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Agente especial

Título original: Special Agent
  • 1935
  • Approved
  • 1h 16min
CALIFICACIÓN DE IMDb
6.4/10
1.3 k
TU CALIFICACIÓN
Bette Davis and George Brent in Agente especial (1935)
Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston.
Reproducir trailer2:29
1 video
99+ fotos
DramaMisterioRomance

Un periodista convertido en agente fiscal se infiltra en una banda criminal para atrapar a un mafioso, colaborando con su contadora. Al aceptar testificar, un soplón los delata y la secuestr... Leer todoUn periodista convertido en agente fiscal se infiltra en una banda criminal para atrapar a un mafioso, colaborando con su contadora. Al aceptar testificar, un soplón los delata y la secuestran.Un periodista convertido en agente fiscal se infiltra en una banda criminal para atrapar a un mafioso, colaborando con su contadora. Al aceptar testificar, un soplón los delata y la secuestran.

  • Dirección
    • William Keighley
  • Guionistas
    • Laird Doyle
    • Abem Finkel
    • Martin Mooney
  • Elenco
    • Bette Davis
    • George Brent
    • Ricardo Cortez
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • William Keighley
    • Guionistas
      • Laird Doyle
      • Abem Finkel
      • Martin Mooney
    • Elenco
      • Bette Davis
      • George Brent
      • Ricardo Cortez
    • 18Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 2:29
    Trailer

    Fotos106

    Ver el cartel
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    + 102
    Ver el cartel

    Elenco principal54

    Editar
    Bette Davis
    Bette Davis
    • Julie Gardner
    George Brent
    George Brent
    • Bill Bradford
    Ricardo Cortez
    Ricardo Cortez
    • Alexander Carston
    Jack La Rue
    Jack La Rue
    • Jake Andrews
    • (as Jack LaRue)
    Henry O'Neill
    Henry O'Neill
    • District Attorney Roger Quinn
    Robert Strange
    Robert Strange
    • Alec 'Waxy' Armitage
    Joseph Crehan
    Joseph Crehan
    • Police Commissioner
    J. Carrol Naish
    J. Carrol Naish
    • Joe Durell
    • (as J. Carroll Naish)
    Joe Sawyer
    Joe Sawyer
    • Ned Rich
    • (as Joseph Sauers)
    William B. Davidson
    William B. Davidson
    • Charlie Young
    • (as William Davidson)
    Robert Barrat
    Robert Barrat
    • Chief of Internal Revenue Service
    Paul Guilfoyle
    Paul Guilfoyle
    • Williams
    Joe King
    Joe King
    • Agent Wilson
    • (as Joseph King)
    Irving Pichel
    Irving Pichel
    • U.S. District Attorney
    John Alexander
    John Alexander
    • Arcade Manager
    • (sin créditos)
    Edwin Argus
    Edwin Argus
    • Pinball Onlooker
    • (sin créditos)
    Frank Bruno
    • Carston's Henchman
    • (sin créditos)
    Allan Cavan
    Allan Cavan
    • 122 Club Doorman
    • (sin créditos)
    • Dirección
      • William Keighley
    • Guionistas
      • Laird Doyle
      • Abem Finkel
      • Martin Mooney
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios18

    6.41.3K
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    Opiniones destacadas

    7planktonrules

    Pretty typical 30s Warner Brothers crime drama

    In the 1930s, Warner Brothers was the place for gangster films, as they churned out a huge number of high-quality films in this genre. While this one did NOT star the usual gangster stars of the day (Cagney or Edward G. Robinson), it star the ever-capable George Brent as a federal agent and Ricardo Cortez as an Al Capone-like thug. I particularly liked Cortez's little speech to Brent that men like him are above the law and can never be convicted--it was a very exciting scene. In addition to these two, the film also stars Bette Davis in a pretty decent role as Cortez's bookkeeper. The film features good writing, dialog and acting and while not the greatest gangster film, it is very good and watchable. Oh, and by the way, the ending is pretty exciting (and violent), so it won't disappoint.

    By the way, if you see the film and it seems familiar, this appears to be a reworking of the plot from the MGM film THE SECRET SIX. There are just too many similarities to be coincidental, as both heroes are government agents whose cover is newspaper reporter.
    6blanche-2

    Warner Brothers doing what it did best

    George Brent is a "Special Agent" in this 1935 crime drama also starring Bette Davis and Ricardo Cortez. The original story was written by a newspaperman and is most likely based on the Al Capone case. Brent plays a reporter, Bill Bradford, but his job is a cover -he's an undercover Federal agent after a crook, Alexander Carston (Cortez) for tax evasion. His entrée into the books of Carston's organization is the bookkeeper, Julie Gardner, with whom he's also in love. After the case is built, Carston is arrested and Julie is taken into protective custody. But can she really be protected against Carston?

    This is a fairly routine drama with good acting and some solid action. Davis is very young and blonde here, and not as glamorized as she is in other early films - "The Man Who Played God," "Fashions of 1934" or "Ex-Lady" but nevertheless quite pretty. She's a little too classy to be a mob bookkeeper; as the character, however, she exhibits intelligence, which certainly Julie would have. Brent is his usual pleasant self as Bill, and Cortez is a sinister gangster.

