Reckless

William Powell is delightful, Jean Harlow is warm and vulnerable, Rosalind Russell is charming, and even Franchot Tone, who plays a millionaire playboy who jilts Russell for Harlow without truly knowing his own mind, is witty. The dialog, particularly in the first half of the movie, is light and amusing, and there are a couple of nice musical numbers. It gets a little fast paced and soap operatic towards the end, but it's always entertaining. This is the film that got Powell and Harlow together personally for the last two years of her life, and their chemistry shows. The early scene with them lounging together and him proposing in his own way as she drowses off is fantastic, and Powell's scenes with the old granny are also priceless. It's also fun to see a young Mickey Rooney in a couple of scenes. Not perfect but watch this one for the cast and their performances.

Although Jean Harlow disliked playing this part in Reckless because she was a friend of Libby Holman on whom her part is based, she did it anyway, because it was a great part and she turned in a great performance. It was also her first of two films with William Powell whom she was going to marry at the time she died.

No doubt the notoriety of the Zachary Smith Reynolds suicide which was in the presence of Ms. Holman, well known torch singer from the twenties was a wonderful story. Can you see the wheels turning in Louis B. Mayer's mind? Star Jean Harlow in this film, also because of her own suicide scandal involving her late husband, Paul Bern. This can't miss at the box office and it didn't.

Of course if the film were made today, it would also include Libby Holman's lesbian affairs. As the Code was now in place, that was an aspect that MGM couldn't film in Reckless.

Although Harlow is clearly in the lead, Franchot Tone also got one of his best roles as the young millionaire from the horsey set who's not wrapped too tight although that's not apparent at first. For once his part from MGM did not include just wearing tails and being charming.

Of the leads William Powell is clearly in third place, he just has to be dapper and supportive as the family lawyer for Harlow and grandmother May Robson. He gets to do a great drunk act though. Speaking of Robson her part in Reckless probably led to her being cast as Janet Gaynor's grandmother in A Star Is Born.

This was an early film for Rosalind Russell who plays the girl Tone jilts when he marries Harlow. She plays it nice and supportive. Russell did China Seas as well with Harlow and in her memoirs, she says that Harlow was a kind, generous, and supportive to a new kid on the lot. Who could know she would be dead within two years.

Reckless is one of Jean Harlow's best acted parts in her career. Fans of her and Franchot Tone should not miss this film by any means.

Jean Harlow can be funny and likable in such delectable classics as "Dinner at Eight", "The Girl From Missouri", "Red-Headed Woman", "Platinum Blonde", among others. But she is wasted in "Reckless", a surprisingly plodding and undernourished comedy-musical-melodrama, made for MGM and David O. Selznick, directed by Victor Fleming. Harlow's Mona Leslie, a Broadway singer whose reckless affairs with rich playboy (Franchot Tone) leads to scandal and jealousy, is one of her weakest performances. William Powell plays her secret admirer who rescues her from carelessness. May Robson is the maid whose delightful banter with Powell is one of the few likable moments in the film. As in "Personal Property" and the overrated "Libeled Lady", the film offers nothing more than its earnestly plush and overproduced MGM look. And it is obvious from the beginning that Harlow is uncomfortable with this mush; her singing and musical numbers, mostly dubbed, are highly forgettable.

Reckless (1935)

* 1/2 (out of 4)

Really poor comedy/drama about a showgirl (Jean Harlow) who gets caught in a love triangle with a producer (William Powell) and a playboy (Franchot Tone). This is a pretty poor picture that fails as a comedy and then really fails as a drama in its second half. I'm not sure if Fleming couldn't handle the material or what but in all honesty he's not given too much to work with and even the cast sleepwalks through the film. This is certainly the worst I've seen Harlow and Powell as neither actor are up to their usual standards and Powell comes off quite boring. The supporting cast includes May Robson, Ted Healy and Mickey Rooney but none of them offer any laughs. The second half of the film turns into a drama, which tries to bring tears but this is the only segment that offers any laughs. The ending is downright insane and overly forced.

Even with big stars and an expensive production with songs by Jerome Kern and Oscar Hammerstein this is a minor film reworking of the Libby Holman tragedy. Powell is fine but in the background as is Rosalind in an early film where she is still in her grand lady phase. Ever the trouper Jean does what she can in a part for which she is hopelessly ill suited. She was aware of her limitations as much as anyone but went ahead with this even after expressing her doubts because it provided an opportunity for her to work with Bill Powell with whom she was personally involved. She does fine in the dramatic portions and is snappy at the beginning but she was no singer and is obviously dubbed. As a dancer well...she was a fine comedienne.