The Mystery of the Mary Celeste

While this isn't the greatest film in history, the Marie Celeste is a puzzle and it's fun watching her self-destruct. Lugosi showed some real chops in this film. Not long after Dracula, we get to see him play a character who is filled with vengeance and fury. Lugosi makes him a really sympathetic person who has obviously been wronged and has seemingly given up on life. The relationship of the captain and his wife on board this strange ship is a bit strained. Why would he do this? Also, there has to be a reel missing from this film. There are a couple of deaths that simply happen but we aren't privy to them. I've always enjoyed the claustrophobic milieu that is a ship, no escape available for anyone, and this one uses that closed in atmosphere pretty well. Still, it is pretty unsatisfying at times.

Hammer Film Productions is famous for the production of Gothic horror during the 60s and 70s; however, way before becoming the legendary horror house, the company had a brief but brilliant encounter with the genre. The film was an ambitious entry in the horror/mystery genre starring horror icon Bela Lugosi and based on the famous case of the abandoned ship, the "Marie Celeste".

"The Mystery of the Marie Celeste" (or as it is known in the U.S., "The Phantom Ship") presents a fictional theory on the mysterious disappearance of the entire crew (complete with the captain's family) of the tragically famous ship. The plot deals with a mysterious murderer who is killing the crew one by one. Arthur Margetson is Captain Benjamin Briggs, who is taking his bride Sarah (Shirley Grey) in his tragic last trip. The crew includes Bela Lugosi and Edmund Willard among others, all of them possible victims, or killers.

The film is very well done for a low budget, and it is very well written, with very interesting characters and a perfectly crafted mystery. Sadly, several minutes of film were cut for the American release and it's the only version that has survived. The original British version (with a runtime of approximately 80 minutes) is apparently lost. The movie still works with the cuts, but one is left to wonder how deep the development of the characters was in the original.

Director Denison Clift had a small career as a director (he was primarily a writer), but he manages to create great atmospheres and builds up the suspense and the mystery with good care. Clift focuses more on the story than in the visual composition and lets the actors do the trick, they are without a doubt the film's highlight. The superb performances of the cast give life to the story and make the experience even more enjoyable.

Arthur Margetson is very good as the stubborn and stoic Capt. Briggs, but Shirley Grey is a bit weak as the romantic interest (contrary to the real story, in the film the couple has no children). Edmund Willard and Bela Lugosi steal the show, the first one as the violent Tobey Bilson, and Lugosi as the mysterious Anton Lorenzen. The two of them give outstanding performances and are the soul of the movie. While Bela Lugosi will always be remembered as Dracula, is in this movie where he can display his dramatic talent in a very demanding role as the emotional Lorenzen.

The film feels claustrophobic at times being that the only location is the ship, but this adds to the feeling of paranoia and suspense that grows among the crew. The lack of flamboyant visual imagery may turn off horror fans not used to the slow pace of older films but the films moves at a perfect rhythm. Another small flaw is that the rest of the cast is at times either unconvincing or over-the-top; however, Lugosi, Willard and Margetson make up for this.

While "The Mystery of the Marie Celeste" is not the classic film that "Dracula" or "White Zombie" are, it is a fine film that successfully mixes horror and mystery and displays the great talent Lugosi had, a talent that was sadly forgotten and went underused during most of his career. This film is an often forgotten shiny spot in the stories of both Lugosi and Hammer Productions, and therefore a must-see for anyone interested in Lugosi's life or in Hammer's history, as it is probably the finest performance of an iconic figure. 8/10

This fictional story is based on true event -- the finding of a ship with no one on it.....and gives a plausible "explanation" of what MIGHT have happened.

This film is notable for Lugosi's dramatic performance; it's one of the (very) few films that he was able to show his dramatic (as opposed to horror) side.

This is a VERY difficult film to find.....but worth watching for Lugosi's performance alone!

The Mary Celeste was a real ship that was found adrift in good condition, with its cargo intact, in the Atlantic with no one aboard and no record of what happened to them. It's one of histories great mysteries of the sea. This film is very loosely based on this event but it has many of the facts wrong. The film cannot be viewed as a historically correct movie about the real Mary Celeste's voyage. As an example, the captain gets married just before they sail. In reality the Captain was married for some time and had a child that was on the voyage. The child was absent from the movie. There are many more inaccuracies. The accuracy of the personalities of the ship's crew is also very questionable. The movie has taken huge liberties with the facts. Ignoring that this is supposed to take place on the Mary Celeste, this is still a pretty good drama/mystery. I was happily surprised to find that this is one of the very early films from Hammer studios. The atmosphere and settings were great and the characters interesting. Overall the acting is good. Bela Lugosi really stands out with a great dramatic performance and is excellent in his role. The quality of the film and sound are not the greatest but acceptable considering it's age. This USA version is what remains of an earlier and longer British version which I presume is lost but it's still a decent movie. Hammer studios, Bela Lugosi, 1935, isn't that enough to have you take a look at this movie?

The MARY CELESTE sets sail with a rather undistinguished-looking crew -- unless you're into tattooed accordionists, or think an unshaven Bela Lugosi is prepossessing. There's also Shirley Grey as a passenger. Odd things happen, like someone trying to shoot Miss Grey through a porthole, and soon the entire cast is going to pot.

This movie has the distinction of being the second production of Hammer Films, and the first to be distributed in the United States. There's some nice shipboard camerawork by Geoffrey Faithfull and Eric Cross, and one nice stunt, but that's about the limit of its excellence. It's the last movie directed by writer Denison Clift, who wrote the story it was based on. If the dialogue was particularly interesting .... the soundtrack of the copy I looked at was pretty poor, and I couldn't tell.