Agrega una trama en tu idiomaA young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.A young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.A young girl, wanting a life of luxury, takes the "easy" way, and winds up in jail.
- Dirección
- Guionistas
- Elenco
Fotos
Jack Chefe
- Waiter
- (sin créditos)
Oliver Cross
- Passerby
- (sin créditos)
Jack Deery
- Faculty Member
- (sin créditos)
Fred Graham
- Policeman
- (sin créditos)
Chuck Hamilton
- Police Car Driver
- (material de archivo)
- (sin créditos)
Alice Moore
- Women's Prison Warden
- (sin créditos)
Pat O'Malley
- Detective John Hennessey
- (sin créditos)
Lee Phelps
- Police Lab Technician
- (sin créditos)
Poppy Wilde
- Night Club Patron
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This 'Crime Does Not Pay' short subject from MGM examines the case of a woman
who got caught up in criminality because of who she married and because she
found herself enjoying the thrill.
Irene Hervey is our protagonist and she's looking like she's on the straight and narrow even marrying a good looking chap Robert Livingston. But when Livingston has her along on a robbery, she really likes the thrill.
As in all the MGM 'Crime Does Not Pay' shorts, they slip up as criminals do in real life too.
I'm agreeing with the other reviewer, a bit heavy handed but effective.
Irene Hervey is our protagonist and she's looking like she's on the straight and narrow even marrying a good looking chap Robert Livingston. But when Livingston has her along on a robbery, she really likes the thrill.
As in all the MGM 'Crime Does Not Pay' shorts, they slip up as criminals do in real life too.
I'm agreeing with the other reviewer, a bit heavy handed but effective.
An MGM CRIME DOES NOT PAY Short Subject.
Living in the luxury provided by robbing parked motorists provides A THRILL FOR THELMA--until the Law starts to close in...
This was the fourth entrant in MGM's series illustrating the futility of crime. Some of the acting is reasonably good and the production values are competent, making the brief film an enjoyable time filler. All of the players are unbilled--William Tannen appears as the MGM Reporter; sturdy Robert Warwick plays the police captain; and Irene Hervey is the luckless Thelma. A fine bit of acting is provided by Robert Livingston as Thelma's violent lover.
**********************************
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Living in the luxury provided by robbing parked motorists provides A THRILL FOR THELMA--until the Law starts to close in...
This was the fourth entrant in MGM's series illustrating the futility of crime. Some of the acting is reasonably good and the production values are competent, making the brief film an enjoyable time filler. All of the players are unbilled--William Tannen appears as the MGM Reporter; sturdy Robert Warwick plays the police captain; and Irene Hervey is the luckless Thelma. A fine bit of acting is provided by Robert Livingston as Thelma's violent lover.
**********************************
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
It's MGM Crime Does Not Pay Series #4. Thelma starts out with all the promise in the world but ends up as one of the woman inmates in the opening scene. She wanted to enjoy herself and becomes entangled by her husband Steve Black. He pulls her further and further into his crimes.
A lot of these Crime Don't Pay shorts are a little silly but this one is actually a good cautionary tale. Most women in prison are there due to their partners' crimes. That doesn't make this good cinema but most of these aren't.
A lot of these Crime Don't Pay shorts are a little silly but this one is actually a good cautionary tale. Most women in prison are there due to their partners' crimes. That doesn't make this good cinema but most of these aren't.
Thrill for Thelma, A (1935)
*** (out of 4)
Fourth entry in MGM's "Crime Does Not Pay" series has Thelma (Irene Hervey) graduating high school and hoping for a thrilling life, which she gets when she meets a man (Robert Livingston) who just happens to be a criminal. Soon the two are running a scheme of robbing people who have pulled their cars over to do various things when the duo sneak up on them and take whatever they have. Everything is going good for Thelma and her boyfriend but soon the cops have a plan. This certainly isn't the best film in the series but there are enough interesting scenes to make it worth viewing. I think the best thing this film has going for it is the performance from Hervey who would go onto have a pretty good career. She's certainly very believable in the part and I thought she came off very natural in her scenes whether they were her freaking out over what's going on or her enjoying all the money it's bringing. Livingston is also very good and gets a scene which seemed to have been influenced by some films of Bela Lugosi as we get a close up of his menacing eyes. The story itself is probably the weakest thing here as there really aren't any surprises as everything that happens is so easy to see coming that no one will be fooled.
*** (out of 4)
Fourth entry in MGM's "Crime Does Not Pay" series has Thelma (Irene Hervey) graduating high school and hoping for a thrilling life, which she gets when she meets a man (Robert Livingston) who just happens to be a criminal. Soon the two are running a scheme of robbing people who have pulled their cars over to do various things when the duo sneak up on them and take whatever they have. Everything is going good for Thelma and her boyfriend but soon the cops have a plan. This certainly isn't the best film in the series but there are enough interesting scenes to make it worth viewing. I think the best thing this film has going for it is the performance from Hervey who would go onto have a pretty good career. She's certainly very believable in the part and I thought she came off very natural in her scenes whether they were her freaking out over what's going on or her enjoying all the money it's bringing. Livingston is also very good and gets a scene which seemed to have been influenced by some films of Bela Lugosi as we get a close up of his menacing eyes. The story itself is probably the weakest thing here as there really aren't any surprises as everything that happens is so easy to see coming that no one will be fooled.
An early entry (No. 4) in the MGM series "Crime Does Not Pay".
Irene Hervey ( who was a lovely leading lady in many MGM films) played Thelma - a girl who yearns for excitement and unfortunately finds it.
Robert Livingston had appeared in a few early musicals but found success as a Western star in the series "The Three Mesquiteers". He plays Steve who is an evil influence on the innocent Thelma.
After initially wanting to go to the police (after their first robbery, they run a car off the road and the driver is killed) - she soon learns to live for thrills.
A lot of the short involves how the police captured this "Bonnie and Clyde" duo - after all "Crime Does Not Pay". The two stars went on to bigger and better things.
Irene Hervey ( who was a lovely leading lady in many MGM films) played Thelma - a girl who yearns for excitement and unfortunately finds it.
Robert Livingston had appeared in a few early musicals but found success as a Western star in the series "The Three Mesquiteers". He plays Steve who is an evil influence on the innocent Thelma.
After initially wanting to go to the police (after their first robbery, they run a car off the road and the driver is killed) - she soon learns to live for thrills.
A lot of the short involves how the police captured this "Bonnie and Clyde" duo - after all "Crime Does Not Pay". The two stars went on to bigger and better things.
¿Sabías que…?
- TriviaCrime Does Not Pay was a series of MGM shorts films, often produced with cooperation from law enforcement, ostensibly made to warn movie goers about "the wages of sin", and how to avoid them in their own personal lives. Their often preachy tone always pleased the MPAA and guaranteed them wide distribution by theatre owners seeking "morally uplifting" material to show between features on double bills.
- ErroresThe story is supposed to take place in New York, but when the police are studying a wall map marked with the locations of the crimes, it's clearly a map of Los Angeles.
- Citas
Thelma Black: We thought we were smart, but the police were smarter.
- ConexionesFollowed by Hit-and-Run Driver (1935)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Crime Does Not Pay Series No. 4: 'A Thrill for Thelma'
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 18min
- Color
- Relación de aspecto
- 1.37 : 1
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