Genio y figura

Alluding to her 1950s screen personna, Oscar Levant once wisecracked about Doris Day: "Hey, I knew her BEFORE she was a virgin!" Well, no, Ms. Day isn't in this film, but one of the (many) treats offered up by "After The Thin Man" is a chance to get to know James Stewart BEFORE he was James Stewart. Appearing here in a supporting role, he gets to show off some acting chops he didn't always get a chance to display in his later career.

Add to the mix a topnotch screenplay, the chemistry between William Powell and Myrna Loy that is so strong you find yourself believing that only a week has lapsed since their previous outing (rather than two years), at least one sight gag worthy of Groucho Marx (Nick when he and Nora go to visit her stuffed-shirt relatives), and -- oh, yes -- some vintage location footage shot in San Francisco back in the days when "the city that knows how" still knew. (Yep, that really is the old 3rd and Townsend depot, and yes, as a matter of fact, that really is Lotta's Fountain on lower Market Street, and how about that driveway leading up to their palatial home, complete with the breathtaking view? None other than the approach to Coit Tower!)

If the storyline's a bit thinner than the original, the fun is no less. The madcap drinking (sheesh!) and the razor-sharp banter continue on their merry way. As do Nick and Nora. And oh, yes, not that it probably matters that much, but there is a mystery and it does get solved.

Although this film was released in 1936, it is as entertaining and fresh today as ever, and is certainly much better than any of the over-long and over-produced movies that Hollywood produces today. This is the second in the excellent "Thin Man" series and the viewer can see that the series is really in full stride. The delightful cast of street types who are old friends and cronies of Nick's are a joy to watch. The interplay between William Powell and Myrna Loy has never been matched and is to be treasured. What a great surprise for me to see Penny Singelton, who later played "Blondie" in that long running series. Ms. Singelton sings and dances up a storm as a cabaret performer and she is an integral character in the plot of this engrossing "whodunnit". Another nice surprise for me was seeing Jimmy Stewart in one of his earlier roles. He definitely had leading man type looks. As per usual, Powell, as Nick Charles, unmasks the murderer in the climatic scene where all suspects, the police, and assorted others are present. In most movies, I tend to find pets rather annoying as they distract from the plot of the film. But, for me, Asta is the one exception to this thesis. He is so entertaining and no Thin Man movie would be complete without his antics. In summary, all I can say is that this is a SUPERB film. Catch it on Turner Classic Movies or find a video at your' favorite store or online retailer.

After solving the famous Thin Man case in New York and acquiring a trademark in the process, Nick Charles returns to San Francisco with wife Nora to spend some time with some of her family. As we learned in the initial film, Myrna Loy's parents are both deceased, but she's got one formidable aunt is Jessie Ralph and a cousin with a wayward husband in Elissa Landi.

Elissa prevails upon Myrna to get Bill to locate her husband who's been missing for a few days. Powell and Loy do locate Alan Marshal the husband and the rat's been living it up with nightclub chanteuse Penny Singleton. Marshal's a playboy wastrel and hasn't the slightest intention of returning to home and hearth. But in the wee small hours of New Year's Day, he gets himself murdered on the streets of San Francisco and two more bodies turn up before William Powell solves the case.

James Stewart appears in this second Thin Man film as Landi's patient former boyfriend. In the films of James Stewart book, Stewart mentions that he wasn't particularly happy with his work in this film though I'm sure it didn't hurt his career any. He felt it was way too much at variance with what his fans expected from him. It's reason enough to watch the film and see if you agree with Jimmy.

Sam Levene of the San Francisco PD isn't any brighter than Nat Pendleton of the NYPD just a little more excitable. Powell shows them up all the time so much so that you wonder why he's not made police commissioner of either city.

Asta the most famous terrier in the world gets a bit more screen time than usual for animal lovers. He's got a Mrs. Asta and several pups and a black dog who keeps trying to cut in on his time. He also at one point provides the highpoint in comedy as he almost eats a clue which is in the form of a note thrown threw a window. Lots of fun as Powell and Loy try to get him to spit out the note. Handling that doggie drool soaked note musn't have been fun for Loy and Powell.

After the Thin Man keeps up the high standards in film making set by the original Thin Man and shouldn't be missed.

