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El lobo humano de Londres

Título original: Werewolf of London
  • 1935
  • Approved
  • 1h 15min
CALIFICACIÓN DE IMDb
6.3/10
6.9 k
TU CALIFICACIÓN
Valerie Hobson, Henry Hull, and Warner Oland in El lobo humano de Londres (1935)
Dark FantasyWerewolf HorrorDramaFantasyHorror

Después de que el botánico Wilfred Glendon viaje al Tíbet en busca de una rara flor, la Mariphasa, regresa a un Londres atormentado por asesinatos que sólo pueden ser obra de hombres lobo se... Leer todoDespués de que el botánico Wilfred Glendon viaje al Tíbet en busca de una rara flor, la Mariphasa, regresa a un Londres atormentado por asesinatos que sólo pueden ser obra de hombres lobo sedientos de sangre.Después de que el botánico Wilfred Glendon viaje al Tíbet en busca de una rara flor, la Mariphasa, regresa a un Londres atormentado por asesinatos que sólo pueden ser obra de hombres lobo sedientos de sangre.

  • Dirección
    • Stuart Walker
  • Guionistas
    • John Colton
    • Robert Harris
    • Harvey Gates
  • Elenco
    • Henry Hull
    • Warner Oland
    • Valerie Hobson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    6.9 k
    TU CALIFICACIÓN
    • Dirección
      • Stuart Walker
    • Guionistas
      • John Colton
      • Robert Harris
      • Harvey Gates
    • Elenco
      • Henry Hull
      • Warner Oland
      • Valerie Hobson
    • 111Opiniones de los usuarios
    • 68Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Fotos66

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    Elenco principal37

    Editar
    Henry Hull
    Henry Hull
    • Dr. Wilfred Glendon
    Warner Oland
    Warner Oland
    • Dr. Yogami
    Valerie Hobson
    Valerie Hobson
    • Lisa Glendon
    Lester Matthews
    Lester Matthews
    • Paul Ames
    Lawrence Grant
    Lawrence Grant
    • Sir Thomas Forsythe
    Spring Byington
    Spring Byington
    • Miss Ettie Coombes
    Clark Williams
    Clark Williams
    • Hugh Renwick
    J.M. Kerrigan
    J.M. Kerrigan
    • Hawkins
    Charlotte Granville
    Charlotte Granville
    • Lady Forsythe
    Ethel Griffies
    Ethel Griffies
    • Mrs. Whack
    Zeffie Tilbury
    Zeffie Tilbury
    • Mrs. Moncaster
    Jeanne Bartlett
    • Daisy
    Reginald Barlow
    Reginald Barlow
    • Timothy - Falden Caretaker
    • (sin créditos)
    Egon Brecher
    • Priest
    • (sin créditos)
    Wong Chung
    Wong Chung
    • Coolie
    • (sin créditos)
    J. Gunnis Davis
    • Detective
    • (sin créditos)
    Herbert Evans
    Herbert Evans
    • Detective Evans
    • (sin créditos)
    Eole Galli
    Eole Galli
    • The Prima Donna
    • (sin créditos)
    • Dirección
      • Stuart Walker
    • Guionistas
      • John Colton
      • Robert Harris
      • Harvey Gates
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios111

    6.36.9K
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    Opiniones destacadas

    BaronBl00d

    By the Light of the Silvery Moon

    Universal's first foray into lycanthropy was this version of a man that goes to Tibet in search of a rare flower. He is bitten by a werewolf. He then leaves Tibet for his home in London with said plant which flowering buds have the ability to off-set the "disease" at least for that evening against the full moon. This film is entertaining and has many good points. It has a great score and lots of wonderful scenes and sets. Many of the character actors are quite good, in particular Spring Byington and Valerie Hobson. Warner Oland steals the acting honors as an adversary to Dr. Glendon, the titular werewolf. Oland, the great Charlie Chan himself, hams it up as another werewolf in search of the flowering buds. The film has a lot of comedy in it, with several scenes between two friendly landladies creating most of the laughs. I think the picture really suffers from the script, which really does not help create werewolf folklore like The Wolfman did later for Universal. The make-up by Jack Pierce is pretty good, but actor Henry Hull is very dull in his lead role. Hull plays the beast with some passion but his role as the doctor is the epitome of boredom. Nonetheless I found the film very entertaining and recommend it.
    Shield-3

    Draw Blood!

    Listen to the Warren Zevon jokes fly…

    The secret to telling stories in any media, be it books, plays, TV or movies, is to make the audience care about the characters. The hero of `Werewolf of London,' Wilfred Glendon (Henry Hull), manages to earn our sympathy: he's a botanist obsessed with his studies to the point where he neglects his beautiful young wife Lisa (Valerie Hobson). His ordered life disintegrates when he is attacked by a werewolf in Tibet; he realizes he is doomed to the lycanthrope's savage curse at the same time his wife begins flirting with an old flame, Paul (Lester Matthews). The logical foundation of Glendon's life flies apart, and he came face-to-face with his brutal animal nature.

