Tarzan y el idolo perdido

Of all the classic Tarzans that I have seen in cinema until 1984 (of which I only think I am missing a few, such as the blonde Denny Miller) Bruce Bennett (or Herman Brix, his real name) was my favorite. He did not have a great participation as "the king of the jungle", apart from the serial "The New Adventures of Tarzan", but, in addition to the fact that this version was closer to the creation of Edgar Rice Burroughs, who served as co-producer, Bennett was a handsome Tarzan, with a more serious face, a lonely and unglamorous hero, mistreated by the jungle, who I think I only perceived in Jock Mahoney and Christophe Lambert in 1984, when I stopped watching films with Burroughs' character.

I saw an edited version of the serial running 75 minutes and it seemed like a more than adequate adventure, with a less show business and more dramatic approach, and that leaves you wanting to see more, perhaps the entire serial. Other sources indicate 70 minutes. This version has not been restored. There is also a 59-minute British dubbed version that was aired on American television since the early 1950s, with 10 minutes of additional stock footage of the African flora and fauna. That material was later removed and the original was issued on VHS.

If you find a copy, see it, it's a well-represented Tarzan film.

Herman Brix was an athlete in track and field, he won a silver medal in the Olympics and was breaking into films. This was his first real break, produced by Tarzan creator Edgar Rice Burroughs himself, this film goes to the books for inspiration. Although, to the best of my knowledge, it is an original story, the Tarzan character is clearly the intelligent aristocrat of the books, who lives at a manor in England, but returns to the jungles when needed. He speaks in complete sentences, and interacts with other characters on an intellectual level. His chimp sidekick is even named from the books, Nkima. Not short on action, this serial has suspense and drama to satisfy the serial and Tarzan fans quite well. We see that Brix is in perfect shape for the role, and we get to see enough flexed muscles and six-pack abs to prove it. Of all the early Tarzans, Brix has one of the most perfect and realistic builds. His yell is quite interesting, I can't describe it other than as a man who stubbed his toe, and is trying to stifle an obscenity. Certainly worth watching, and full of exotic scenery (shot on location in Guatemala), get this on DVD and have a good time. ***/****

I am here watching this movie for the first time with my good friend Roly. The date is 14 July 2008. I have to say that for 1935, when the likes of Joe Louis were boxing their way to stardom, the photography is excellent. Unfortunately the photography is mostly taken up with vistas of the great African Planes (In Puerto Rico). I was particularly made nervous by the scene in which Bruce Bennett appeared to kiss Cheetah on the lips. Of course I can forgive this because I am looking at it in a 2008 frame of mind and I am naturally homophobic.

Look, its like this, the movie is mostly just camera shots of wild "Africa" with no acting whatsoever. The director should be dug up and shot. It's a disaster. Gordon Scott will be turning in his grave, not to mention Johnnny Weismuller and Cheetah! If you don't allow this onto IMDb, then you are stifling free speech and you believe in a Brigadoon-like civilisation where nobody says anything bad. 1935 it is. Good cinematography it has. Storyline it definitely hasn't.

YES you should buy it. Just so you can go through what I went through.

Bbye Bye.

I bought this on DVD and became an instant Herman Brix fan. Though his acting is somewhat stiff (to be generous), I can see why Edgar Rice Burroughs--Tarzan's creator--found Brix to be the "perfect" Tarzan. His build is spot-on, and he excels in the action scenes. If only he made more Tarzan films. Though this entry appeared in both serial form and as an edited feature, I recommend the serial version. The feature version is simply too choppy to have any story thru-line. However, the editing is slow with story pacing to match, in the serial. If you're a Tarzan fan (of the books, especially)--you'll find that this Tarzan is not the mono-syllabic dunce Hollywood liked to dish up--a welcome take on the character.

I watched the serial over several days--it's simply too long to take in one sitting--and I thoroughly enjoyed it. It takes some patience to keep your finger off the fast-forward button, but each chapter featured an action sequence that was usually worth watching. It's not for general consumption--most would find the quality too low to be very entertaining, but if you're a Tarzan fan, this is one worth checking out. Brix is quite an acrobat--he performed some moves that simply astonished me.

The sound is pretty scratchy in parts and some of the dialog is unintelligible...so keep your remote handy to pump up the volume from time to time.

If the other Tarzan Serials are almost as good, I want them in my DVD collection, too.

The carnage in this film is appalling. A machine gun is set up and mows down literally dozens and dozens of angry Guatemalan "natives." Why are they angry? Because white people have come into their territory to steal a religious symbol from them. One of the packers is murdered, but his death isn't missed by anyone, not even Tarzan. The film begins with Tarzan fighting and killing a lion, and later on he fights and kills an alligator, but he hasn't even got a scratch on him from these encounters. The natives spared the surviving pilot, but no mention is made of the two passengers and what happened to them. The idea that Tarzan, lord of the jungle, would allow the murder of so many natives without showing any remorse would seem to contradict his responsibility as "lord of the jungle." Compare this concept with the film "Tarzan and the Amazons," where the intruders are justly punished and Tarzan protects the "lost' civilization. I appreciate the interpretation given by Bruce Bennett of an articulate Tarzan, but the writers of the screenplay have a lot to answer for in their stereotyping of native peoples who make good target practice.