In this first sequel to the celebrated film "The Thin Man", detective Nick Charles, (Powell) his socialite wife Nora (Loy) and their beloved terrier Asta are on their way home to San Francisco after a long trip. Shortly after they arrive, Nora is invited to her wealthy aunt's house for dinner where she is told by her cousin Selma (Landi) that her husband Robert has run off (again) and she needs Nick to find him. When Nick and Nora find Robert at a local nightclub that very evening, they soon discover that he is wrapped up in a situation with some shady people; he is soliciting David (a really young Stewart), an ex-beau of Selma's who is still in love with her, for $25,000. In exchange for this $25,000 he will leave Selma's life forever, will run off with his girlfriend, a singer at the nightclub, and David can then step in. The plan promptly goes sour when Robert is shot and killed, leaving five suspects in his murder, including Selma herself. It is up to Nick and Nora to help the police solve the crime and clear Selma's name.

I thoroughly enjoyed "The Thin Man", and was absolutely charmed and delighted with this sequel. Nick and Nora Charles absolutely have to be one of the greatest, if not the greatest on screen couples in film history. Certainly, they take a back seat to the better known Hepburn/Tracy, Gable/Leigh, hell, even Curtis/Lemmon. But while the story itself in "After the Thin Man" was good, and strong enough to stand on its own merit, but the film itself is great because of Powell and Loy. Myrna Loy, one of my favorite classic film actresses, made a career out of being the non-plussed wife or object of affection to varying degrees of spastic leading men. (Particularly Cary Grant in "Mr. Blandings Builds His Dream House" and "The Bachelor and the Bobby Soxer", both films I would definitely recommend.) Loy's straight-faced elegance is perfection as Nora Charles, a young and beautiful wealthy socialite who married Nick, a detective from the wrong side of the tracks who loves liquor and ribald humor. Powell is hilarious and charming as Nick, and they own the characters so thoroughly, I can't fathom anyone else playing those roles.

Much is made of "chemistry", and the chemistry between our two main characters is electric. The material they had to work with certainly helped in the success of this film. Hammett's story works as a good base, with Goodrich & Hackett punching up the script. Toward the beginning of the film, there is a scene where Nick and Nora are returning to their San Francisco mansion, completely exhausted and pledging to sleep for a month. When they open their door, however, they find their house filled with a couple of hundred people; apparently, friends of theirs were throwing them a surprise welcome home party, only no one there recognizes them as the guests of honor, so they non-chalantly begin to dance with everyone else until they are finally noticed by their servants. Describing the situation doesn't do it justice, but it is just one example of the many charming scenes contained in this film. "After the Thin Man" also has some hilarious lines, and while a lot of the appeal is in the delivery, dialogue like a scene between Nick and Nora, who are waiting to be let in to her aunt's house, (Nick and her aunt have a mutual dislike for one another) when Nora asks, "What ARE you muttering to yourself?" Nick replies, "I'm just trying to get all of the bad words out of my mind." And then later, when reintroducing her husband to her aunt, Nora says, "You remember my husband, Nick…" her aunt replies with "Hello, NicholASS." (And proceeds to call him that the entire film.) Even Asta has a subplot in this film; when they arrive home in the beginning of the film, he runs back to the kennel to see Mrs. Asta. Apparently Mrs. Asta has had a litter of puppies, and when they all come out black and white (with one fully black one) even though the Astas are fully white, he finds out that the culprit is a black dog from down the street. The two scenes involving this little side story are truly funny and fitting of a dog that has reached iconic status. (At least in the crossword puzzle world – his name is a clue in at least one crossword puzzle I do a week!) "After the Thin Man" has some corny moments, but they are few and so minor compared to the relative greatness of the rest of the film, that I don't think I could truly single them out easily. (At least not with seeming needlessly picky) I would truly recommend this film series to anyone who enjoys classic films – I so thoroughly enjoyed this film that I plan to check out the rest of the sequels in the near future. The snappy & clever dialogue, great performances and good story truly make "After the Thin Man" a worthy sequel to its great predecessor. 8/10 --Shelly

I was spurred to watch this one after having seen David Niven and Maggie Smith's spot-on parody of Nick and Nora in 'Murder By Death'. Nick spends most of this one either drinking or drunk, but doesn't let that prevent him from solving the crime of course. Myrna Loy is wonderfully aloof in a fine comic performance. Although it involves murder, the tone is almost exclusively light hearted. The plot was almost a little too complicated, the type of thing that 'Murder By Death' so effectively mocked. It seemed as though the script wanted to make it so that anyone could have been a suspect (one of which is James Stewart in a fun role)which normally would be a good idea, but can make it a little confusing (and I'll admit that I wasn't paying 100% attention, but the light-heartedness seems to almost encourage you not to take it all seriously...which is why 'The Thin Man' movies are so much fun in the first place!)