    The only part of the film that gave me a giggle was the riddling of men with machine guns as they continued to stand until their bodies must have had more holes than Swiss cheese before dramatically falling. Certainly they would have been dead long before the 100th bullet.

    Interesting for early Davis and the always good Cortez.
    7lastliberal

    Darling, there is nothing more important than food.

    Bette Davis was already an established actress when she did this film with 27 movies under her belt, and an Oscar nomination for Of Human Bondage. She would win an Oscar for Dangerous the same year this film was released. This is a different Bette Davis than most of us are used to seeing. She was a cute blonde in this film and here acting ability was very evident even in this average gangster flick.

    This flick had a good story about trying to bring down a mobster (Ricardo Cortez) with a T-Man (George Brent) posing as a newspaper reporter. You have to suspend belief at some of the story, but it's not 2007! Brent and Davis would join forces later with Bogey and Ronald Reagan in the Oscar-nominated Dark Victory.
    5bkoganbing

    Bette's own code

    The only thing about Special Agent worth remembering is that for Bette Davis it was the film that she did immediately prior to her first Oscar winner Dangerous. Other than that it was the kind of potboiler programmer that Warner Brothers kept casting her in despite acclaim she got for a few films like Of Human Bondage.

    At least she got her favorite leading man in Special Agent and in the title role. George Brent has the perfect cover for being a Special Agent for the Treasury Department. He's a reporter which means he can go places see things and ask questions and no one suspects. Least of all gambler/racketeer Ricardo Cortez who Brent has been working on for years to take down.

    Of course this film was done with the successful prosecution of Al Capone in the mind of the movie-going public. Davis keeps Cortez's books and Brent is keeping company with her. Here the story is rather vague. Did he like her before or after he learned she was keeper of the records in her own code so even Cortez can't decipher it. His convincing Bette to turn on Cortez wasn't really convincing to me.

    Coming off best in this film is Ricardo Cortez. He is one shrewd article who has his fingers everywhere, it's why no one's caught him till now and Brent nearly doesn't get him this time.

    Special Agent did Bette Davis and George Brent no harm and great things were in the offing for Bette Davis.
    6Art-22

    An OK but improbable early Bette Davis crime melodrama with the stars sustaining interest in the action.

    This crime melodrama is never dull and has some very exciting moments, although the action is improbable. It's well-paced with fine acting: young and beautiful Bette Davis is enjoyable to watch, but her sophistication seems a bit out of place while working for a hood; George Brent is as suave as ever; and Ricardo Cortez makes a good heavy, with lighting effects making him look more sinister. I also liked the acting of many of the supporting characters such as Robert Strange (who is a standout), J. Carroll Naish and Joseph Sawyer, as three of Cortez's murdering henchmen. Anyone who likes the genre should like this film.

    Martin Mooney, who provided the story on which this film is based, was a newspaper man and well aware that the government was sending noted racketeers up the river for income tax evasion. Al 'Scarface' Capone was indicted by a federal grand jury for that offense and spent eight years behind bars starting in 1931.

    Argumento

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    Editar
    • Trivia
      The Hays office objected to a bit of dialogue by character Alexander Carston, so rather than reshoot the scene, the sound was eliminated.
    • Errores
      When Richie takes Bill away to the castle, the feet of crew members and camera equipment are clearly reflected on the car.
    • Citas

      [first lines]

      [the Chief of the IRS can be seen in an office, addressing various men. As he explains the necessary information, he can be seen walking around the office. Among the ones present is Bill Bradford.]

      Chief of Internal Revenue Service: Gentlemen, as you know, the inability of local governments to cope with crime has necessitated the Federal Government stepping in to protect the American people. Our part of that job is to rid the country of the gambler, the business racketeer, and the illicit profiteer who have been operating within and above the law. The Treasury Department, being limited in their function, has sent you men out to gather information, that will enable us to use the one weapon we have. The Income Tax Law. Millions of dollars in illicit profits from illegal enterprises have been hidden away by these racketeers inside and outside the law. No income tax has been paid on these millions. But that hidden and untaxed money will send these men to prison. We'll rid the country of these men who have so far laughed at every law. Now you men have been called in here today to be told one thing, go after them. Get their books and statements and don't stop until you have the evidence. These are my orders. The dictum of the Secretary of the Treasury and the command of the American People. Now some of you men have been undercover and observing for over a year. You're through observing. You're going into action. If necessary, you'll raid to get this evidence. There's one man, however, we prefer to take alive, Alexander Carston. It's easy enough to kill him, but to put him behind the bars is to prove that the cleverest racketeer isn't smart enough to outsmart the Federal Government.

      [the IRS Chief looks at Bradford]

      Chief of Internal Revenue Service: You get that, Bradford?

      Bill Bradford: [smiles and nods] Yes, sir.

    • Conexiones
      Featured in All About Bette (1994)
    • Bandas sonoras
      Lullaby of Broadway
      (1934) (uncredited)

      Music by Harry Warren

      Played as background music at the casino

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de septiembre de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Special Agent
    • Locaciones de filmación
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos
    • Productoras
      • Cosmopolitan Productions
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 16min(76 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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