Sagebrush Troubadour

Ranger Gene Autry and sidekick Ol' Frog trail a murderer and they ride into town with the bait. Everyone wants the old swayback horse to lead them to the gold mine. To start things off, Green Acres alum Barbara Pepper as Joan Martin runs Autry off the trail with her team of horses and he gets plenty of revenge. With great songs and Gene and Frog's slapstick antics, they just may be able to charm her back to their side. The crooked lawyer Henry Nolan (Hooper Atchley) is sceaming with John Martin (J. Frank Glendon) to steal the mine and make claim. They have some stiff competition from Hank Polk (Fred Kelsey) and Lon Dillon (Dennis Moore) who also tries courting the gorgeous Pepper. In the meantime, henchman Pablo (Julian Rivero) has an uncanny knack of throwing lead at the rangers when they least expect it. Who can forget the most popular western character actor, Ol' Tom London and the West's favorite sheriff Jack Rockwell.

This Gene Autry film from 1935 features all the elements that helped make the Oklahoma crooner a superstar. The film features action, the usual Autry cowpoke songs and several hilarious bits by Smiley "Frog" Burnette.

Gene, astride Champion (The World's Wonder Horse) , takes on a few greedy villains, warbles a few cowboy songs and saves the day in this one-hour movie that thrilled fans of yesterday & today.......

Gene Autry was able to take his modest talents and create a new film and musical genre that dominated the screen for decades. This film is a fun example of Gene and company in the early days of the Singing Cowboy. Enjoy!

Early Autry entry where he's near his physical peak, and looking great in colorful cowboy get-up. The hour's nothing special—some good hard riding, very little gunplay, plus Gene's easy way with a song though the selections are pretty forgettable. Still, I hope Burnette got double pay for all the pratfalls and belly flops he does in comedy relief. And catch Barbara Pepper as the pretty blonde ingénue. Certainly a long way from the chunky wisecracking types she later slid into.

The plot's something about finding a killer and a lost mine, but as in most Autry films, there's a lot more going on besides the plot. I have to echo reviewer classicsoncall. I ran back the DVR twice to see if a trip-wire was used on Gene's horse when it takes a really bad fall. I couldn't tell, but I doubt they would risk Champion in such a risky stunt. Anyway there's lots of stunt work for the doubles, and catch Gene when he takes not one, but two guys off their horses at the same time. I don't recall seeing that before. All in all, it's an easy, if unexceptional, hour of action and song, courtesy Gene and our friends at Republic.

This was an enjoyable Western romp in the best Gene Autry tradition – nice and wholesome family fare back then, sadly probably too much so (apart from one bit) for today's deviant tastes.

Plot has it that Gene and Smiley are hunting for the murderer of an old rancher, the clues being that he was strangled with a guitar string, and a rather downbeat horse the man had owned that Gene is returning. This horse is the subject of intense bidding from what turns out to be four baddies, trumpeting to Gene and the audience that this horse is somewhat special and has a secret they ought to uncover. He first meets the old man's granddaughter by ticking her off and spanking her soundly, but afterwards her admiration of him grows by leaps and bounds - the moral being of course she knew that she had acted foolishly previously and not that she enjoyed it! A large part is played at the Masque, where Gene and Smiley are disguised to watch the party-goers for further clues, Smiley being a dead-ringer for the baddie (!) Fred Kelsey. There were some very good songs especially the wistful End Of The Trail, and I'd Love A Home In The Mountains at a tense moment.

Nothing heavy and none of life's hard lessons are to be learned here, but great stuff for the cognoscenti who still appreciate decent middlebrow entertainment.

Gene Autry and Smiley Burnette are trying to figure out who murdered Frank Martin. They have two pieces of evidence to serve as clues: a broken guitar string and Martin's old swayback horse. Daughter Barbara Pepper is in town for the first time in years. She's Martin's principal heir. Martin's adopted son, J. Frank Glendon, is next in line, followed by lawyer Hooper Atchley. Those are good reasons for murder, and for more deaths. But why does everyone want the horse?

There are eight musical numbers, and Burnette demonstrates his musical versatility in "Lookin' For The Lost Chord". Fred Kelsey is on hand, not playing a comic law man for a change, and the movie proceeds at a good clip under Joseph Kane, aided by a good and efficient editing pace by Joseph H. Lewis and Lester Orleback. There are a couple of good stunt sequences enacted by Joe Yrigoyen. Overall, this is a good little B Western, and far superior to the usual slothful offerings by Gower Gulch. It's clear that Republic had a winning combination in the starring and production team.