Scrooge

To many or most people, the 1951 version is so familiar that it is a bit of a shock to see a different, but equally valid, version. The Sim version is still the definitive one I feel, but ...

The Sim Scrooge is utterly plausible much of the time, but then he will be as giddy as a schoolboy, for example, giving an interpretation that an incorrigible naysayer could choose to quibble about. My reaction to Seymour Hicks was similar but, strangely, in alternation with Sim -- oh, he's better than Sim here, worse than Sim here, more realistic here, less realistic here. Any given scene with Hicks could be better, worse, or just plain different from the corresponding scene with Sim. This is partly what made seeing this version so enjoyable; you really couldn't second-guess the next scene.

There are significant differences in the portrayal of the ghosts. I think we are all familiar with Michael Hordern's eerie and frightening ghost of Jacob Marley, shrouded in chains, from 1951. In this version, Marley's ghost is invisible!! You hear the chains but you see nothing whatsoever. The Ghosts of Christmas Past and Future are also quite non-corporeal. Only the Ghost of Christmas Present is someone we recognize from Sim.

Tiny Tim is quite different. We expect Tiny Tim to be an eternal optimist, irrepressibly cheerful. But the Sim Tim (boy, I loved typing that) seems to overdo it a little. He appears to be "on something", to use the vernacular. In this version, Tim is toned down. In some ways, it's an improvement. In the Sim version, to its credit, there is a special balance however, namely, the repentant Scrooge has an exuberance which matches Tim's precisely, and they appear together in the final shot, as we all know. A perfect ending. Back to that later. A key difference in Hicks: at the tragic moment, we do not see the lonely crutch we're used to; oh no, we see Tiny Tim lying dead!!

This version has some scenes which are not in Sim. This version in general has more singing, and one of the extra scenes involves the Lord Mayor of London giving his Christmas toast to Victoria followed by the singing of God Save The Queen.

In Sim, Scrooge comes to his senses on Christmas Day and there is a warm and funny scene with Mrs. Dilber, the housekeeper. Not here. Here there is an extended scene of Scrooge and the prize turkey! Scrooge goes to the butcher shop which is closed, snow falls on Scrooge, Scrooge throws snow, snow hits butcher. Butcher opens up, Scrooge orders turkey, Scrooge goes home. Scrooge gets dressed, boy brings butcher, Scrooge still dressing, butcher tries to leave with huge turkey, Scrooge answers door. Scrooge then pays the butcher, pays the boy, and gives the boy extra money so the boy can take the turkey to Bob Cratchit's house in a cab! Scrooge then leaves the house whereupon he meets the two gentlemen who were soliciting for the poor earlier in the film and volunteers to give them 100 pounds!

So, how does the film end? There's nothing about rushing right out to buy a new coal scuttle. No mention of scuttles in this film. It's Boxing Day and Scrooge gives Bob the day off. Then Scrooge joins Cratchit in church (!) for the singing of Hark the Herald Angels Sing. The End, with Tiny Tim not to be seen anywhere. So perhaps it's the warm emphasis on Tim that really clinches the 1951 version.

There are many moments of surprise and enjoyment here if the opportunity should ever present itself.

Most people are familiar with the 1951 classic version of A Christmas Carol (AKA Scrooge) with Alastair Sim. This British version was made three years before the MGM American film, and is actually better than that one, but of course not as great as the 1951 version. It is very short and to the point, in many ways different than other versions, since it is faithful to the Dickens story, and Hicks gives a brutally realistic portrayal of Scrooge. The Depression Era London setting is depicted quite realistically as well. 3 out of 4 stars.

While not as well-known as other versions of the Dickens classic (Owen, Sim, Magoo, Scott), the 1935 British film of "A Christmas Carol" is almost in their league. Among other things, it preserves, in sound, the performance of one of the legendary Scrooges of the English stage, Sir Seymour Hicks, who definitely does not disappoint. In the beginning, his Scrooge is one of the nastiest ever seen on film, his appearance that of something that crawled out from under a rock. But it is precisely these qualities that make his gradual transformation all the more affecting. At the beginning, we loathe the man, at the end, we rejoice with him at his redemption.

The performances of the rest of the cast are on the same level, with Oscar Asche's Falstaffian Ghost of Christmas Present a particular standout. And, although this is probably the one major film version of the story where you don't actually see Marley's Ghost, the anonymous actor who provides his voice, the accompanying special effects, and Hicks's reactions are enough to make the scene that much spookier.

Finally, kudos to Sydney Blythe and William Luff for their excellent camerawork. Fog-shrouded 19th century London has rarely been presented this well in ANY picture. And the play of light and shadow, particularly during the Christmas-Yet-to-Come sequence, would scare even the Scroogiest among us into repentance.

In sum, while this is not on the level with the excellent versions I've already mentioned, it has more than its' share of good points, and deserves to be seen at least once.

This version of the Dickens classic is decent enough. But it treads so lightly, ignoring key elements of the original story. It isn't bad for mood and atmosphere, but it never captivates like some of the other superior efforts. For "A Christmas Carol" to really work we must get into the head of Scrooge, to feel what it is that has made him. We got none of that here. The acting is decent, but the budget must have been a little lacking. I found the absence of an actor to play Marley's ghost to be a shortcoming, for it is here that Scrooge begins to find the error of his ways, not in a big way because he argues for the preservation of his inadequate life. The Ghost of Christmas past doesn't get into the harsh realities of young Scrooge, and so we are left without a psychological foundation. Anyway, from one who has been enamored with this wonderful story for a lifetime, I didn't feel this stacked up very well. There seems to be a kind of fat and sassy Cratchitt and Tiny Tim doesn't really draw our sympathy.

In the Victorian England, the stingy and cranky Ebenezer Scrooge (Sir Seymour Hicks) does not care to Christmas and runs his business exploiting his employee Bob Cratchit (Donald Calthrop) and clients. In the Christmas Eve, he is visited by the doomed ghost of his former partner Jacob Marley that tells him that three spirits would visit him that night. The first one, the spirit of past Christmas, recalls his miserable youth when he lost his only love due to his greed; the spirit of the present Christmas shows him the poor situation of Bob's family and tiny Tim and how joyful life may be; and the spirit of future Christmas shows his fate. Scrooge finds that life is good and time is too short and suddenly you are not there anymore, changing his behavior toward Christmas, Bob, his nephew Fred (Robert Cochran) and people in general.

"Scrooge" is another great version of "A Christmas Carol", by Charles Dickens. I do not recall how many versions of this magnificent tale of redemption I have watched, but this 1935 is one of the best, with a fantastic performance of Sir Seymour Hicks. This film has been recently released by Brazilian distributor Flashstar in black and white and colorized versions in the same DVD but edited to 60 minutes only. I found the complete version in Youtube (http://www.youtube.com/watch? v=_Sr2ow_ZH9w). "Scrooge" (in any version) and "It's a Wonderful Life" are mandatory for viewer that enjoy Christmas. My vote is eight.

Title (Brazil): "O Fantasma de Scrooge" ("The Ghost of Scrooge")