    `Werewolf of London,' like most of the classic Universal horror pictures, is heavy on atmosphere, lots of shadows and fog. The transformation sequences and the makeup are good, although not as proficient as `The Wolf Man' six years later. The Werewolf of London struck me as a more sinister creature than the Wolf Man in his deliberateness. The Werewolf would even wear a sort of disguise as he stalked the streets of London, using his intelligence, whereas the Wolf Man was a more savage, animalistic force that attacked anyone nearby. It makes you wonder who would win a fight between the two…

    And, as is usual for the old Universal horror films, the acting is very good. Henry Hull moves from stuffy academic to tortured soul, and brings us along for the ride (reminiscent of Basil Rathbone's deterioration in `Son of Frankenstein.') Valerie Hobson is luminous as always, and Warner Oland is quietly menacing as Dr. Yogami, who has an inside knowledge of `werewolfery.'

    `Werewolf of London' will probably always be in the shadow of its successor, and rightfully so. There's nothing wrong with `Werewolf,' but there also isn't anything here that `Wolf Man' doesn't do better. It's just part of the horror evolution, a lesson well learned.
    oyason

    Werewolves of London again

    WEREWOLF OF LONDON is a gem. I became familiar with the old Universal classics watching them on an old GE black and white when they were broadcast on "Lights Out" in El Paso, Texas thirty-odd years back. And this was one of the few that I found seriously frightening as a boy.

    The initial transformation scene in this film is done as well as any special effect was in those days. First, the viewer becomes aware of its approach through the reaction of a housecat to the afflicted Doctor as he reaches out to stroke his pet. He crosses over into another room, the camera pans back, and the transformation occurs as he passes behind a number of columns. It's damn eerie. And I believe it holds up after all this time, but it doesn't matter to me if I'm alone with this sentiment.

    Warner Oland, Valerie Hobson, Spring Byington end up carrying the weight that Henry Hull couldn't as a central player, plus there are a couple of marvelous character actors playing some very funny dipsomaniac landladies. It all balances out. You gotta see this one.
    8simeon_flake

    living in the shadows...

    Universal's first 'werewolf' movie & oddly enough one of the least celebrated in the studio's library of classic horror films, due in large part to a later vehicle titled 'THE WOLF MAN' that would elevate the werewolf to classic monster status. Not that there's anything wrong with "Werewolf of London", it's a terrific picture in its own right.

    Perhaps the star of this film could be the reason why this picture didn't catch on like the later wolf series with Lon Chaney. Henry Hull (as Wilfred Glendon) doesn't come across as being the most likable guy in the world, or one who can invoke much sympathy like Larry Talbot. Hull is such a cold fish that it doesn't come as a great shock when his jailbait looking wife (Valerie Hobson) runs into the arms of her former beau. But, whatever charm Hull may lack, Warner Oland makes up for in spades with his show-stealing performance as Dr. Yogami. "The werewolf is neither man nor wolf, but a Satanic creature with the worst qualities of both."

    This movie also tips its hat to the horror films of James Whale, injecting liberal amounts of comic relief throughout the proceedings, with the biggest laughs coming courtesy of two old lushes, Mrs. Whack & Mrs. Moncaster, who rent a room to the afflicted Dr. Glendon and after getting a peek of him in his lunar form, vow to give up the bottle, but somehow I don't think they stuck to that resolution.

    Henry Hull and his London Werewolf may linger forever in Chaney's shadow, but Hull will forever have the advantage when it comes to "best dressed" lycanthrope & no one can ever take that from him.
    boris-26

    A minor classic.

    WEREWOLF OF LONDON (1935) does not satisfy as a whole, but it does have some memorable spots. The basic plot tells of a introverted botanist (Henry Hull) who is stricken with the ability to become a werewolf. The film's great moments are peppered through out. There's the beautifully photographed scene in Tibet, where moonlight is almost sun-beach bright. There's the bit in the zoo with a cockney hag fooling around with the zookeeper. Hull's perfomance is superb. We feel his anger over his failed marriage to much younger Valarie Hobson, his fear over his new affiction. It's a shame the screenwriters didn't dwell on his marriage more. The film has a humdinger of an ending, especially with the werewolf's last line.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Although not the first werewolf film, this is considered to be the first feature length werewolf movie. It preceded the more commercially successful El lobo humano (1941) by six years. The first werewolf film was the 1913 short "The Werewolf". It was 18 minutes long and now considered lost as all known copies were destroyed in a warehouse fire in 1924.
    • Errores
      Glendon's book on "Lycanthrophobia" (apparently meaning "Lycanthropy") refers to "transvection from man to wolf", meaning "transformation." Transvection (as a supernatural process) actually means levitation.
    • Citas

      Dr. Yogami: The werewolf is neither man nor wolf, but a Satanic creature with the worst qualities of both.

    • Créditos curiosos
      "A good cast is worth repeating..."
    • Conexiones
      Edited into La mansión de Drácula (1945)
    • Bandas sonoras
      Music
      (uncredited)

      from El hombre invisible (1933)

      Composed by Heinz Roemheld

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    Preguntas Frecuentes27

    • How long is Werewolf of London?Con tecnología de Alexa
    • What is 'Werewolf of London' about?
    • Is "Werewolf of London" based on a book?
    • Is this the first werewolf movie ever made?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Cantonés
      • Latín
    • También se conoce como
      • Werewolf of London
    • Locaciones de filmación
      • Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, California, Estados Unidos
    • Productora
      • Universal Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 195,393 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 15 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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