrich
    • Guionistas
      • Dwight Taylor
      • Allan Scott
      • Hubert Osborne
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios78

    7.14.9K
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    Opiniones destacadas

    movibuf1962

    Facing the music.

    This film is nice because there are two love stories-- something of a plot departure, and the second couple (Randolph Scott and Harriet Hilliard Nelson) are given the bulk of the dramatics, which allow our stars to be looser, more comical. Astaire chews the gum a little too severely, but he was anxious to make a departure from his customary tuxedoed playboy. Rogers is much more at ease in the role of struggling dancer-singer, and plays well opposite sister Hilliard. (The history is that Ms. Hilliard had to darken her naturally blond hair to distinguish her from Ms. Rogers. But wouldn't they better resemble sisters if they were both blonds?) The Irving Berlin numbers are quite good, ranging from light and airy ("Let Yourself Go," "I'd Rather Lead A Band") to elegant ("Let's Face The Music And Dance"). This final number is the film's bewitching finale, performed on a lovely Art-Deco rooftop and illustrates Astaire's penchant for full-frame, single-take dancing. It is, in a nutshell, singularly gorgeous. The trivia history goes that Rogers' metallic thread gown had weights in the sleeves and hem to make the skirt wind and unwind; the dress was unintentionally difficult to perform in because its flared sleeves hit Astaire across the face IN THE FIRST TAKE- and after many re-shoots trying to cover it up, they ended up printing that first take (we have to assume that was apparently the best performance of the dance, but you can see the sleeves brush across Astaire's face). It loses one-half point from me, because Randolph Scott says 'bebby' once too often.
    soulstrong

    Beautiful Film

    This is just a great, fun, lovely film. It captures the true essence of the decade and of the people, and tells a beautiful love story of two sisters with two sailors. Though this film may only be in Black and White, it definitely doesn't count against it now in modern days. The main basic purpose of the movie is timeless. This movie features great acting, beautiful song and dance numbers, and great design work and film shots. Follow the Fleet is also comical, there are funny moments, moments that will make you laugh, but other moments where the acting just gets you so involved into the storyline. Its amazing how though this movie may be set in a certain decade, how it can affect those today. If you want to see something great, check this out.
    7henry-girling

    Fred, Ginger, Harriet and Irving

    One of several musicals about sailors on leave, it is the usual sailor meets girl, complications ensue, sorted out happily kind of plot. It proceeds along smoothly enough but it does drag in places too. The dialogue is not as zippy as 'Top Hat' for example and Randolph Scott seems out of place.

    There are compensations. It has some of Irving Berlin's choicest songs including 'Let Yourself Go', 'I'm Putting all My Eggs in One Basket' and 'Let's Face the Music and Dance'. It has Fred and Ginger who when they are dancing take any film into heavenly heights and they don't disappoint here. They do a snappy tap dance, a knockabout comic dance and a swirling graceful dance, all in the same film! Great versatility and artistry.

    It also has Harriet Hilliard who is rather good in her role. She had a varied career, becoming the more famous Harriet Nelson with Ozzie. Here she is touching without being sentimental.Her two songs are simply and effectively delivered. She makes a good contrast with Ginger but you can believe they are sisters in the film.

    More tightening up have made the film even better. Pretty good though.
    8Monica4937

    We joined the navy to see the world! And what did we see? We saw the sea...

    This is my all-time favorite Fred Astaire and Ginger Rogers film. The dialogue between the two is so cute and funny and very clever. Not to mention this film contains some of the best songs recorded by the two; like I'm Putting All My Eggs in One Basket and Let's Face the Music and Dance. If I remember correctly, this was the film that introduced me to Fred Astaire so I suppose because of that it will always hold a special place in my heart (sorry for the sentimental cr*p but I'm woman so get over it)All in all this film gets an 8/10 from me. The choreography was superb and also the fact that Lucille Ball is in it makes it even more awesome.
    kerrym3

    Final dance number is unforgettable.

    Although I enjoyed seeing Harriet Hilliard and Lucille Ball as other characters than Desi's "Lucy" and Ozzie's "Harriet", I would be happy to just watch the final dance number over and over and never see the rest of the movie--it's hauntingly beautiful and the most touching I've ever seen.

    It's not just a dance number! With body language alone they act out a very emotional, but unspoken drama.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      During the fight scene between Fred Astaire and Randolph Scott, Astaire - not skilled in movie fight scenes - accidentally bloodied Scott's nose; Astaire was mortified, but Scott remained pointedly nonchalant.
    • Citas

      Sherry Martin: Look, why don't you let me try to fix you up? You'll be amazed how much better it will make you feel.

      Connie Martin: Even though I'm not a blonde, I could be dumb, couldn't I?

      Sherry Martin: And you'll probably do all right too. It takes a lot of brains to be dumb.

    • Conexiones
      Featured in Fred Astaire: Puttin' on His Top Hat (1980)
    • Bandas sonoras
      We Saw the Sea
      (uncredited)

      Written by Irving Berlin

      Played during the opening credits

      Performed by Fred Astaire and chorus

      [Also played as dance music]

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    Preguntas Frecuentes15

    • How long is Follow the Fleet?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de febrero de 1936 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Follow the Fleet
    • Locaciones de filmación
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 747,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 50 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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